Schindler's List is the original soundtrack, on the MCA label, of the 1993 Academy Award- and Golden Globe-winning film Schindler's List starring Liam Neeson, Ben Kingsley, Ralph Fiennes and Caroline Goodall. The original score and songs were composed by John Williams, and features violin player Itzhak Perlman.

The album won the Academy Award and the BAFTA Award for "Best Original Score" and the Grammy Award for "Best Instrumental Composition Written for a Motion Picture or for Television". It was also nominated for a Golden Globe.
Track listing

   1. "Theme from Schindler's List" – 4:15
   2. "Jewish Town (Krakow Ghetto - Winter '41)" – 4:40
   3. "Immolation (With Our Lives We Give Life)" – 4:44
   4. "Remembrances" – 4:20
   5. "Schindler's Workforce" – 9:08
   6. "Oyf'n Pripetshok / Nacht Aktion" – 2:56
   7. "I Could Have Done More" – 5:52
   8. "Auschwitz-Birkenau" – 3:41
   9. "Stolen Memories" – 4:20
  10. "Making The List" – 5:11
  11. "Give Me Your Names" – 4:55
  12. "Yerushalayim Shel Zahav (Jerusalem of Gold)" – 2:17
  13. "Remembrances" – 5:17
  14. "Theme from Schindler's List" – 2:59

 Not on the soundtrack

Other tracks that appear in the film, but not in the soundtrack are the famous tango "Por Una Cabeza" by Carlos Gardel and Alfredo Le Pera, the German schlager "Im Grunewald ist Holzauktion" by Otto Teich and the German marching song Erika (Auf der Heide blueht ein kleines Bluemelein) by Herms Niel.


Schindler's List

La Valse D'Amelie (Orchestre)

Barbara Pravi - Voilà - Piano Cover Jan Horvath (Cm)

Winter Moonlight

Evening Bell

Sacred Score: A Truffle Odyssey, Leeuwenstein
A cinematic journey designed to gently guide a truffle ceremony from threshold to homecoming. Warm analog pads, cathedral-like choirs, and expressive orchestral themes (with a soft wink to Vangelis) rise and fall like breath, majestic one moment, tender the next. A five-note leitmotif appears throughout as a compass, returning you to center.
What to expect
This album moves in arcs: opening → descent → discovery → peak → release → integration. Massive drums and brass lift you when courage is needed; intimate felt-piano, handpan and strings hold you when the heart opens. Everything is wordless and ceremonial—crafted to support deep inner work without pulling attention away.
Best way to listen
Low or moderate volume, full-range speakers or good headphones, lights soft and warm. Breathe with the swells. Allow the spaces between notes to do their work.
Tracklist
Threshold of Light — 6:30
Descent Through Amber — 7:20
Cathedral of Ferns — 8:00
Mirrors in the Veil — 7:10
The Mountain Remembers — 9:00
Starlight Procession — 6:40
Heart Peak (Lux Intus) — 10:30
Tears Made of Dawn — 7:50
Integration Walk — 6:20
Home to the Infinite — 8:30
Instruments & palette
CS-80-style analog pads, felt-piano, strings & brass, handpan, frame drums, flugelhorn, solo violin, harp, subtle arpeggiators, and a luminous mixed choir (no lyrics).
For facilitators
Arc lengths are intentional; transitions have long tails for seamless cueing. Suitable for deep introspection, breath-led movement, and gentle integration.
Credits
Music, concept & production: Leeuwenstein
Artwork: “Sacred Score: A Truffle Odyssey”

Heart Peak (Lux Intus)

"HOPELANDIC"

A three-part gathering of fragments.  
Whispers of color and sound, shadows folding into themselves.  
Time drifts sideways. The ordinary becomes strange. The strange becomes luminous.  
Art bleeds into music, music into silence, silence into the unexplained.  

The walls are soft. The clocks, too. The voices — some sung, some imagined — wander.  
A score emerges, written in part by familiar hands, finished by others who follow its pulse.  
“Juxtaposition” — a word, a note, a heartbeat — carries through corridors unseen,  
A thread between the fragments, an echo of what was, and what might have been.  

Watch closely. Listen carefully.  
Some things vanish before you can name them; others remain, persistent, luminous, strange.  

— D.L., A Note Left Behind

HOPELANDIC {HBO-David Lynch's Final Project, 2025}

Por Una Cabeza - Carlos Gardel

Playing my arrangement of Carlos Gardel's "Por una cabeza".
Sheet music for this version available at: https://www.ivansolomonoff.com/sheet-music

Arrangement and piano recording by Iván Solomonoff.
Original music by Carlos Gardel (1935).

Por Una Cabeza (piano version)

Валентина Толкунова - Перезрела рябина

Valentina Tolkunova - Perezrela Ryabina

I wrote this music during quarantine period. I couldn't see my family since a long time and I started to compose this piano solo piece for my parents. I chose the title "Home" because it reminds me of my country of birth and where I am going home to see my family. 

The track will be released on July 31 Here you can listen it https://wiseband.lnk.to/Vivian-Roost-Home

Home (Extract)

In The Dark Hours

Leeuwenstein is the musical identity of Alex van Leeuwen, producer, songwriter, where he transforms inner journeys into immersive, ritualistic, and psychedelic soundscapes, a Dutch artist and ceremony guide who healed from PTSD through plant medicine. His music is crafted as a sacred space: a blend of shamanic tradition and electronic innovation, with tribal percussion, ambient textures, and angelic female vocals.

Leeuwenstein’s live performances and sound journeys are deeply immersive, supporting inner healing, movement, and expanded states of consciousness. Perfect for psychedelic ceremonies, truffle experiences, and conscious festivals, his albums, such as Frozen in Time, Rhythms of the Cosmos, and The Green Path, are widely used as tools for transformation.

Leeuwenstein invites his audience not just to listen, but to feel, remember, and return home to themselves.

Though rooted in healing music, Leeuwenstein occasionally ventures into political territory, crafting powerful protest songs that reflect on war, freedom, and the future of humanity.