Global sounds

Une équipe minimum d'influences musicales diverses et variées, exerçant de multiple pressions auditives pour une danse et transe collective. Pas de minimum pour une satisfaction 100% garantie.

Releasing the best in funk, jazz, soul, reggae & more since 2003

Occupying the fertile ground between organic band land and an all-electronic production project, Bob Moses draw on the two poles to vividly resonate across both. 

Buy on iTunes: https://itunes.apple.com/gb/artist/bob-moses/id877845967

Listen on Spotify: https://open.spotify.com/artist/6LHsnRBUYhFyt01PdKXAF5

Management: 
Please send all Management enquiries to - geoff.barnett@redlightmanagement.com

Booking:
Avery McTaggart - amctaggart@tbaagency.com
Latane Hughes - lhughes@teamwass.com

Born on 21 June 1987 in Tbilisi, Georgian pianist Khatia Buniatishvili and her elder sister Gvantsa were introduced to the piano at an early age by their mother, an enthusiastic music lover. Playing four handed remains one of the sisters’ favourite activities.

Khatia’s extraordinary talent was recognized when she was very young. Aged six, she gave her début performance as soloist with an orchestra, and was subsequently invited to give guest performances in Switzerland, the Netherlands, France, Germany, Belgium, Italy, Austria, Russia, Israel and the USA.

Khatia prefers not to be regarded as a child prodigy: virtuosity for its own sake does not appeal to her. Above all, she embraces pianists from earlier generations such as Rachmaninoff, Richter and Gould. She admires her “favourite pianist”, Martha Argerich, for her uniqueness and, as a consequence, does not view Argerich as someone she should try to emulate. And since she regards herself as “wholly a person of the 20th century”, Khatia does not identify so much with pianists of today.

Khatia’s warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. “The piano is the blackest instrument,” she says, a “symbol of musical solitude”, which even a pianist must become accustomed to. “I have to be psychologically strong and forget the hall if I want to share it with the audience.”

During her studies at Tbilisi’s State Conservatoire, Khatia won a special prize at the Horowitz International Competition for Young Pianists in Kiev in 2003 as well as first prize at the Foundation to Assist Young Georgian Musicians competition set up by Elisabeth Leonskaya. At the 2003 Piano Competition in Tbilisi, she became acquainted with Oleg Maisenberg, who persuaded her to transfer to Vienna’s University of Music and Performing Arts. Winner of the Bronze Medal at the 12th Arthur Rubinstein Piano Master Competition in 2008, she was also distinguished as the Best Performer of a Chopin piece and as Audience Favourite.

Khatia Buniatishvili has given critically acclaimed solo recitals and chamber music concerts at such renowned venues as London’s Wigmore Hall, Amsterdam’s Concertgebouw and the Musikverein in Vienna. In 2008 she made her US concert début at Carnegie Hall (Zankel Hall), performing Chopin’s Second Piano Concerto. 

A BBC Radio 3 New Generation Artist for 2009-2011, Khatia regularly collaborates with BBC orchestras. In 2010 she receiveda Borletti-Buitoni Trust Award and has been nominated by Vienna’s Musikverein and Konzerthaus as a Rising Star for
the 2011/2012 season.

Upcoming engagements will see Khatia Buniatishvili perform with the San Francisco Symphony Orchestra , the Orchestre de Paris and the Munich Philharmonic with Paavo Järvi. Recitals will also take her to Berlin, Vienna, Amsterdam, Paris and the Wigmore Hall in London, with further appearances at, amongst other venues, the Verbier Festival, the Lucern Festival and the Schwetzinger Muisktage. 

Khatia Buniatishvili is fluent in five languages and lives in Paris.

Anetha is a French artist, DJ, producer, label manager, talent agency co-founder and a trained architect.

Transmitting the glossy textures of techno, trance and experimental music, Anetha whips up bouncy basslines, stomping kickdrums, glorious melodies and a sprinkling of melancholic motifs, sharing her sound in seminal clubs and legendary festivals worldwide. From the industrial setting of Berghain, the sleek surroundings of Hï Ibiza, the dome of Gashouder and the open-air haze of Stone Techno, Anetha has garnered a loyal audience across the Americas, Europe, Australasia and beyond. Delivering lush and luminous productions and DJ sets, the Bordeaux-based artist works with attention to detail, creative construction, and nimble mixing — as one would expect from an artist with an architectural background.

2024 marks the release of Anetha's long-awaited album on Mama told ya. The ten-track LP honours her ephemeral taste in electronic music, welding a palette of post-club, techno, trance, experimental, nu-wave, rave, and DnB, and features Anetha's own voice, literally and figuratively. The album tells the story of Anetha's trajectory so far and explores ecological awareness, femininity, toxic masculinity and unwarranted opinions in the music industry. In true Anetha style, she conveys these themes with playfulness and a touch of irony across the album.

Several releases colour Anetha's discography, from her debut EP 'Ophiuchus' on Berlin-based label Work Them in 2015 and a myriad of EPs, singles and remixes on imprints like Anagram and OAKS and her own label, Mama told ya.

Launched in 2019 and co-founded by Anetha and her skilled, close-knit team of friends and family, Mama told ya platforms rising stars and encourages them to express themselves through music, no matter the stage of their journey. Limited edition and earth-friendly merch, including clothing and fragrance, extends the realm of Mama told ya alongside label showcases.

And then, there's Fané.e. It's a new label from Anetha and the MTY family. Every release follows a seasonal schedule, where tracks will be available to download and stream for a finite period until blossoming once more the following season. The label aims to share high-quality, genre-fluid productions without the restrictions of a vinyl-led imprint and to cultivate a more environmentally friendly way to consume music. 

In 2020, Anetha launched the talent agency Mama loves ya to nurture emerging artists worldwide. When it comes to sustainability, the agency walks the walk. Mama loves ya works with the carbon management project Greenly, helping offset, reduce and compensate for its carbon footprint and decrease CO2 emissions. Actions include implementing eco-riders and operating an open calendar on the MLY website, showing promoters where and when each artist is due to play, thus reducing travel distance between bookings.

Born in Bordeaux to nu-wave and electroclash-inclined parents, Anetha moved to London and then Paris, where she studied and graduated in architecture. There, she co-founded the label and party series Blocaus in 2012, honing her skill as a DJ and shaping her profile on the Parisian scene for the guts of ten years.

Now, Anetha has evolved into a fully established and globally recognised artist, blurring the lines between art, music and fashion through her artistry and relationships with fashion designers Marine Serre and Rombaut. If anyone can balance the tasks of touring, producing, and co-managing two record labels and a talent agency with poise, it's Anetha. 

Booking: joy@mamalovesya.co
Management: jules@mamalovesya.co

(nih-mee-no) but don’t go correcting anyone

Leachat is following