Like it or not, relationships come to an end: turn the page, walk away.
A prismatic monolith of improvised jams, where I play a huge array of instruments, from bass guitar to tenor sax, from Chinese to Indonesian winds and sapek, the lute of the Kenyah (Dayak) tribes of Borneo (some of you might remember Tresno’s first release back in 2016, The Sacred Drones of West Kalimantan, which focused on the traditional musics of the Kenyah and the Kayan tribes of the river Mendalam in West Borneo).
This is Tresno Records’ sixth release since its foundation, four years ago

Ldgu: sampelong (track one), bass guitar (track two), hulusi (track two), suling Jawa (track two), tenor sax (track three), sapek Kenyah (track four), feedbacks, reverberations.
Vacuum Templi: tape loops (track one, two), synth (track two, three). 
Irene Bolormaa: vocals (track three).

Mixing: Ldgu, Vacuum Templi (track one, two, three), Ldgu (track four). 
Mastering: Ldgu
Cover art: Ldgu.

2020 Tresno Records

The End of a Story

Intro

Get it here

Ldgu is like a dildo for your soul
https://linktr.ee/Ldgu

Next shows: 2022

with Senyawa, @ Circolo Dong, Macerata. June 8th
                      with Ponzio Pilates @ Sziget Festival, Budapest, Aug 10th
                      with Ponzio Pilates @ Umbria Jazz, Terni, Sep 17th
                      with Japan Blues Neurotica Exotica @ Iklectick, London, Nov 10th

                      2023

                      Ludus (8 improvisers orchestra), Angelica, Bologna, Jan 26th, 28th
                      Sleeping concert, Ascoli Piceno, April 1st 
                      Facoltà di Filosofia, Università di Macerata, May 17th
L'Orientale, Università di Napoli, May 26th

Ldgu's music has been released by:
QueenSpectra, Syrphe, Artetetra, Tresno Records, Insitu Recordings, Slowth Records.

Musicians I've shared the stage*/collaborated° with:

Ben Frost (AUS)*, Arrington De Dionyso (USA)*, Jin Hi Kim (South Korea)*, Clap! Clap! (IT)°, Colossius/Ether (IT)°, UXO/HDADD (IT)°, Senyawa (ID)*°, DJ Earl (USA)°, The Host (IE)°, Lucas Abela (AUS)*, DJ Pinch (UK)*°, In Zaire (IT)*°, Prapto Suryodarmo (ID)*°, Mugiyono Kasido/Studio Mugi Dance (ID)*°, Fajar Satriadi (ID)*, The Doubtful Guest (USA)°, I Wayan Karta Koper (ID)°, Gempur Sentosa (ID)*°, Linda Vitolo (IT)*°, I’D M Thfft Able (USA)*, Subeena (IT)*, Phace (Ger)*, Congo Natty (UK)*, Icicle (Hol)*, Rockwell (UK)*, Pole (Ger)*, Hatcha (UK)*, Kromestar (UK)*, Jack Sparrow (UK)*, Dope DOD (Hol)*, Herva (IT)*, Ital Tek (UK)*, Kuedo (UK)*, Luke Vibert (UK)*, µ-Ziq (UK)*, Rebel Up! SebCat (BE)*, Bombino (RN)*, Sigillum S (IT)*, His Hubris (MY)*, Dharma Shan (SG)*, Karen Borca Big Band (USA)*, Alvin Curran (USA/IT)*°, Francesco Giomi (IT)*°, Max Eilbacher (USA)*, Japan Blues (UK)*, Vincenzo Vasi (IT)*°, Edoardo Marraffa (IT)*°, Fabrizio Puglisi (IT)*°, Gioele Pagliaccia *° (IT), Filippo Giuffrè *° (IT)

Immersive love is a nostalgic tribute to the times of 2000s and the Netlabel scene. Back then independent musicians and music producers, used the internet to distribute their music without the intention of making a profit. They allowed other artists to use their music for free, which allowed them to express themselves without the constraints of the music industry. This passion for music-making spread to other musicians and listeners, leading to the formation of a network of labels and blogs that formed communities of individuals who created, shared, reviewed, and published the music of independent artists. However, the rise of social media and streaming platforms with algorithmic models led to a decrease in creative freedom and marked the end of this period.

- free downloads
- entire catalog released under CC BY 4.0 
- youtube safe (no copyright claim)
- not constrained to specific genre or style
- non profit
- always accepting demos

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