A nostalgic journey through neon sunsets and ocean memories.
Where love, freedom, and fate collide in an 80s-inspired dream.
Retro synths, warm beats, and heartfelt emotion, a timeless connection reborn. 
Disclaimer: The lyrics of this song are all written by myself. I am a songwriter for about 40 years and back in the days, I composed my music helped by musicians or I made them on the computer with cubase or synthesizer at that moment highly controversial, We are facing a new era, long ago when the synthesizer en computer music was new and controversial so is AI now, for me as songwriter it helps me to let my lyrics live, its not a click on the button and it is ready, it takes sometimes days before you get the results that you want, just when I composed on the PC. The only real new thing is that you can create AI voices so you can try different styles. At this moment AI is controversial just back in the days with the synthesizer and computer composed music. For me as songwriter and Lyricist a perfect tool to play and test new songs. I think that a lot of famous artists work with AI to created new songs, you can write them out on paper let it play en recorded by live musicians and you create new music made by AI and you never know it. It will never replace a live artist, but there are a few great artists, and a lot who can only sing with Auto-tune or a lot of help from...computers and software.

Spring Break

Leeuwenstein is the musical identity of Alex van Leeuwen, producer, songwriter, where he transforms inner journeys into immersive, ritualistic, and psychedelic soundscapes, a Dutch artist and ceremony guide who healed from PTSD through plant medicine. His music is crafted as a sacred space: a blend of shamanic tradition and electronic innovation, with tribal percussion, ambient textures, and angelic female vocals.

Leeuwenstein’s live performances and sound journeys are deeply immersive, supporting inner healing, movement, and expanded states of consciousness. Perfect for psychedelic ceremonies, truffle experiences, and conscious festivals, his albums, such as Frozen in Time, Rhythms of the Cosmos, and The Green Path, are widely used as tools for transformation.

Leeuwenstein invites his audience not just to listen, but to feel, remember, and return home to themselves.

Though rooted in healing music, Leeuwenstein occasionally ventures into political territory, crafting powerful protest songs that reflect on war, freedom, and the future of humanity.