The first episode of the podcast series Aridity Lines features artist Jumana Emil Abboud, who takes the listeners along a “water walk” she took with Im Juma’a, an elder from the village of Ein Qiniya in occupied Palestine. The walk, narrated by Abboud, delineates the intertwined journey of water, earth, plants, trees, animals and people across time through various folktales from the area. It is annotated through a live interview with the artist by host Reem Shadid, to expand on key elements; such as the paradox between more-than-human and human land demarcations, the forms of ecological knowledges relative to water protection, and the possibility of narrating climate change and resilience through the angle of oral histories.

Aridity Lines is an eight-episode podcast series commissioned by TBA21–Academy and co-produced with Radio Ma3azef. Conceived by Reem Shadid and Barbara Casavecchia as part of The Current III: “Mediterraneans: ‘Thus waves come in pairs’ (after Etel Adnan),” the series invokes the local ecological knowledge that delicately treads the porous borders between its land and water bodies around the Mediterranean sea. By scientific definition, an aridity line is the line that connects all points with the same average amount of annual rainfall. We are taking this drifting threshold that traverses times and human-made borders as a magnifying lens to read through the social, environmental, cultural, and geopolitical impacts of climate change.

Guest: Jumana Emil Abboud
Edited and hosted by Reem Shadid 
Introduction and credits voice over: Jinane Chaaya
Sound editor: Moe Choucair
Produced by María Montero Sierra

Aridity Lines: The keepers and the thieves of water streams W/ Jumana Emil Abboud

In the second episode of Aridity Lines, my guest is Ala Tannir, an architect, researcher, and curator from Beirut, Lebanon.  We focus on her work and research concerned with exploring the Mediterranean Sea as a space of resistance and possible interspecies alliances. Where Tannir maps out new currents of movement of jellyfish and humans at risk in the Mediterranean Sea. She connects the undefeated underwater species, which thrive in ailing seas where oxygen levels are low, with the movement (or the denial thereof of vulnerable human beings) above water to help us understand how the crisis of climate change and its effects on the Mediterranean and that of global forced migrations are not separate, but in fact driven by the same extractive forces.
 
Guest: Ala Tannir
Hosted by Reem Shadid
Edited by Barbara Casavecchia and Reem Shadid
Introduction and credits voice over: Jinane Chaaya
Sound editor: Moe Choucair
Produced by María Montero Sierra

Aridity Lines: Blood in the Water: interspecies alliances in the Mediterranean Sea

In the third episode of Aridity Lines, Cooking Sections (artists Alon Schwabe and Daniel Fernandez Pascual) delve into their research on climate emergency and its effects on human eating patterns, which they deploy to examine “systems that organize the world,” as they describe it. We focus on their long-term project Climavore, started in 2015, and their recent explorations of shifting seasons and regions in the Mediterranean area for their recent exhibition “Seasons Made to Drift” at SALT Beyoğlu, Istanbul. We discuss the relationship between climate change, aridity and fertility, water buffalos and their watering routes, bird language in northern Turkey, and the Mediterraneanization of the Black Sea.

Aridity Lines is an eight-episode podcast series commissioned by TBA21–Academy and co-produced with Radio Ma3azef. Conceived by Reem Shadid and Barbara Casavecchia as part of The Current III: “Mediterraneans: ‘Thus waves come in pairs’ (after Etel Adnan),” the series invokes the local ecological knowledge that delicately treads the porous borders between its land and water bodies around the Mediterranean sea. By scientific definition, an aridity line is the line that connects all points with the same average amount of annual rainfall. We are taking this drifting threshold that traverses times and human-made borders as a magnifying lens to read through the social, environmental, cultural, and geopolitical impacts of climate change.

Guest: Cooking Sections
Hosted by Reem Shadid
Edited by Barbara Casavecchia and Reem Shadid
Introduction and credits voice-over: Jinane Chaaya
Sound editor: Moe Choucair
Produced by María Montero Sierra

Aridity Lines: On new seasons and constructed infertility W/ Cooking Sections

In the fourth episode of Aridity Lines, researcher, writer, and arts practitioner Nadia Christidi discusses water supply systems and water-mediated social relations in Beirut as an entry point into a better understanding of water scarcity or aridity in the Mediterranean as a hydro-social, rather than purely hydrological problem.

Guest: Nadia Christidi
Hosted by Reem Shadid
Edited by Barbara Casavecchia and Reem Shadid
Introduction and credits voice-over: Jinane Chaaya
Sound editor: Moe Choucair
Produced by María Montero Sierra

Aridity Lines was commissioned by TBA21–Academy and co-produced with Radio Ma3azef as part of The Current III: “Mediterraneans: ‘Thus waves come in pairs’ (after Etel Adnan).”

