He inspires millions with his open-hearted, emotive playing, whether it be in intimate recitals or on the grandest of stages – such as the 2014 World Cup concert in Rio, with Placido Domingo, to celebrate the final game; the 56th GRAMMY Award, where he performed with Metallica; the Opening Ceremony of the 2008 Beijing Olympics, where more than four billion people around the world viewed his performance; the Last Night of the Proms at London’s Royal Albert Hall, or the Liszt 200th birthday concert with the Philadelphia Orchestra and Charles Dutoit which was broadcast live in more than 300 movie theaters around the United States and 200 cinemas across Europe (the first classical music cinemacast to be headlined by a solo artist). He forms enduring musical partnerships with the world’s greatest artists, from conductors such as Daniel Barenboim, Gustavo Dudamel and Sir Simon Rattle, to artists from outside of classical music – among them dubstep dancer Marquese “nonstop” Scott, king of the crooners Julio Inglesias and jazz titan Herbie Hancock. He even builds relationships with corporations who will help him get classical music to ever-more people - thanks to his Sony ambassadorship, for instance, he brought Prokofiev’s 7th Piano Sonata to the soundtrack of the multi-million- selling computer game Gran Turismo 5and 6! And he builds cultural bridges between East and West, frequently introducing Chinese music to Western audiences, and vice versa.

Yet he never forgets what first inspired, and continues to inspire him. Great artists, above all the great composers – Liszt, Chopin and the others – whose music he now delights in bringing to others. Even that famous old Tom and Jerry cartoon “The Cat Concerto” which introduced him, as a delighted child, to the music of Liszt – and that childlike excitement at the discovery of music now surely stays with him and propels him to what he calls “his second career”, bringing music into the lives of children around the world, both through his work for the United Nations and through his own Lang Lang International Music Foundation. As he inspires, he is inspired. As he is inspired, he inspires others. It is this quality, perhaps, that led the New Yorker to call him “the world’s ambassador of the keyboard”.

It takes a special kind of dedication to come from a small Chinese town Shenyang , to travel to the big city as a small child and to win the attention of the country’s finest music professors. And then to leave behind your home country altogether to join the world-famous Curtis Institute of Music Philadelphia, USA. Lang Lang achieved all of these early on – he started playing piano aged three, won the Shenyang Competition and gave his first public recital by the time he was five, entered Beijing’s Central Music Conservatory aged nine, won first prize at the Tchaikovsky International Young Musicians’ Competition and playing the complete Chopin Etudes at the Beijing Concert Hall at 13. He left for America, Curtis and the great piano teacher Gary Graffman and when his moment came, he was ready. That moment happened when, aged 17, he was called upon to make a dramatic last-minute substitution for the famous Andre Watts to perform in the “Gala Of The Century”, playing a Tchaikovsky concerto with the Chicago Symphony Orchestra. It made him what journalists like to call an “overnight star” and the world’s finest concert halls quickly beckoned.

Today, his resume reads like a bestseller (and indeed his biography, Journey of a Thousand Miles, has been published by Random House in eleven languages, and was released to critical acclaim – and as part of his commitment to the education of children, he released a version specifically for younger readers, entitled Playing with Flying Keys). He has been heralded as the “hottest artist on the classical music planet” by the New York Times, has played sold out concerts in every major city in the world and is the first Chinese pianist to be engaged by the Vienna Philharmonic, Berlin Philharmonic and the New York Philharmonic orchestras.

Time Magazine has recently included Lang Lang in the “Time 100”, the magazine’s annual list of the 100 Most Influential People in the World, naming him as a symbol of the youth of China, and its future. Lang Lang is the cultural ambassador of the cities of Shenzhen and Shenyang. In July 2012 he relayed the London Olympic torch in London just before the opening of the XXX Olympiad.

And if the Chinese passion for piano isn’t solely due to him, he has played no small part as a role model to encourage more than 40 million Chinese children to learn to play the instrument – a phenomenon coined by The Today Show as "the Lang Lang effect." Steinway Pianos, for the first time in their century-and-a-half-long history, named a piano model after a single artist when they introduced “The Lang Lang Piano” to China. That piano, specially designed for early music education, is now on its fifth iteration.

