Any artist is welcome to send us a track via freshonthenet.co.uk anytime between Monday lunchtime and Thursday morning (or when we receive 200 submissions, whichever is sooner) - and all our moderators, including Tom Robinson, will listen to every track. This is our full inbox from the week beginning Mon 14th June: from Friday afternoon you'll be able to hear our shortlist and pick your favourites on this week's Listening Post which will appear at freshonthenet.co.uk/batch410

If a track you submitted does not appear in this list, it’s probably because another of your tracks appeared in our Fresh Faves or on the BBC Music Introducing Mixtape during the last three months — we ask that artists featured on either wait three months before resubmitting to give others a chance. We also don’t accept short previews or SoundCloud GO tracks that can only be heard as 30 second previews, and tracks made private after submission, which cannot be included in playlists. You will be able to resubmit the track in future. Tracks that have been previously submitted and tracks from banned artists will also be removed.

ENTIRE INBOX: Batch 410

Living Beings Pt.2

Metronomy remix of "Living Beings Pt.2" by Lean Logic.
Written by Lean Logic.
Remixed by Joe Mount (Metronomy).
Mastered by Nick Carlisle.

The original version of "Living Beings Pt.2" is taken from the forthcoming Lean Logic album "The Last Mirage", released 28th May 2021 on O Genesis Records.
Pre-save "The Last Mirage" on Spotify:
smarturl.it/thelastmirage-ps

Living Beings Pt 2 (Metronomy Remix)

Living Beings Pt.2 (Metronomy Remix)

Weekends are Made for Two is a song about lonely weekends

Weekends Are Made for Two: Contains strong language

Midnight Crush (MASTER)

Alternative art-rap collective Ceiling Demons share ‘From The Womb To The Grave,’ the first single from their forthcoming album ‘Snakes & Ladders.’

Featuring production by George 'Beat Demon' Ruston, and beats composed by the group's guitarist, Chris Shaw, ‘From The Womb To The Grave’ delivers poetic wordplay against a backdrop of electronic rhythms. 

This electronic exorcism into ethereal synthesised realms is accompanied by live drums and guitar to soundtrack the lyrical themes which touch on cycles of life, death and rebirth. Epitomised by the reoccurring chorus ‘From the womb to the grave, from the tomb to the cave’ these lyrics act as a chant throughout the track. This single paints images of the power of nature, self-mastery and unity in broken times which feels fitting for the current climate in 2021.

‘From The Womb To The Grave’ offers up a small taste of Ceiling Demons upcoming album ‘Snakes & Ladders.’ The album is a rich body of work that features contributions from folk songstress Zarahruth, Celtic jazz violinist Andy Lawrenson and vocals from dub/reggae pioneer Lee Scratch Perry. The eclectic variation of sounds and styles highlights Ceiling Demons gift of drifting between genres, from fragile acoustic numbers to slick electronic beats, and post-rock inspired arrangements. This collection of songs highlights the group’s growth as a band and is arguably their strongest and most unique work to date.

Vocals: Psy Ceiling, Dan Demon & George ‘Beat Demon’ Ruston
Vocal Sample: Hayley McKay
Electric Guitar: Chris ‘Shadow’ Shaw
Live Drums: Sam Reed
Produced by Chris ‘Shadow’ Shaw
Mixed by George ‘Beat Demon’ Ruston
Mastered by MJC at Filthy Broke Recordings

Lyrics:
I wrote the code into the snow
Flakes turn to water, liquid will flow
Into the soul, rivers to roads
Time will decide, love and let go

Now ripple form the middle of the room
Little tipple, form a riddle for the doomed
Leave a message for the people
Who believe we should be equal
Two halves, harvest, now grow like a forest
Ancient leaves leave remedies 
Burn these trees if you please
But share life’s breath, we’ll all decease  

From the womb to the grave, from the tomb to the cave
From the womb to the grave from the tomb to the cave
From the womb to the grave from the tomb to the cave
To the moon ‘til it fades and we move and we praise