Aridity Lines: Scarcity, Development Politics, and Corruption: Beirut’s Water Systems W/ N.Christidi

In the final episode of Aridity Lines, Eyal Weizman (professor of spatial and visual cultures at Goldsmiths, University of London, and the founding director of Forensic Architecture) recontextualizes his research on the aridity line, stemming from his 2015 book The Conflict Shoreline, and discusses how it can be understood today. Addressing issues of environmental colonialism and its entanglement with structures of violence, namely in occupied Palestine and the Mediterranean region, Weizman reflects on the use of scientific tools and inherited forms of knowledge in his work as well as reconsidering a futurity imbued with unconventional signifiers.

Guest: Eyal Weizman
Hosted by Reem Shadid
Edited by Barbara Casavecchia and Reem Shadid
Introduction and credits voice-over: Jinane Chaaya
Sound editor: Moe Choucair
Produced by María Montero Sierra

Aridity Lines was commissioned by TBA21–Academy and co-produced with Radio Ma3azef as part of The Current III: “Mediterraneans: ‘Thus waves come in pairs’ (after Etel Adnan).”

Aridity Lines: Violence, climate change, and shifting shorelines

⭕ When the Arsat Ceased to Be a Arsat to Become a Arsat Anew // Stories of the Garden, Gardens in History - قصص الحديقة ، حدائق في التاريخ

Stories of the Garden, Gardens in History - قصص الحديقة ، حدائق في التاريخ is the third 'path' part of a more extensive sonic cartography developed by QANAT in the framework of the Ateliers Collectifs of Dar Bellarj.

WHEN THE ARSAT CEASED TO BE AN ARSAT TO BECOME AN ARSAT ANEW

Resulting from an extensive research developed with the community of the Dar Bellarj Foundation in the medina of Marrakech, When the arsat ceased to be an arsat to become an arsat anew is an archive of voices and reflections on the silent memories, desires, and imaginaries of the city’s gardens. Riads, arsats, jnanes and agdals are different types of green spaces that used to nourish the terrains of Marrakech, both communal and edible gardens which have increasingly disappeared due to urban transformation and real estate developments.
Taking different shapes according to the territory and space hosting it, When the arsat ceased to be an arsat to become an arsat anew is here presented as a sound installation that while making hearable inhabitants’ voices and memories, also means to offer an understanding of the process of collective gathering and research undertaken by QANAT.

When the arsat ceased to be an arsat to become an arsat anew has been developed by Abdellah M. Hassak, Noureddine Ezarraf and Francesca Masoero with the Mamans Douées of Dar Bellarj as part of the Entangled Ecologies research line of QANAT and in the framework of the Ateliers Collectifs of Dar Bellarj.

With the participation and voices of Fatima Ennaoui, Zahra El Khiraoui, Khadija Karbah, Rachida el Idrissi Lahbali, Rachida Elguendouf, Amina Bouyabrine, Souhail Tazi, Maha el Madi, and Aba Sadki.

Recordings, editing and realisation by Abdellah M. Hassak, in dialogue with Noureddine Ezarraf and Francesca Masoero. Sound mix by Abdellah M. Hassak. Translations by Mouna Guidiri.

Read more about When the Arsat Ceased to Be a Arsat to Become a Arsat Anew here:
qanat.org/When-the-Arsat

2 - Qbour Shou - Jnane Sidi Bel Aabas

Vocals by Warda
Rayess Bek's soundcloud : https://soundcloud.com/rayessbek
Album : Love and Revenge
Original song by Warda : https://www.youtube.com/watch?v=Bdg670atb2Q

Follow my ''Electronic Arab Indie'' Playlist on spotify tinyurl.com/1ajp1x8p

Batwaness Bek By Rayess Bek

Rebel Up!'s Duckfood made a Libyan stomper for you by Zl Alibah, in 18 rough minutes, because short songs are just for western ears. Let's listen with Arab ears and feel the pure trance that this traditional *Zukra/Zokra* song evokes, powered with extra effects and a harder beat. Accompanied by the Zukra/Zokra goatskin bagpipe, a traditional instrument used in Libya & Tunisia. Enjoy! FREE DOWNLOAD in Buy link. Follow us on www.rebelup.org or FB > https://www.facebook.com/RebelUpSound/

Ghamazni Gattellni

Zl Alibah - Ghamazni Gattellni (Rebel Up! Libya Duckfood Stomper الزكره اليبيه..غمزلي قتلني) FREE

A cultural, multidisciplinary riad, a place for gathering and exchange, a common and living space dedicated to creation and reflection, and an artist residency in the  medina of Marrakech. 

2 - Qbour Shou - Jnane Sidi Bel Aabas

LE 18

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