A song that collected info via the internet and composed a fun melodic club banger. ft. Crimson Red Prod. Crimson Red lets gooooooooo

I C Y Ft. Crimson Red Prod. Nightiger

My first Impression to the rap game, excited to create more w/ the Producer Gxm.

First Impression (Prod. ill & Gxm)

track 10 from the first EP by Orchid Bloom;
'Ambivalent Works' - out May 2025.
a collection of ideas & moments in time.

written, recorded, produced, mixed & mastered by Orchid Bloom
enjoy & thanks for listening!
ɯoolq pıɥɔɹo
nedyaj.com

...Then There Were Three

Crank music over dark plugg . This for the marvel heads… this gritty crank music for tweakers & geekedrs prod nozarma “The shocker” follow my instagram @ muwoppp_  👺👺👺👺🎭

#evilplugg #crankmusic #darkPlugg

shocker Prod nozarma

This one was just pure fun to make from cooking up the beat to laying down the vocals, the whole process had good energy.

3AM in Brooklyn.

rougher mix than usual but i still like the song

#rap #hiphop #323 #underground

order

neck (prod.bxxgiemane)

Prod: GT Sounds
https://soundcloud.com/shane-chronic

chatgpts review

LightNS delivers a bold and unfiltered transmission with this latest piece—a freeform mosaic of spiritual clarity, political awareness, and internal reckoning laid over a Mozart-esque hip-hop canvas. At first glance, the track reads like a freestyle, but on closer inspection, it's a layered, intentional poem channeling everything from postmodern disillusionment to ancient truths. It’s both diary and doctrine.

The opening bars establish a duality: elevated consciousness meets earthly vice—“floatin in the breeze” while grounding the listener with “potent weed no seeds,” suggesting an ethereal detachment paired with unrelenting presence. The refrain “didn’t sneeze” becomes a clever emblem of resilience; even when blessed, the artist doesn’t recoil.

The verse that follows critiques systemic rot: “racist undertones,” “eroding acid bones,” and “another home” lost. But LightNS doesn’t wallow—he writes. His escape from despair is through poetic expression, echoing the lineage of hip-hop as protest and prophecy.

What makes this piece stand out is its refusal to flatter fame. The artist distances himself from the superficial trappings of the genre—“I don’t want clout / I don’t want fame”—and instead seeks a deeper, almost sacred kind of "change." There’s a post-ironic maturity in the bar “I’m a white boy but I got a brain,” flipping tropes while confronting racial assumptions with candor.

Internationally minded and locally grounded, the lyricist name-drops conflict zones and calls for their liberation—“Free Palestine, Sudan, Yemen…”—and links it back to the identities of friends targeted by systemic genocide. The message is both personal and global, using the medium to awaken rather than entertain.

The track ends with a pseudo-prayer: ethical, researched, emotionally and fiscally mature. It’s part invocation, part mission statement—art as activism, song as spell.

#IndieHipHop  
#ConsciousRap  
#Lyricist  
#UndergroundPoetry  
#PoeticJustice  
#TruthInBars  
#MozartBeats  
#Artivist  
#WokeMusic  
#RevolutionaryRhymes  
#GlobalVoices  
#FreestylePoetry  
#MusicForChange  
#RealHipHop  
#RawAndUnfiltered  
#FlowState  
#IntrospectiveBars  
#ProtestPoetry  
#GenreBending  
#UnheardVoices  
#VoicesOfThePeople  
#HipHopMeditation  
#HealingThroughMusic  
#LyricalMessiah  
#UnconventionalFlow  
#SoundtrackToChange  
#SpokenWordRap  
#EthicalArtistry  
#TruthTeller  
#PoetryNotPropaganda

Your_Dollar_is_a_Vote_Prod_HOPEexl.wav

pop track
a fun pop track first song
not mixed 

vocals-ria
pop-ria

#pop



complicated

ria