‘Til we’re doomed but we’re saved, ‘til we’re doomed but we’re saved
And we move and we’ praise ‘til we’re doomed but we’re saved
In a room, in a place, in a tomb made safe
In a room, in a place in a tomb made safe

Kick off, the anchor rises
Lightweight dreamers vanquish, survivors
Scattered throughout the lands
Float on water or sink in sands
Unplanned, this life casts many numbers
Just roll the dice of thunder
and hear it roar like a tiger as it strikes
Never once, but twice
You might just realise
That everyone you know some day will die
Floating in space, blind
The actor’s been out of work for a long, long time
Acting out lies and reciting these lines
Believing in the belly of the hopeless, tin can challenge
Confront yourself and deal the damage
Become the savage
Wild at heart, carnage
Trapped in the dark heartless carriage
Carried away

Snakes & Ladders

From The Womb To The Grave

Deja Vu Let's Dance - Reggaeton Despacito Latina Song Emily Love The Original ©

Let's Dance - Reggaeton Despacito Latina Song Emily Love The Original

Deja Vu Let's Dance - Reggaeton Despacito Latina Song Emily Love The Original

An indie ode to architecture and morality…

Holy Joe

Passage

Ghostlore Of Britian - Passager Of Time - (Philly Club Remix) - RaEazy

Written, performed & produced by Nick Carlisle

Taken from the forthcoming album "Häxan - A Soundtrack", which comprises highlights from a Queen's Film Theatre, Belfast-commissioned score for the 1922 silent film directed by Benjamin Christensen 📽

Nick will perform the new score live at a screening of Häxan at Queen's Film Theatre, Belfast 24th November 2022, as part of the UK-wide BFI "In Dreams Are Monsters" season of horror films.
Book tickets: https://www.queensfilmtheatre.com/Whats-On/Haxan 🎟

The album “Häxan - A Soundtrack” will be available exclusively from Bandcamp at midnight on 25 November 2022 🎵

Nick Carlisle: Pro-One, ARP Pro Soloist, Mellotron, software, flute, drum, percussion, programming

Cover photograph: Aubrey Simpson

Hexenwahn

In Dreams Are Monsters: Häxan With Live Score By Nick Carlisle
Showing: 24 November 2022. Book @ www.queensfilmtheatre.com 

This special event features a 100th anniversary screening of Häxan, the classic 1922 silent film written and directed by Benjamin Christensen, with a brand new QFT-commissioned score, composed and performed live by Nick Carlisle.

Supposedly intended as a moral education tool, Häxan instead is ripe, bawdy, and more than likely to give you sympathy for the devil. Director Benjamin Christiansen took the Malleus Maleficarum – the medieval witch finder’s handbook – and made a documentary on witches. Having it deliciously both ways, Christiansen’s film gives us incubuses seducing maidens, medieval torture devices and witches’ sabbaths, while also unpacking the myth of the witch as a tool of oppression. Full of sumptuous recreations – in brilliant red and blue filters – of witch burnings, goblin parties and ostentatious devilry, on its release Häxan was the most expensive Swedish film yet made. A phantasmagoria worthy of William Blake or Albrecht Durer, it’s guaranteed to make you look askance at a church gargoyle and see silent film in a new light.

THE MUSIC

Nick Carlisle is a composer, performer and producer based in Brighton, employing an array of mostly vintage analogue synthesisers and other keyboards such as the Mellotron as his palette. He is currently a member of the band Lean Logic, a collaboration with Rose Keeler-Schäffeler (Keel Her).

