Yesss, this is GREAT, headphones turns it 🆙🙌🏾well done Sibylle (pinpal)

Great piece! Excellent sounds and inspiration 💖

Great track !! amazing composition 💚👍

Wow. I guess I'll never remember what I was looking for now. Not that it matters any more. This is way more interesting. This reminds me of when exhastion brings your own voice to your ears, and yet you're still up for some reason, sifting through random stuff, just because you can.

Hard times, I hope you will forgive the lightness of touch. A big thank you to three magnificent earthlings who allow me to keep dreaming: https://soundcloud.com/janinelevinson, https://soundcloud.com/jonathan_beckenstein and Yaron Engler. 

https://youtu.be/gcvxFj4CPZY

Rocket fuel regular
Or rocket fuel light?
Said the Venusian
He was ever so polite

She said, give me regular
And lit a cigar
He knew straight away
That this girl was from Mars

No smoking in here
You’ll blow us all up
She said, give me ya phone number
And I might look you up

He went red
She remained green
Coz Martians and Venusians
Are like meat with ice cream

Meat with Ice Cream
Meat with Ice Cream

He went red
She remained green
But when you think about it
What’s wrong with meat with ice cream

He gave her his number
That’s  what they did
She gave hime a wink
And he fluttered his lids

Meat with Ice Cream
Meat with Ice Cream
He gave her his number
And a little while later they had green and red kids

Meat with Ice Cream
Meat with Ice Cream
Meat with Ice Cream
You know what I mean

Meat With Ice Cream

Meat With Ice Cream (feat. Janine Levinson & Jonathan Beckenstein)

Plasma Mirror + Ambient + Delay Vol.2

Recording sessions from 28/05/2023 of 19/07/2023.
1 Track VCV_1 (vst VCV),
1 Track VCV_2 (vst VCV),
1 Track MOOG Modular (VST Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Experimental #Minimal #Space
________________________________________________________________________
 - The Divine Comedy - ❤️🕊️🙏

The Divine Comedy

Scènes aux sons d'emeraude for piano and harp 2023

Headphones recommended

Scènes aux sons d'emeraude

A couple of months ago I had the chance to jam with a couple of friends on guitars at a dinner party. We played a few Stones covers, and the vibe was ok. Then suddenly someone named the Velvet Underground, so I started strumming and singing a classic number we used to perform pretty often when we were young, "I'm Waiting For My Man". I could really feel it, and when I got home I thought it was worth trying to record it. In the past we used to cover the Live 1969 version, but this time I tried to blend it with a couple of other renditions, namely the 1972 Transformer Tour performance and an acoustic demo recorded in 1965. Quite obviously, I ended up adding to this bizarre jumble my own touch. I completed most of the tracking in about a week, but it took me a long time before trying to record vocals. It somehow sounded dull and trivial to my ears, so I had lost interest in finishing the song. Then a couple of weeks ago I felt inspired and I did the vocals. I also added an organ and a Cretan lyra parts, to make the ending section sound a bit more exciting.
Hope you'll enjoy this studio jam, I think it sounds quite unusual if compared to the rest of my stuff, but at the end of the day it's not so bad to listen to.

Teth Sin : acoustic guitar, electric guitars, bass guitar, vocals, organ, drums, Cretan lyra

Original composition & lyrics by Lou Reed
Arrangement, mix, mastering, photo & cover artwork design by Teth Sin

I'm Waiting for My Man

I'm Waiting For My Man - VU Cover By Teth Sin

Preview from 'Organised Sounds'. All guitar, Boss me70 and Logic. Album-release is planned before the end of the year. I'm looking for a label, drop me a line if you're interested!

Fall. Float. Yearn. (preview from 'Organised Sounds')

Written/Produced by: R.J. Dobben (RoTen)
Released on: 10/31/2023


-_-
_>_

Argh

Cast of Characters:

TexMex Shaman–@texmex-shaman –Stephen–guitar, mix, and production

J.J. Terrell–@j-j-terrell –electric piano, organ, and arrangement

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Llanpsych–@llanpsych –Tez–guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass, guitar, arrangement

  This is a song that began as a drum track that Ken came up initially as a beat for another SoundCloud user, who respectfully declined it. Instead of letting a solid go to waste, Ken set it loose with JJ and Josh, who came up with an arrangement for the music over top of what they felt was a very killer beat. What was originally a jam, turned into a showcase of the entire Eclectic Collective. Josh also did some guitar work in this one, and with Stephen's brilliant harmony, came up with the opening theme that reoccurs about halfway through. His guitar can also be heard briefly right after the opening theme. Along with Stephen's other half of the theme, he is also responsible for the dynamic, climactic leads through most of it. Tez added his incendiary guitar to the final section, when all else was said and done, as a cherry on top. After all the tracks were in the digital can, we were lucky enough to have Stephen produce and mix it for us. 
  We hope you all had a wonderful Thanksgiving and are looking forward to the winter holidays. We also hope you enjoy this ride as much as we enjoyed assembling

Helium Weights - The Eclectic Collective

Birds and insects

At a Dead Party

EXIT

Composer Contemporary Music

Sibylle Pomorin (*1956) studied from 1975 until 1980 flute and saxophone at the Staatliche Hochschule für Musik in Münster, Germany. 

In 1984/85, she studied composition under Ernst Bechert in Hamburg, Germany and in 1994, she received composition lessons and an introduction to electroacoustic music from the American composer and electronic musician Alice Shields during a six-month stay in New York. 

Between 1982 and 1994 she toured with improvising musicians of the international scene and toured with her own groups and compositions through Europe and Israel. 

She received composition commissions for ensembles, festivals, broadcasting, and theatre as well as numerous prices and awards and was promoted by various working scholarships – inter alia in New York, Istanbul and Iceland. Scores publications and CD releases inter alia by Moers Music and in the Furore Verlag. 

Her music has been performed at international festivals for contemporary music in Europe, Israel, Mexico, Australia, Canada, Georgia, Japan and the USA.

Scènes aux sons d'emeraude

Sibylle Pomorin

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