Fresh Finds: Experimental

While Los Angeles mixed-media artist Celia Hollander is preparing her full-length album drop for Q2, Leaving Records presents the first tease from forthcoming Timekeeper.
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Timekeeper is a collection of temporal impressions. Each track is entitled with a time of day, mapping the ways that changes in energy and emotion form a continuously shifting sense of time. Using a palette of acoustic recordings and digital synthesis, each piece depicts either a temporal field (expansive, unpredictable), wave (swelling momentums) or rope (singular linearity).
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cover art by Celia Hollander

5:59 PM

Celia Hollander - 5:59 PM

In Memory of Simon Kingston feat. recovery girl

Languid Gongue

All Over the Shop

I Would Not Live Always

Chaney's Tape Dream

The sonic epilogue to Fionnlagh's debut album, 'What Came Before'. Featuring original material and remixes from ambient heavyweights: Warmth, Powlos, Hilyard, Anwalter, Logic Moon and Seabuckthorn.

Download here: bit.ly/3hdecqL
'What Came Before' vinyl here: bit.ly/2SZvdsi

What Came After

Full Album

Fionnlagh - What Came After (Album Mini-Mix)

Baptismal

Ascension

Displaced

Dawn
Release Date: 07-16-2018
© 2018 Keith Richie

Dawn
An Original ‘N’otion Picture Soundtrack by Keith Richie
Inspired by the novel Dawn by Octavia E. Butler

Dawn is a sweeping cinematic score based on the first book of the Lilith’s Brood trilogy by the legendary Octavia E. Butler. This album serves as my musical interpretation of her profound and haunting tale—one of loss, survival, and evolution.

The story follows Lilith Iyapo, who once lived peacefully with her family in the Andes Mountains—until a devastating nuclear war obliterated humanity. Centuries later, Lilith awakens aboard a mysterious alien vessel, under the watch of the Oankali—an advanced species driven by an instinct to heal and evolve through genetic merging. As the last remnants of humanity are studied and prepared for a second chance at life, not all agree with the terms of this new beginning.

With themes of love, sadness, hope, and conflict, the music in Dawn is meant to transport the listener—whether or not they’re familiar with the book. You’ll feel the quiet sorrow of a ruined Earth… the awe and unease of first contact… the strange, electric connection between Lilith and the Oankali being Nikanj… and the tension of a species on the brink of transformation.

This album is a journey through emotional and otherworldly landscapes, where humanity’s survival depends not on strength, but on change.

Dawn is a tribute to one of science fiction’s most powerful stories, and I’m honored to present it in musical form.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/dawnBC  

Lilith's Theme

The Hole You Left by Siegfried Jünger unfolds in slow waves of ambient drone and melodic electronic texture. Ethereal tones drift through empty space, building an elegiac calm that feels both intimate and distant.
Like early Aphex Twin meeting Jónsi & Alex, it balances warmth and melancholy — a quiet meditation on absence and memory.
From the album Absence, this piece sits where emotion meets atmosphere: slow, minimal, and deeply immersive.

For fans of: Aphex Twin, Jónsi & Alex, Ben Frost, Max Richter

Siegfried Jünger – The Hole You Left | Ambient Electronic Drone

Spotify: https://open.spotify.com/artist/5eAFB9ytVgtqR0TYetIjRA?si=Rg8tml_5Rou2LFn_2FKuDw

Apple Music: music.apple.com/us/artist/ryno/1575598667

YouTube: youtube.com/@rynomusic?si=iXltZkFDznuK78A3

Instagram: https://www.instagram.com/ryno.rn/

Bandcamp: https://rynomusic.bandcamp.com/

Bandcamp

Rain

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination. 

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms. 

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony. 

Releases March 29, 2019 via Hallow Ground 

Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600 
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden. 
Mastered by Giuseppe Ielasi 
Designed by Ruth Stofer

Vegetal Negatives

Coastal Inversion

Rainer Veil are Liam Morley and Dan Valentine, two friends who met while studying contemporary music in the north of England. The pair began improvising and making drones in a dark basement before incorporating a broader palette and forming Rainer Veil as an ongoing concern last year. ‘Struck’ is their first EP and debut for Modern Love, following an appearance at the label Boiler Room takeover in August 2012.
The ‘Struck’ EP incorporates recordings made over the last year and extends from the rewired Jungle ruckus of the title track to the more emotive formation of ‘Wade In’ and ‘Bala’, through to the hazy closer ‘Yield’. There’s a melancholy pop pulsing at the heart of these tracks, coloured by a love of electronic mutations from UKG and Hardcore rave to House and Techno, most evident in the unusual recording process undertaken while constructing the EP. Each track was re-worked from radically different first drafts, often starting life as more recognisable and structured songs before being dismantled into more abstract shapes: percussion degraded and layered, vocals fed through analog delays, samples reworked at the wrong speed and re-sampled to tape for added warmth: the narrative all mixed up.

Struck

From the upcoming album, "Pavel Milyakov & Bendik Giske", out March 26th on Smalltown Supersound / Le Jazz Non.

Celia Hollander - 5:59 PM

Leaving Records

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