About the commission, Nick says:

"I was delighted to be asked to compose for this project. I previously played in a band called "Katy and Nick" which had quite a sinister feel, where Mellotron cellos and strangely medieval clarion calls inhabited a kind of fever dream space. So Häxan in many ways doesn't feel like such a foreign place to visit. I took the decision to keep only a loose eye on the sounds and styles I would use - there is the odd reference to the European shamanic Sámi drum, and the doomy Mellotron and synthesisers used are played in such a way to squeeze them more or less into a 15th Century timeframe. But in the main, since the film ultimately deals with the pitfalls of human ignorance and imagination, I relied on my own to lead the way, for better or worse.”

Nick will release highlights from the score as an album entitled “Häxan - A Soundtrack” - available exclusively from Bandcamp at midnight on 25 November 2022. The first track is available to stream now from Bandcamp.

Screening as part of In Dreams Are Monsters: A Season of Horror Films, a UK-wide film season supported by the National Lottery and BFI Film Audience Network. www.indreamsaremonsters.co.uk

WWW.QUEENSFILMTHEATRE.COM

Nick Carlisle On QFTs Häxan with Live Score Screening - Movie Magic Segment - Tim Burden

Written & performed by Nick Carlisle & Sarah Rosamond. 
Produced by Nick Carlisle.

Taken from the forthcoming album "Häxan - A Soundtrack", which comprises highlights from a Queen's Film Theatre, Belfast-commissioned score for the 1922 silent film directed by Benjamin Christensen 📽

Nick will perform the new score live at a screening of Häxan at Queen's Film Theatre, Belfast 24th November 2022, as part of the UK-wide BFI "In Dreams Are Monsters" season of horror films.
Book tickets: www.queensfilmtheatre.com/Whats-On/Haxan 🎟

The album “Häxan - A Soundtrack” will be available exclusively from Bandcamp at midnight on 25 November 2022 🎵

Nick Carlisle: Prophet 5, Mellotron, soft harpsichord
Sarah Rosamond: Vocals, harp

Cover photograph: Aubrey Simpson

Häxan - A Soundtrack

The Scourge

Nick Carlisle has played an integral role as writer & producer in a handful of projects on the UK DIY music scene over the last 15 years, from Peepholes (Upset The Rhythm Records) 2006-2014, through Bamboo (Upset The Rhythm) 2014-2020, Katy and Nick (Gob Nation) (2017-2022), and Lean Logic (O Genesis Recordings) (2020-present). Originally from rural Northern Ireland and now residing in Brighton, England, Nick’s music blends vintage analogue electronics & acoustic instruments with more contemporary digital sounds and samples to paint a world that’s instantly recognisable but simultaneously unfamiliar & often unsettling. Whilst this is Nick’s debut solo album of songs, in 2022 he released a largely instrumental album Häxan - A Soundtrack having been commissioned by QFT to compose and perform a new soundtrack for the 1922 horror film of the same name, as part of the BFI In Dreams Are Monsters season. Nick will be performing the soundtrack live at the Barbican, London on the 28th January 2024, as well as another showing at Queen’s Film Theatre, Belfast, and the Ulster Folk Museum Picture House, Northern Ireland later this year.

Bloody Saturnalia takes its title from the book “Defying Hitler” (Sebastian Haffner), where Haffner describes the atmosphere as Germany slid towards Fascism in the 1920s when “all standards lost their value” following the hyper-inflation crisis. The phrase hangs over the album in a few different contexts- there’s the obvious parallel with populism in the US and UK, but also the looming cloud of climate change, feared by many and ignored by others in equal measure (see album opener “Life In A Major Key” and anxious portent “2039”). And finally in a more personal context, in the title track, set in a hospital ward where outside the window the distant carnival atmosphere of New Year’s Eve interrupts the silence with exploding fireworks.

The single “End Of Terrain” was written following the passing of Nick’s Dad: “I took myself off to Iceland for a few days to try and see the Northern Lights, maybe because it seemed like the sort of thing Dad and I might have done - maybe a step up from getting up at 2am to watch lightning storms as we used to do when I was a child. Anyway, I didn’t see a bloody thing, just a faint green tinge only visible in long exposure photos. But! With a little poetic licence, in End Of Terrain the lights are there, dancing in the sky; the souls of recently departed loved ones if you believe the Inuit legend.”