And the child Lang Lang was and who, perhaps, is always with him, would surely have approved of the way he gives back to children around the world. His volunteer activities include mentoring rising young talented pianists, convening 100 piano students at a time in concert, performing for sick children in hospi­tals, delivering classical music recitals in underserved and remote communities, and donating his musical talents to raise awareness of other charitable causes.  These charitable efforts have led to the launch of the Lang Lang International Music Foundation, with its goals of cultivating tomorrow’s top pianists, championing music education at the forefront of technology, and building a young audience through live music experiences. The Financial Times described Lang Lang as “evangelical in his efforts to spread the popularity of classical music.” And in May 2009, Lang Lang and three chosen young scholars from the foundation – aged between 6 and 10 years old – performed together on The Oprah Winfrey Show on "Oprah's Search for the World's Most Smartest and Most Talented Kids." 

In 2011,  Lang Lang Music World was launched, a multi-functioning arts complex located in Shenzhen and Chongqing, China, where children can go to receive piano education, participate in master classes and competitions, attend concerts and purchase educational products. Lang Lang himself continues to give master classes regularly throughout the world at the invitation of the most prestigious music institutions, including the Curtis Institute of Music, Juilliard School, Manhattan School of Music and Hanover Conservatory, as well as all the top conservatories in China where he holds honorary professorships. Elite universities such as Oxford, Harvard and Columbia have invited him to give talks.

Lang Lang enjoys reaching audiences of all sizes and few come bigger than that of the YouTube Symphony Orchestra, of which Lang Lang was the first official Ambassador – a role, created by YouTube and Google that combined two of his great loves, music and outreach through technology. More traditionally, tens of thousands of people have enjoyed Lang Lang’s performances in open-air concerts in parks and venues around the globe, including Central Park in New York City, Hollywood Bowl in Los Angeles, Ravinia Festival in Chicago, Theaterplatz in Dresden and Derby Park in Hamburg. Lang Lang participated in the opening concert at Munich's Olympic Stadium with Mariss Jansons, marking the commencement of the World Cup Games. In celebratory concerts for the closing of 2008 Euro Cup finals, Lang Lang played with the Vienna Philharmonic under the baton of Zubin Mehta in front of Schönbrunn Palace. And he marked the New Year’s Eve gala opening of the National Centre for the Performing Arts in Beijing with another great conductor, Seiji Ozawa.

In December 2007, Lang Lang was guest soloist at the Nobel Prize concert in Stockholm, an event attended by Nobel Laureates and members of the Royal Family. He performed as soloist in Oslo for the 2009 Nobel Peace Prize award ceremony and concert for President Barack Obama.

Lang Lang has made numerous TV appearances, including The Today Show, the Tonight Show with Jay Leno, Good Morning America, CBS Early Show, 60 Minutes, Wetten Dass and El Número Uno among many others. He has been featured on every major TV network and in news and lifestyle magazines worldwide, including such diverse publications as The New Yorker, Esquire, Vogue, The Times, Financial Times, GQ, Cosmopolitan, Die Welt, Reader’s Digest and People.

As well as President Obama, Lang Lang has performed for numerous international dignitaries including the former Secretary-General of the United Nations Kofi Annan, Secretary-General Ban Ki-moon, George H. W. Bush, George W. Bush, William J. Clinton, Her Majesty Queen Elizabeth II, former President Hu Jin-Tao of China, President Horst Koehler of Germany, H.R.H. Prince Charles, former French President Nicolas Sarkozy, President Francois Hollande, Queen Beatrix and King Majesty King Willem-Alexander and Poland President Lech Kaczynski. Of many landmark events, he was honored to perform recently for President Barack Obama and former President Hu Jin-Tao at the White House State Dinner, as well as at the Diamond Jubilee celebratory concert for Queen Elizabeth II at Buckingham Palace.

Wherever he can, Lang Lang tries to give back. In 2013, he was designated by the Secretary General of the United Nations as a Messenger of Peace focusing on global education. Lang Lang has contributed and worked to raise funds and awareness for earthquake relief efforts in China and Haiti. These efforts included auctioning the red Steinway piano played during his 2008 New York Central Park concert, donating the net proceeds to the American Red Cross China Earthquake fund, and organizing a benefit concert at Carnegie Hall, donating the net proceeds to UNICEF’s Earthquake Relief Fund in Haiti. He also currently serves on the Weill Music Institute Advisory Committee as part of Carnegie Hall’s educational program and is the youngest member of Carnegie Hall’s Artistic Advisory Board.

