Classically trained jazz and rock pianist with an avant-garde style. Worked with David Bowie, Smashing Pumpkins, Nine Inch Nails and many more in addition to numerous symphonies. More at https://www.facebook.com/mikegarson/

Temple of Shibboleth incorporate a scintillating blend of prog, jazz and pop sensibilities, with a spirit of theatrical mythic ritual. 

With echoes of Gong, Canterbury and Henry Cow plus a pop approach to songwriting, the line-up features Billie Bottle on piano, guitar, bass and vocals (Caravan’s Dave Sinclair & Mike Westbrook bands), Viv Goodwin-Darke on flute and vocals (The Invisible Opera Company of Tibet/Magic Bus), Roz Harding on alto sax (Mike Westbrook bands/SUPERMOOD), Anna Batson on bassoon and vocals (an engaging singer/songwriter in her own right) and much in-demand drummer, Emma Holbrook.

Borne out of lockdown necessity, The Temple of Shibboleth started life when Billie Bottle ran away from the circus in 2020, and started caring for a wise woman in deepest Devon. Here, she was taught the ancient art of traditional housekeeping, where each day of the week has a particular purpose and function: this became invaluable in navigating our seemingly eternal state of lockdown.

In their former incarnation, Billie Bottle & The Multiple, released their first album, Unrecorded Beam, in 2014 and their second, THE OTHER PLACE in 2021. The former was described by Robert Wyatt as “brilliant!".

"cleverly refract rock, folk and jazz through a prism of Canterbury pastoralism" - Prog Magazine

Music Producer, Composer, Sound / Visual Artist

Creates intense progressive transhuman music using his touch guitar, synthesizers, blood and sweat.

This is Me in Art/Martine 
The sounds are escaping me and making their way to the ethernet! 
Let the vibrations do the talking...

This is a label for UK artist John Foxx. Metamatic Records also releases Foxx collaborations with Benge (The Maths), Harold Budd, Louis Gordon, Robin Guthrie, The Soft Moon, Matthew Dear, Gazelle Twin, Mira (Ladytron), Tara Busch, Xeno & Oaklander, Hannah Peel, Serafina Steer, Ruben Garcia, Steve Jansen and Steve D'Agostino. 

British comedian Adam Buxton talks with interesting people. The rambly conversations are sometimes funny, sometimes more serious with funny bits. Adam records the intros and outros for most episodes while walking with his dog friend Rosie in the East Anglian countryside where he lives with his wife and three children. 

Adam has appeared in films such as ‘Hot Fuzz’, ‘Stardust’ and ‘Son Of Rambow’ as well as a variety of TV shows in the UK. Since 2007 he has hosted ‘BUG’, a live show that combines music videos and comedy that became a TV series on Sky Atlantic in 2012. From time to time he also does live shows featuring just his own material. Along with lifelong friend Joe Cornish he also is one half of award winning TV, radio and podcast duo Adam & Joe who have worked together since 1995. 

You can find many of the insanely catchy jingles Adam makes for the podcast as well as amazing bonus material, beautiful merchandise and a selection of his incredibly funny and brilliant YouTube videos on the free Adam Buxton app.

Adam is writing this himself using the third person.

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

Based in the South West of England Lee Fletcher is a recording artist, producer, arranger, songwriter, mix & mastering engineer, plus occasional film-maker / photographer.

Having worked in a variety of audio-visual capacities with notable artists and musicians from around the world Lee has helped to fulfil a number of critically acclaimed works. Together with his most frequent collaborator (German touch-style guitarist & composer) Markus Reuter he fronts Unsung Productions; a collective of independent audio professionals dedicated to high production standards and unbridled musical creativity.

Lee's extensive portfolio has led to a number of accolades including 'Best Producer 2012' and 'Best Single 2013' from the (UK) South West Music Awards.

Lee Fletcher is following