Nick produced the album and handles all the lead vocals, as well as adding his signature keyboards along with occasional guitar, bass and percussion. He’s also joined by past and current collaborators: Rachel Horwood from Bamboo (also Trash Kit and Bas Jan) adds a backing vocal to “A Tear In The Fold”, & Rose Keeler-Schäffeler from Lean Logic (also Keel Her) does the same for “2039”, a version of which which was released as a single and part of the Earth/Percent x Earth Day ’23 Compilation album in April as part of Brian Eno’s Earth/Percent charity initiative. Other players on the album include Foz Foster (The Monochrome Set / David Devant And His Spirit Wife) who adds a selection of guitars and hand bells, not to mention musical saw in “2039”, Marcus Hamblett (Bears Den) who adds bass guitar & brass on several tracks, Aubrey Simpson (Pale Blue Eyes) who plays bass guitar on "Chloe's Brain" as well as providing the photography, and Simon Adams, who plays the drums and percussion throughout.

Bloody Saturnalia

End Of Terrain

Alex Ball Remix of the song "End Of Terrain" by Nick Carlisle. The original version of "End Of Terrain" is taken from the album "Bloody Saturnalia", released 24th November 2023 on The Colour Inverted Records.

End Of Terrain (Alex Ball Remix)

"Chloe's Brain", out 10th November on all download/streaming platforms, is taken from the forthcoming Nick Carlisle album "Bloody Saturnalia", released 24th November 2023 on The Colour Inverted Records (digital/gatefold 180 gram vinyl LP formats).

Music & lyrics by Nick Carlisle. Produced by Nick Carlisle.
Digital master by Nick Carlisle, vinyl master by Julian Tardo at Church Road Studios, East Sussex.
Vocals, keyboards & guitar: Nick Carlisle
Bass guitar: Aubrey Simpson (of Pale Blue Eyes)
Drums: Simon Adams

“With 'Chloe's Brain', I was trying to base a song on those horrible fever dreams I would occasionally get as a child. The sort of dream where you wake up screaming as the wall seems to recede into the distance; where you're kept awake by half-dreamt sped up and slowed down voices and disturbingly hard corners and sickly smooth objects press on your imagination. The song also loosely refers to Alice In Wonderland Syndrome as experienced by the artist Käthe Kollwitz. The mind can sometimes be the most frightening place to inhabit.” - Nick

Nick Carlisle has played an integral role as writer & producer in a handful of projects on the UK DIY music scene over the last 15 years, from Peepholes (Upset The Rhythm Records) 2006-2014, through Bamboo (Upset The Rhythm) 2014-2020, Katy and Nick (Gob Nation) (2017-2022), and Lean Logic (O Genesis Recordings) (2020-present). Originally from rural Northern Ireland and now residing in Brighton, England, Nick’s music blends vintage analogue electronics & acoustic instruments with more contemporary digital sounds and samples to paint a world that’s instantly recognisable but simultaneously unfamiliar & often unsettling. Whilst this is Nick’s debut solo album of songs, in 2022 he released a largely instrumental album Häxan - A Soundtrack having been commissioned by QFT to compose and perform a new soundtrack for the 1922 horror film of the same name, as part of the BFI In Dreams Are Monsters season that year. Nick performed the soundtrack live again at Queen’s Film Theatre, Belfast, and to a sold out Ulster Folk Museum Picture House, Northern Ireland in October/November this year, and brings the live score to the Barbican Centre in London on 28th January 2024.

Chloe's Brain

Chloe's Brain (Radio Edit)

"A Tear In The Fold (Single Edit)", taken from the E.P. "A Tear In The Present" (and the original version taken from the album "Bloody Saturnalia"), out 26th January on all download/streaming platforms.  "Bloody Saturnalia", released 24th November 2023 on The Colour Inverted Records is available on digital/gatefold 180 gram vinyl LP formats.

