Electro by nature with dark soul of techno Unlayr is a creature not quite elegant but surely effective. Featuring a gritty edge, this young producer seeks to drive a name without definition but with a voice. Subtly tech beat and bass, this one draws unique a sound embedded in groove. Though early on the path, we expect big things from this budding and driven name.

no.music // Elrow Music, and many more.

https://www.facebook.com/KAMAOFFICIAL/
Artist contact: kamadeejay@gmail.com

FOLLOW ME on SPOTIFY: https://open.spotify.com/artist/7L6gfWcEVPIvHp2SFhMk1J

Behind Soul Machine is hidden a French Musician who traveled for so long between instruments and music styles. He’s been involved in various projects and bands through the years, exploring 70’s Rock, Metal, Dub and Trip Hop.  

Through the years, his constant need for perfection and his powerful live performances brought him glorious supports such as TONY VISCONTI (legendary producer of David Bowie), Gaspard AUGE (JUSTICE), Liesje SADONIUS (HOOVERPHONIC) or Matthieu CHEDID (-M-).  He also worked for world famous artists like MISSILL, NYLS, Rosko John (Archive) and Yann DESTAL (MODJO).

Today, Soul Machine build his own custom instruments under the name of Far Beyond Perception and offers a very unique style of music, the perfect equation gathering all he experimented before.

References :
+/- Anne, from Nomad Sight Corp/LCDS Event :

"Soul Machine est en 6 dimensions a minima mais j'en oublie volontairement pour simplifier l'équation qu'il incarne.
Culture musicale XXL + pratique de plusieurs intru' + maîtrise de la technologie + intelligence + talent + feelings = l'Art de la mixologique incarné. 

Oubliez l’étiquette « club » qui colle généralement aux DJ, Soul Machine est un artiste de scène. Ses concerts, véritables perform...ances, vous transmettent une énergie indescriptible. Le loup sort du bois, le Diable de sa boîte et vous voilà transformé l'espace d'un set en Demon-Garou déchaîné. 

De quoi faire danser un cactus pétrifié !"

Labels :
https://soundcloud.com/sofrenchrec
http://soundcloud.com/jet-set-trash
http://soundcloud.com/playmerecords
http://soundcloud.com/enrecords

Thanks to everyone that comments, follows, favourites my tracks.

For any question, and obviously booking: asvramusic@gmail.com

Le dégout est le sentiment d'une personne confrontée à ce dont elle n'a pas le goût, et qu'elle rejette même avec une certaine violence comme ayant fait l'objet d'une souillure inacceptable.

home of 
10LEC6 / BREAKBOT / BOSTON BUN / BUSY P / DJ MEHDI / DSL / FEADZ / JUSTICE / KRAZY BALDHEAD / MICKEY MOONLIGHT / MR FLASH / MR OIZO / MYD / PARA ONE / RITON / SABRINA & SAMANTHA / SEBASTIAN / SO ME / UFFIE / VLADIMIR CAUCHEMAR

You can listent all my works on www.shitao.bandcamp.com and https://linktr.ee/shitaobeats

Already available

2023 - "Aurès 1954"
2022 - "Don't...let him go back to the tower"
2022 - "The waves"
2022 - "Child's head with flowers"
2021 - "Chroma tape"
2021 - "Tomie tape"
2021 - "Mono"
2020 - "Aleph"
2020 - "The day she arrives"
2019 - "Torn"
2019 - "Sunless"
2013 - "Sunday"
2012 - "No bridge Behind"
2009 - "La jetée" with Son of a Bricklayer
2008 - "Lines"
2007 - "Nocturnal Tales"
2006 - "ASP" with akabrownsugar and Pi-Pol

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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