Name: Sam Gendel & Sam Wilkes - BOA by Leaving Records in Oct. 2018
Duration: 5 min 48 s
Description: Music for Saxofone & Bass Guitar full-length album on ltd cassette and world wide digital June 15th

Oct. 2018

cop that fresh 7" right here: http://www.innovativeleisure.net/shop/velvet-bw-boogie-no-69/

badbadnotgood.com
innovativeleisure.net 

Produced, Written &  Arranged By BADBADNOTGOOD

Alex Sowinski - Drums, Percussion, Vibraphone, Love
Chester Hansen - Bass, Synthesizer, Love
Matty Tavares - Keyboard, Synthesizer, Guitar, Love

Engineered By Matty
Photo By Rose Flutur & Connor Olthuis
Mastered By Joao Carvalho

Tour Dates:
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Velvet

Plains in Wakanda is a journey where lo-fi spirit meets African soul. This album was created using authentic African tribal instruments, blending their natural textures with chilled lo-fi beats to create something both native and modern.

Each track carries a soft rhythmic pulse, a sense of openness, and the warmth of the African plains. When you listen, you can almost see lions moving across golden fields, elephants roaming beneath acacia trees, and sunsets painting the horizon.

This is lo-fi made to transport you: calm, creative, and alive with the heartbeat of nature. Perfect for relaxing, studying, or just closing your eyes and drifting away.

Ubuntu

Written & Produced by Tommasi

for The SOS Compilation on Stones Throw Records

River

from the new EP 'Antiphon'  - https://alfamist.bandcamp.com 
Alfa Mist - Keys
Rudi Creswick - Bass
Jamie Houghton - Drums
Maria Medvedeva - Sax
Johnny Woodham - Trumpet
Jamie Leeming - Guitar

Antiphon

Keep On

London jazz outfit Ruby Rushton trail new album 'Trudi's Songbook' with spiritual leaning cut 'Prayer For Yusef' - a salute to the work of Yusef Lateef...

Premiere: Ruby Rushton - 'Prayer For Yusef'

hey soundcloud, another heater coming your way godbless!!!!!!!!!!!!!!!!!!!!!!!!!!

Confessions Pt III (Feat. Colin Stetson)

New Past was written and recorded by Iven Niklas Jansen, David Schnitzler and Elias Foerster up in the Italian Alps. Lean back. Stop Walking. Start Dreaming for some minutes. Enjoy.

mix: Elias Foerster
master: Philipp Welsing at Original Mastering
artwork: Emma-Lilo Keller

New Past Single

New Past

Music for Saxofone & Bass Guitar full-length album on ltd cassette and world wide digital June 15th

Music for Saxofone & Bass Guitar

Sam Gendel & Sam Wilkes - BOA

FUTURE ARCHIVE: VOLUME 1 _ Debut label compilation featuring exclusive new songs from 13 artists. Out Sept. 14, 2018 via Future Archive Recordings.

BUY/STREAM --> http://smarturl.it/FARVol1
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FUTURE ARCHIVE: VOLUME 1 is the first release in the Future Archive catalog and offers a taste of the great music due for release over the coming months. This compilation includes tracks by the label founders — @sunglitters, @littlepeoplemusic, @arms-and-sleepers, and @cnjrmusic — as well as Ninja Tune alumni @blockheadnyc and @yppah. Up-and-coming favorites like @plantrae, @volovibes, @romeinreverse, @aamarsound, and @marley-carroll are also featured alongside brand new projects @momslovenotme and @drabsounds. The album explores a range of subtleties, genres, and styles within electronic music, reflecting the diverse nature of artists supported by Future Archive. Welcome to the future, archived now. 
_____________________________________________________________

Track Listing:

1. Marley Carroll - All Color 
2. Sun Glitters - Wrong Days
3. Yppah - Tree Ghost 
4. Arms and Sleepers - I Miss The Melody Of 
5. VOLO - Telos 
6. Rome in Reverse - Oklahoma
7. Little People - Ivory Apes (Instrumental)
8. AAMAR - Carbon 
9. CNJR - Multiverse
10. NOTME - Hey Love 
11. Blockhead - Jabberwocky 
12. drab - Thief 
13. Plantrae - Collective Malaise 
_____________________________________________________________

more at http://www.futurearchiverecordings.com
_____________________________________________________________

Future Archive: Volume 1

Arms and Sleepers - I Miss The Melody Of

Harpischord E.C.S.T.

Taken from the double A side 12" 'E.C.S.T. T.R.A.X.'. Out now on Throttle Records, Clark's newly established record label.

Limited edition 12" and all Clark & T-Shirts albums available from the Clark store https://throttleclark.bleepstores.com and Bandcamp https://clark.bandcamp.com

E.C.S.T. T.R.A.X.

Buy E.C.S.T. T.R.A.X.

Harpsichord E.C.S.T.

Buy and Stream on the 26th September: https://Tender.lnk.to/HE-ND

Handmade Ego

Photo by Peter Rubin.


Are you feeling lost now?
Are you feeling sane?
Did you take the long way down to come back home again?
Are you feeling safe now?
Are you still in pain?
I could walk a thousand miles to see your face again

You know that I took my time
But it's hard to think it over
So I'll hope that I'm on your mind
And you feel a little closer

And you can rise above now
Or you could sink below
How does it feel to be arriving all alone?
You can touch the sun now
Can you feel it glow?
Did you hear your lover say that people come and go?

You know that I took my time
But it's hard to think it over
So I'll hope that I'm on your mind
And you feel a little closer

P . J . R .

Righteous Energy is the feeling you get with your friends or a loved one when your collective synapses are firing and you reach a moment of transcendence together. It’s conversational, musical, synergistic. Righteous Energy is the light sizzle of synchronicity, the clean burning energy of inspiration. It’s about feeling good and knowing you’re sharing it with your people. 

Produced by Nate Mercereau
Drums: Aaron Steele
Synth Guitar, Guitar, Percussion: Nate Mercereau
Engineered by Nate Mercereau at Elysian Park (Los Angeles, CA) and House Of The Setting Sun (29 Palms, CA)
Mixed by Nate Mercereau at Elysian Park
Mastered by Michelle Mancini, Demifugue Mastering at Larrabee Studios

Righteous Energy

Nate Mercereau — Righteous Energy

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Juntos Mais Uma Vez

Yussef Dayes & Alfa Mist - Blacked Out
Blacked Out

Written and produced by Yussef Dayes & Alfa Mist

Recorded & Mixed by Rick David at Pink Bird Recording co.

Cashmere Thoughts Recordings 2018 ©

Sam Gendel & Sam Wilkes - BOA

Leaving Records

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