Music & lyrics by Nick Carlisle. Produced by Nick Carlisle.
Digital master by Nick Carlisle, vinyl master by Julian Tardo at Church Road Studios, East Sussex.
Vocals & keyboards: Nick Carlisle
12 string & Portuguese guitars: Foz Foster
Backing vocals: Rachel Horwood
Drums: Simon Adams

The lead song from the “A Tear In The Present” E.P., “A Tear In The Fold” was written in the wake of the passing of Nick’s Dad. Lyrically it takes comfort from the idea that time isn’t linear, and that those precious moments with loved ones are forever as present as they once were. Nick contributes vocals, piano, synthesizer and mellotron, and is joined by former Bamboo bandmate and Bas Jan drummer Rachel Horwood on backing vocals, and Foz Foster (The Monochrome Set / David Devant & His Spirit Wife) on 12 string and Portuguese guitars. The E.P. is released to coincide with two sold out performances of “Häxan With Live Score By Nick Carlisle” at the Barbican, London on the 28th January. The two extra tracks on the E.P., “Present Times” & “The Sleepwalker”, were recorded on a piano that once belonged to Keith Emerson no less, & are taken from the score Nick composed for the film (neither track appears on the “Häxan - A Soundtrack” album of highlights).

Nick Carlisle has played an integral role as writer & producer in a handful of projects on the UK DIY music scene over the last 15 years, from Peepholes (Upset The Rhythm Records) 2006-2014, through Bamboo (Upset The Rhythm) 2014-2020, Katy and Nick (Gob Nation) 2017-2022, and Lean Logic (O Genesis Recordings) 2020-present. Originally from rural Northern Ireland and now residing in Brighton, England, Nick’s music blends vintage analogue electronics & acoustic instruments with more contemporary digital sounds and samples to paint a world that’s instantly recognisable but simultaneously unfamiliar & often unsettling. Whilst this is Nick’s debut solo album of songs, in 2022 he released a largely instrumental album Häxan - A Soundtrack having been commissioned by QFT to compose and perform a new soundtrack for the 1922 horror film of the same name, as part of the BFI In Dreams Are Monsters season. Nick performed the soundtrack live at Queen’s Film Theatre, Belfast, and the Ulster Folk Museum Picture House, Northern Ireland again earlier this year, and on 28th January 2024 takes the live score to the Barbican in London for two sold out performances.

A Tear In The Present E.P.

A Tear In The Fold

A Tear In The Fold (Single Edit)

"Conditional Love" by Lean Logic.
Taken from the album “The Last Mirage” by Lean Logic, released 28th May 2021 on O Genesis Recordings.
Written by Lean Logic.
Produced by Nick Carlisle, mastered by Dick Beetham.
© 2021 Lean Logic / O Genesis Recordings.
Official Site:
https://www.leanlogic.co.uk
Bandcamp:
https://leanlogic.bandcamp.com
Facebook:
https://www.facebook.com/leanlogicband
Instagram:
https://www.instagram.com/leanlogic
Soundcloud:
https://soundcloud.com/leanlogic
Twitter:
https://www.twitter.com/leanlogicband

The Last Mirage

Conditional Love

Fresh On The Net is a music blog hosted by Tom Robinson and Team Freshnet, offering independent artists an open door and a level playing field for their music. Our inbox is open at http://freshonthenet.co.uk every Monday to Thursday morning - if you share a track with us there it will be heard by every member of our moderation team.

IMPORTANT: 
Only send ONE track, and make sure the dropbox says "OPEN".  Sorry, but tracks sent while the dropbox is closed - or shared drectly with this Soundcloud account - will not get heard.

Nick Carlisle & Rose Keeler-Schäffeler. 
New album "The Last Mirage" released 28th May 2021 on O Genesis Recordings:
https://smarturl.it/thelastmirage

Conditional Love

Lean Logic

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