TR160 - Joachim Nordwall - 'FORMS OF ECSTASY'

A certin feeling as we sit to listen to this music

Golden Vibrations

Still, I feel the wind carrying the memories, whispers of a time etched in fleeting moments. Each breeze seems to carry fragments of laughter, soft murmurs, and the warmth of hands once held. The scent of wildflowers mingles with echoes of unspoken words, painting a vivid tapestry of emotions that linger in the air. It's as if the wind itself remembers, weaving together the past and present in an endless dance, reminding me that some memories never truly fade—they live on, carried gently by the wind.

Lost You in the Twilight

Beton

From 'Slow Vein', out April 27
MOLOTON006
@hegiramoya

Buy cassette

Hegira Moya - Cocoon Village

This three-way collaboration was initiated by Sugai Ken in the early months of 2019. His idea was to compose a track in the image of the Crape Myrtle plant with each artist expressing an element of the plant with sound, Andrew Pekler: "Flower", Ben Vince: "Soil" Sugai Ken: "Water". The parts were then mixed and mastered by Ken in August 2019.

pay what you like via bandcamp https://benvince.bandcamp.com/track/crape-myrtle

Sugai Ken, Ben Vince & Andrew Pekler - Crape Myrtle

http://www.nailahhunter.bandcamp.com
Nailah Hunter is a harpist, vocalist, composer, and spellcaster from Los Angeles. forthcoming album due Q2 2020 Leaving Records All Genre
_
all instrumentation played, recorded, produced, and composed by 
Nailah Hunter.
photography by Robb Klassen
mastered by Matthewdavid

Nailah Hunter - Soil: Song from Silence

From Okkyung Lee 'Yeo-Neun' (SP115)

Out May 08th, 2020 on Shelter Press (LP/DL)
https://shelterpress.bandcamp.com/album/yeo-neun
—

Springing from body of work spanning decades, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with ‘Yeo-Neun’. Her first outing with Shelter Press, and arguably her most ground-breaking and unexpected album to date.  A vital force in the contemporary global landscape of experimental music, Okkyung Lee is widely regarded for her solo and collaborative improvisations and compositions, weaving a continuously evolving network of sonority and event, notable for its profound depth of instrumental sensitivity, exacting intellect, and visceral emotiveness. ‘Yeo-Neun’, recorded by Yeo-Neun Quartet - an experimental chamber music ensemble founded in 2106 and led by Lee on cello, featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivynd Opsvik - represents the culmination of one of longest and most intimate arcs in her remarkable career. A radical departure from much of the experimental language for which she has become widely known, it is equally a fearless return.  ‘Yeo-Neun’ loosely translates to the gesture of an opening in Korean, presenting a window into the poetic multiplicity that rests at the album’s core. Balanced at the outer reaches of Lee’s radically forward thinking creative process, its 10 discrete works are born of the ambient displacement of musician’s life; intimate melodic constructions and deconstructions that traces their roots across the last 30 years, from her early days spent away from home studying the cello in Seoul and Boston, to her subsequent move to New York and the nomadism of a near endless routine of tours. At its foundation, lay glimpses of a once melancholic teen, traces of the sentimentality and sensitivity (감성 / Gahmsung) that underpins the Korean popular music of Lee’s youth, and an artist for whom the notions of time, place, and home have become increasingly complex.	  Elegantly binding modern classical composition and freely improvised music with the emotive drama of Korean traditional music and popular ballads, the expanse of ‘Yeo-Neun’ pushes toward the palpably unknown, as radical for what it is and does, as it for its approachability. In Lee’s hands, carried by a body of composition that rests beyond the prescriptive boundaries of culture, genre, geography, and time, a vision of the experimental avant-garde emerges as a music of experience, humanity, and life. Meandering melodies, from the deceptively simple to the tonally and structurally complex, slowly evolve and fall from view, the harp, piano, and bass forming an airy, liminal non-place, through which Lee’s cello and unplaceable memories freely drift.	  Remarkably honest, unflinchingly beautiful, and creatively challenging, Shelter Press is proud to present ‘Yeo-Neun’, an album that takes one the most important voices in contemporary experimental music, Okkyung Lee, far afield into an unknown future, bound to her past.	  Mastered and cut by Rashad Becker, housed in reversed board printed inner and outer sleeve with artwork by American photographer Ron Jude.

Yeo-Neun

In Stardust (for Kang Kyung - Ok)

OKKYUNG LEE 'in stardust (for kang kyung-ok)' (SP115)

Pre-order/save https://idol.lnk.to/laurel-halo-possessed

Music by Laurel Halo
Additional production by Paul Corley
Mixed by Paul Corley
Mastered by Noel Summerville
Published by Decca Publishing, a division of Decca Music Group Ltd.

P&C Vinyl Factory, 2020

Zeljava

Unbroken Dreams Of light

Focus Group 2

from Homescreen Glow full-length album lands Nov13
https://brinsound.bandcamp.com/album/homescreen-glow

Nailah Hunter - Soil: Song from Silence

Leaving Records

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TOMOYU

dialectical integrities

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