La collective tuba c’est un ensemble de personnes aux grandes oreilles et aux mains de ciseaux.

La collective tuba c’est du son pour la radio, pour le spectacle, pour l’archivage des luttes et le soutien aux occupations, pour le plaisir.

La collective tuba ce sont des podcasts, des émissions dans la rue, des performances
radiophoniques, des ateliers radios, des événements festifs, des créations sonores…

La collective tuba c’est de l’expérimentation, du fun, de l’écoute, du soutien, de la transmission, du soin, du temps de qualité.

La collective tuba s’engage dans une réflexion autour du bien-être pour faire collectif, et dans le partage ses outils à qui le demande dans une vue d'auto-organisation.

La collective tuba s’engage dans l’occupation de l’espace médiatique avec les luttes et les personnes minorisées.

La collective Tuba s’intéresse aux logiciels libres, à la pensée “low-tech” et aux “slow-medias".

THE BABBLING HELPS YOU THINK.
Nahunoise is a sound project that from the experimentation with layers of sound and guitars recreate atmospheres that seek to transport moments

electro-acoustic // field recording // electronic music. 

Léa Roger, Celtic harpist since childhood focuses her attention on the unpredictable and subtle aspects of sound. It's not so much acting on a sound that interests her as let the sound throught her. She is less attached to the form than to the soul of a sound. For her, music is less an aesthetic, than a vibratory experience.
She is interested in the living in sound (psycho-acoustics, bioacoustics, principles of resonance, feedback, electromagnetic fields, etc.). She likes to offer sensitive physical experiences. 
She recently graduated from the Mons-Arts2 conservatory, in the electro-acoustic and acousmatic section.
She performs solo either with an electronic device or as a harpist, and as a duo, she plays in OSILASI alongside singer and percussionist Célia Jankowski.
She also produces radio creations and field recording in different territories, and she is involved in a collective of electro-acoustics, called “Fenêtre Ovale”.  She also runs sound workshops (field recording, deep listening, electro-acoustics) in different contexts.

#ambient #collage

„Acceptance and respect come from listening“ Pauline Oliveros

Audio-Journal based on personal field recordings. Exploring acousmatic music/deep listening. Thank you for visiting.

No AI involved. Not in my music nor in the Artwork.


Field recordings are cc-by: Feel free to re-use.

In the 🖤-section you‘ll find some #downtempo djsets i like to listen to while gazing outside the office-window.

Followers of Léa Roger