Honors include being added as one of the 250 Young Global Leaders picked by the World Economic Forum and receiving the 2010 Crystal Award in Davos. In May 2011, Lang Lang received an Honorary Doctorate of Music from His Royal Highness The Prince of Wales at the Royal College of Music, and received his second Honorary Doctorate in Musical Arts at the Manhattan School of Music in May 2012. In December 2011, he was honored the highest prize awarded by the Ministry of Culture of the People’s Republic of China. More recently, he has received the highest German civilian honor, the Order of Merit of the Federal Republic of Germany, in recognition of his distinguished services to music and, in January 2013, he was presented with the Medal of the Order of Arts and Letters, by the French Minister of Culture.

He is one of the world’s most prolific and highest-profile recording artists. Featured soloist on the Golden Globe® winning score for the film The Painted Veil, composed by Alexandre Desplat, he can also be heard on the soundtracks of The Banquet, composed by Tan Dun, and of My Week With Marilyn. All of his albums have entered the top classical charts as well as many pop charts around the globe. His album of the First and Fourth Beethoven Piano concertos with L’Orchestre de Paris and Maestro Christoph Eschenbach debuted at number one on the Classical Billboard Chart. Lang Lang also appeared on Billboard’s New Artist chart at the highest-ever position for a classical artist. In 2007, he was nominated for a Grammy® Award, becoming the first Chinese artist to be nominated for Best Instrumental Soloist. He has recently recorded the movie soundtrack for the Japanese blockbuster film Nodame Cantabile, Chopin’s 24 Etudes for “Project Chopin” (the largest project in honor of Chopin’s bicentenary) ,“Nuit De Mai” with Placido Domingo and, of course, that opening sequence for Gran Turismo, the most successful videogame to date.

In February 2010, Lang Lang joined Sony Music Entertainment as an exclusive recording artist; his first album with Sony featured a live recording of his 2010 recital at Vienna’s legendary Musikverein (including a segment filmed in 3D). His next CD, “Liszt, My Piano Hero” and DVD “Liszt, Now!” celebrated the 200th Anniversary of the great composer, while 2012 saw the release of “The Chopin Album”. His latest album is a recording with Nikolaus Harnoncourt and the Vienna Philharmonic Orchestra of all masterpieces of Wolfgang A. Mozart and will be released October 2014.

Yeah, that guy. Cockney rhyming slang for the good stuff; Proof that one song is all you need.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

Decca Classics - Home to the stars of Classical Music

Winner of the Queen Elisabeth (2009) and Yehudi Menuhin Competitions (2008), Ray Chen is among the most compelling young violinists today.   “Ray has proven himself to be a very pure musician with great qualities such as a beautiful youthful tone, vitality and lightness.   He has all the skills of a truly musical interpreter,” said the great Maxim Vengerov.
Ray has released two critically acclaimed albums on Sony: a recital program “Virtuoso” of works by Bach, Tartini, Franck, and Wieniawski, and the Mendelssohn and Tchaikovsky concertos with Swedish Radio Orchestra and Daniel Harding.   Following the success of these recordings, Ray was profiled by The Strad and Gramophone magazines as “the one to watch”.   “Virtuoso” was distinguished with the prestigious ECHO Klassik award.   He is currently working on his third, all-Mozart album with Christoph Eschenbach and the Schleswig-Holstein Festival Orchestra, slated for release later this year.
Ray continues to win the admiration of fans and fellow musicians worldwide.   In 2012, he became the youngest soloist ever to perform in the televised Nobel Prize Concert for the Nobel Laureates and the Swedish Royal Family.   His Carnegie Hall debut with the Royal Stockholm Philharmonic and Sakari Oramo, as well as his sold-out Musikverein concert with the Gewandhaus Orchestra and Riccardo Chailly were met with standing ovations.   Since the 2012- 13 season, Ray has been invited to join Konzerthaus Dortmund's series “Junge Wilde,” which presents young and groundbreaking artists in Germany.   Later this season, Ray will make his San Francisco recital debut at the SF Jazz Center. He also looks forward to his upcoming recital tour of Australia and his debuts with the Orchestre National de France and the London Philharmonic Orchestra.
Followed by over 500,000 people on SoundCloud, Ray Chen looks to expand the classical music audience by increasing its appeal to the young generation via all available social media platforms.   He is the first ever classical musician to be invited to write a regular blog about his life as a touring soloist for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max).   In his unstinting efforts to break down barriers between classical music, fashion and pop culture, he is supported by Giorgio Armani and was recently featured in Vogue magazine.
Born in Taiwan and raised in Australia, Ray was accepted to the Curtis Institute of Music at age 15, where he studied with Aaron Rosand and was supported by Young Concert Artists.   He plays the 1702 "Lord Newlands" Stradivarius violin on loan from the Nippon Music Foundation.

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