Emma Margetson (1993) is an acousmatic composer and sound artist with extensive experience in multichannel composition, sound diffusion and interpretation. She has received a variety of awards and special mentions for her work including, first prize in the prestigious L'Espace du Son International Spatialisation Competition by INFLUX (Musiques & Recherches), klingt gut! Young Artist Award in 2018 and Ars Electronica Forum Wallis 2019.

Emma’s compositional work is focused on developing novel compositional approaches that are actively geared towards increasing engagement with acousmatic/electroacoustic composition in order to reach wider audiences, in particular disadvantaged segments of the community, and younger people. Having recently completed a PhD in Musical Composition funded by the AHRC Midlands3Cities Doctoral Training Partnership titled ‘Sonic Immersion: Reaching New Audiences through Sound’, Emma has collaborated with a variety of organisations including the IKON gallery, Research & Cultural Collections at the University of Birmingham and The Barber Institute of Fine Arts.

Her works have been performed and exhibited internationally, including at Ars Electronica Forum Wallis (CH), University of Birmingham (UK), The Barber Institute of Fine Arts (UK), 5to Festival de Música Electroacústica (CL), BEAST FEaST (UK), SEAMUS (USA), CEMI circles (USA), EMAS (UK), Festival Ecos Urbanos (MEX), BULO (UK), RMA (UK), SPECTRA (CO), NYCEMF (USA), Birmingham Hippodrome (UK), Audior Acusmonium (ITL), Sound-Image Colloquium (UK), Delian Academy of New Music (GD), Noisefloor Festival (UK), [ ex_nihilo ] (MEX), MAtera INtermedia (ITL), Sound Junction (UK), Musica Electronic Nova (PL) and Electric Spring (UK).

She has compositions released with labels Urban Arts Belin, Sonos Localia and Obs.

Artiste du son (composition, art sonore, paysage sonore, artvideo)

Sound artist and composer based in Montreal.

https://estelle-schorpp.com/

@estelleschorpp

http://www.secondeditions.org/catalog/008

Roger Tellier-Craig is a composer fascinated by the interstices between the "real" and its simulations. He is a founding member of Fly Pan Am, Et Sans (with Alexandre St-Onge), Set Fire to Flames, and Le Révélateur (with Sabrina Ratté). These projects have taken him on extensive tours across Canada, Europe, the United States, and Japan, with releases on Constellation, Locust, Alien8, FatCat, Root Strata, Gneiss Things, NNA Tapes, Where To Now?, Dekorder, and Second Editions.
He has composed music for film, theater, and dance, collaborating with Denis Côté, Brigitte Haentjens, Karl Lemieux, Albéric Aurtenèche, Zaynê Akyol, Projet EVA, United Visual Artists, and Lynda Gaudreau, while also scoring most of Sabrina Ratté's video works. Over the past 15 years, he has worked closely with choreographer Dana Gingras. He holds a certificate in electroacoustic composition from the Conservatoire de musique de Montréal. His compositions Duelle and Nulle part à trouver were awarded 3rd and 2nd prizes, respectively, in the Jeu de Temps / Times Play competition, organized by the Canadian Electroacoustic Community.

L’Oiseau son is a nature sound recording project.
Visit www.loiseauson.com/en/ to listen to immersive natural soundscapes and bird species recordings.
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L’Oiseau son est un projet d’enregistrement sonore de la nature. 
Visitez le www.loiseauson.com pour écouter des paysages sonores immersifs et des enregistrements d'espèces aviaires.

musician and sound artist 

i improvise, often with voice or synthesisers
or compose slowly

Depuis 2009, les artistes et l'équipe d'Audiotopie conçoivent des œuvres immersives à travers des installations in situ, des parcours audioguidés ou encore des balados. Avec le son, ils créent des récits, thématiques et ambiances pour un lieu donné. Les projets engagent l’auditoire dans une réappropriation sensible du territoire par la diffusion de créations sonores dans l’espace public et en baladodiffusion. Le savoir-faire de la coopérative se situe à la frontière de la création audionumérique, de l’architecture sonore et de l’interaction médiatique.

Centre d'artistes en art numérique, innovation artistique liée à la technologie. 
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Artist-Run Centre for digital art, art-related technology innovation.

Nicola Giannini is a Sound Artist and an Electroacoustic Music Composer based in Montreal, Canada. His practice focuses on immersive music, both acousmatic and performed.

His works have been presented at the Toronto International Electroacoustic Symposium (TIES), San Francisco Tape Festival, Cube Fest, ICMC, New York City Electroacoustic Music Festival (USA), TEDxLondon, Sound-Image Colloquium, Serge Postgraduate Conference (UK), Sound Spaces (Sweden), File Festival (Brazil), Electroacoustic Music International Exhibition (Mexico), Palazzo Strozzi Museum, Audior and Tempo Reale (Italy), among others. In July 2017 he has been a guest composer at the EMS in Stockholm.

His piece “Eyes Draw Circles of Light” obtained the first prize at the Jeux de Temps / Times Play (JTTP) 2019 competition organized by the Canadian Electroacoustic Community, and an Honorable Mention at the XII° Fundación Destellos (Argentina) Electroacoustic Competition 2019. His piece “For Hannah” was chosen as finalist at the International composition competition Città di Udine 2018 and it was performed at the festival “Contemporanea”.

Originally from Italy, Nicola has a master degree in Electroacoustic Composition from the Conservatory of Florence. Nicola is a doctoral student (D.Mus) at the Université de Montréal, under the supervision of Robert Normandeau, and he is presently a research assistant with the Groupe de recherche en immersion spatiale (GRIS). His academic research focuses on immersive music composition, exploring from an artistic perspective the contribution of the spatial auditory perception field to sound spatialization strategies.
Nicola is one of the student coordinators at CIRMMT for the Research Axis on Expanded musical practice.

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