i am trying to make my brain explode

Honest Labour

Honest Labour (feat. HforSpirit)

London’s abundant waterways and parks provide an oneiric muse for Cucina Povera and Ben Vince’s resounding debut full-length collaboration, an engrossing suite of weightless sax, synth and disklavier-bedded, noirish nocturnes that land somewhere between Grouper and Terry Riley. 

Centred around Maria Rossi aka Cucina Povera’s muzzy vocal loops and the faintest melodic motifs, London-based composer and multi-instrumentalist Ben Vince accompanies on saxophone, synth and piano, shrouding Rossi's vocals in swirls of dimly lit psychedelic smoke. As a newcomer to London, Rossi was "caught up in a sort of wondrous overwhelm” - a feeling that seeps through every movement of the almost hour long album. Working mostly at the Roundhouse, the pair find a musical confluence between Rossi's words - "fluid, dreamy, hazy ideations" - and Vince's shadowy renditions.

Vince's plasmic echoes and Rossi's aerial delivery form a poetic union, twisting and painting each sound in pearlescent shades. Rossi's folk roots shine through like cracks of dawn sunlight on 'Sumu Puistossa' ("fog in the park"), reverberating over organ and dream-zone sax; her words tip into muted surrealism thanks to the controlled chaos of Vince's bleak treatments. His grasp of jazz is transfixing: bending sax motifs like ghostly memories of music from another timeline, smudging them into the soundfield. It’s most effective on 'Siellä Näen Kaiken' ("there I see everything"), where sickly, dissonant notes flicker like an almost-extinguished candle alongside motorised furniture music courtesy of a Disklavier.

Born out of wonder, daydreaming innocence and creative discovery, 'There I See Everything ‘ is the sound of two exploratory collaborators swimming into each other's ideas. From the Terry Riley-esque transcendence of '∞' to the sacred incantation of long-form closer 'Pikku Muurahaiskeko' ("little anthill"), the pair expose a new layer of creativity with each turn, gradually zooming out from discreet, vulnerable beauty to encompass a gently orchestrated chaos of sustained, sublime tension.

Cucina Povera & Ben Vince - Sumu Puistossa

Paste

Foot Wrong

Sad Face

From the album "New Environments & Rhythm Studies" - out on June 27th .
https://andrewpekler.bandcamp.com/album/new-environments-rhythm-studies

Cumbia Para Los Grillos

>>> Gemini <<<
>>> coming out 20XX <<<

@machine-girl
facebook.com/machin3gir1
twitter.com/machin3gir1

Missy Punk

More information: http://projectmooncircle.com/releases/krts-close-eyes-to-exit/

KRTS - It Starts Somewhere (Close Eyes To Exit 2LP/Digi - Project: Mooncircle, 2015)

Ninjashop: http://found.ee/tryme
iTunes: http://found.ee/tryme-it
Bandcamp: http://found.ee/tryme-bc

Released 21st August 2015 on Ninja Tune.

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http://ninjatune.net

Seven Davis Jr - 'Try Me (I'll Funk You)' (Mono/Poly Remix)

http://leavingrecords.com/releases/lr010-sun-araw-matthewdavid-livephreaxxx/
A reissue from the Leaving Records catalog, tape limited to 200 copies. Sun Araw Live at Sun Ark with live remix by Matthewdavid.


LTD TAPES & DIGI

Sun Araw & Matthewdavid - A5

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

recorded in early 2016 with the latvian radio choir  🕊🐚

Andy Stott - Song For Chance

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Jon Hassell - Dreaming

lil spooky poop archives

"Gshsshhsnsbshhs
THESE JUNT SLAP HOMIE
send them to prblm" - Roger & Ebert

Sun Araw & Matthewdavid - A5

Leaving Records

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