@user-527145232: The kindred are a Jungler in League of Legends

I funnily enough actually have Kindred, I’m just really rusty and bad at LOL especially since I haven’t played it in a long time

Awaken the wild within. Listen to the official theme for Udyr, the Spirit Walker. 

LISTEN NOW: https://found.ee/udyrthespiritwalker 
Spotify: https://found.ee/udyrthespiritwalker-spotify
Apple Music: https://found.ee/udyrthespiritwalker-applemusic
Amazon Music: https://found.ee/udyrthespiritwalker-amazonmusic
Youtube Music: https://found.ee/udyrthespiritwalker-youtube
Deezer: https://found.ee/udyrthespiritwalker-deezer

PRODUCTION CREDITS:
“Udyr, The Spirit Walker | Champion Theme - League of Legends”
Music by: Christine Hals & Colm McGuinness

Musicians: 
Vocals: Christine Hals & Colm McGuinness
Hardanger Fiddle: Kari Rønnekleiv and Ole-Henrik Moe
Keyharp, Hurdy Gurdy and Moraharp: John Stenersen  
Billy Buck Horn and Charango: Jogeir Daae Mæland
Dvoyanka, Sallow Flute, and Kaval: Kenneth Lien
Penny Whistle: Colm McGuinness

Executive Producer and Supervision by: Riot Music Team
Musician Contractor: Noah Gladstone

Christine Hals: https://www.youtube.com/c/ChristineHals 
Colm McGuinness: https://www.youtube.com/channel/UCSp2nvM27htoOTD1Cq05N5g

Udyr, the Spirit Walker

Teemix (League of Legends remix by Domics)

Teemix

Anna Viechtl - Harfe
Sebastian Berweck - Klavier

Scenes aux sons d'emeraude habe ich 2023 anlässlich eines Komponistinnen-Treffens in Nürnberg komponiert. Leider kam es aus terminlichen Gründen dann doch nicht zur Aufführung.

Anna Viechtl und Sebastian Berweck haben im April 2025 die Komposition im Tonstudio der Landesmusikakademie Berlin für mich eingespielt; Toningeneur war Benjamin Ostarek.
___________________

Anna Viechtl - harp
Sebastian Berweck - piano

I composed Scenes aux sons d'emeraude in 2023 on the occasion of a meeting of female composers in Nuremberg. Unfortunately, it was not performed for scheduling reasons.

Anna Viechtl and Sebastian Berweck recorded the composition for me in April 2025 in the recording studio of the Landesmusikakademie Berlin; the sound engineer was Benjamin Ostarek.

Scènes aux sons d'emeraude

Worlds Collide - 2015 World Championship (ft. Nicki Taylor)

Kindred, the Eternal Hunters

Braumix

Slayer Jinx

When you got some terries at your Nexus, you gotta Lux them sklounst.

Lux Jam

Aurelion Sol, the Star Forger

MP3 and FLAC available for Patrons. ► https://www.patreon.com/thesecondnarrator

"I am Setsuna" is a game that tries so hard to be the next Chrono Trigger, which is why I am surprised why the soundtrack is piano only. I am going to guess that the soundtrack being all piano was more a budget decision than an artistic choice. The art direction and lore contain a lot of Japanese influence, so having a western pianoforte instrument at times sounded a bit out of place. Nevertheless the soundtrack itself is very beautiful and the piano evokes so much sorrow and a quiet hope that the world in I am Setsuna will find peace.

The battle music, more than the other tracks, felt like it was itself a piano cover of the mythical true full instrumental soundtrack that we never got to hear. To the composer's credit, the piano handled the rhythm, the melody, and all the flourishes you expect would come from a flute, or a harp, or whatever, and I could almost hear it from just the piano. Pretty impressive. So this is my attempt to restore the full version of the song. To make it hardcore traditional Japanese, I used an ensemble of Taiko drums and the Shamisen. And boy, was this so much fun.

While I tried to translate everything from the original track, the one thing I totally redid was the rhythm. Using about 5-6 Taiko drums of varying sizes, I came up with a ton of different rhythmic loops. I don't like how lots of JRPG battle music have the same beat that just keeps on repeating. You start to tune it out. I wanted to constantly change it up, so the listener is always on his/her toes enjoying the unpredictable nature of the percussion, reflecting the tension in a battle.

I originally chose to add the Shamisen just so the piece would have that traditional Japanese flavor, but while playing around with the sample library I liked the sound so much I upgraded it to be the star attraction of the song. I listened to a ton of shamisen performances, including the Yoshida Brothers, for reference. There's so much nuance to the way a pro player slaps and plucks and slides the strings that I can only do a pale imitation on my cheap library. I like how you can use the shamisen as either percussion or melodic. Almost makes me want to go learn to play the real thing.

For those that know about Beat Saber, once the official level editor comes out, I am totally going to create a custom level for this track!

Arrangement and fan art by Jeremiah Sun

Original Track composed by Tomoki Miyoshi
You can buy this game for PS4, Steam, or Nintendo Switch

Resurrected Memories

No Turning Back Orchestrated (Battle Theme) - from I am Setsuna

To Take Away Its Pain

Rush Garcia - Raise Your Blades

Nunu and Willump: The Boy and his Yeti

The Power Of Balance (Rearranged) - An Avatar Orchestration

Lillia, The Bashful Bloom Champion Theme  | Champion Theme - League of Legends.

Champion Spotlight: https://youtu.be/lJqGoqNXuGo

Lillia, The Bashful Bloom Champion Theme  | Champion Theme - League of Legends

Samira, The Desert Rose | Champion Theme | League Of Legends official

Champion Spotlight: https://youtu.be/NtUU7U9X5zk

Kindred, the Eternal Hunters

League of Legends

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