Cloud control.
https://www.facebook.com/timsmyths/

𝗢𝗨𝗧 𝗡𝗢𝗪
➤ AFTERHOUR SOUNDS COMPILATION VI
https://afterhour-sounds.bandcamp.com/album/afterhour-sounds-compilation-vi

___________________

𝗨𝗣𝗖𝗢𝗠𝗜𝗡𝗚 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025


___________________

𝗣𝗔𝗦𝗧 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025
➤ 01-02/03 Südpol/Hamburg
➤ 15/03 Klunkerkranich/Berlin
➤ 30/04-01/05 Station Endlos/Halle - w. philia & SK
➤ 28.-29.05. Release Party at JK/Berlin
➤ 18-20/07 Kompaz am Fluss Festival
➤ 30/08 Klunkerkranich/Berlin
➤ 20/09 gart.n/Berlin [Solidance]
➤ 25/10 Bahnwärter Thiel/Munich 

2024
➤ 09/03 Klunkerkranich/Berlin 
➤ 31/03 Kabinett der Kuriositäten/Mainz
➤ 06/04 Beate Uwe/Berlin
➤ 04/05 Wellenwerk Open Air/Berlin w. https://soundcloud.com/3000-grad & https://soundcloud.com/sumpfkruege
➤ 25/05 Klunkerkranich/Berlin
➤ 27/07 Klunkerkranich/Berlin [House Edition]
➤ 28/07 gart.n/Berlin [Raving Beyond Borders - Solidance
➤ 28/09 w. https://soundcloud.com/sumpfkruege at Klunkerkranich/Berlin [Sumpf Edition]
➤ 04/10 Chihuahua Dockside // Göteborg, Sweden
➤ 26/10 Bahnwärter Thiel/Munich
➤ 23/11 w. https://soundcloud.com/fiasco_kollektiv at Klunkerkranich/Berlin
➤ 21/12 Kater Blau/Berlin

2023
➤ 27/10 Bahnwärter Thiel/Munich
➤ 14/10 3000Grad x Afterhour Sounds x Rave Cage at Mensch Meier/Berlin
➤ 24/09 Rebellion der Träumer x Afterhour Sounds at gART.n/Berlin
➤ 02/09 Klunkerkranich/Berlin
➤ 03/06 Afterhour Sounds x SUMPFKRÜGE at Klunkerkranich/Berlin
➤ 11/03 Klunkerkranich/Berlin
_________________

✉ 𝗖𝗢𝗡𝗧𝗔𝗖𝗧

~ Only via Mail ~

Premiere requests only:
premieren@afterhour-sounds.com

Loveletters & cooperations:
info@afterhour-sounds.com

Afterhour Sounds news:
https://t.me/afterhour_sounds
_________________

 THE GOOD, THE BAD & THE UGLY:

GOOD: Slots for our LIVE-SPECIAL series are available in the near future. Don’t hesitate to contact us via Mail. Check the playlist for more impressions. 

BAD: We don’t accept any kind of podcast request. Please be patient. Maybe we contact you  in the future. 

UGLY: Please make sure that your music fits us and our output. Randomly sending pm’s to different podcast series are not the best way to grab a spot. 
_________________

𝗙𝗔𝗠𝗜𝗟𝗬 𝗔-𝗭
■ arkadiusz. (https://soundcloud.com/arkadiusz-dmytrow) (SoundCloud/Bandcamp/TG/Events)
■ bpod (https://soundcloud.com/bpod) (IT)
■ Francesca (https://soundcloud.com/francesca_unofficial) (Events/Spotify)
■  Habikat (https://soundcloud.com/habikat) (Instagram)
■ J.WOCKENFUSS (https://soundcloud.com/jwockenfuss) (Artwork)
■ Maria Theresia von Eberg (https://soundcloud.com/maria-theresia-von-eberg) (Events)


🖤 https://soundcloud.com/msaupe

🙏 https://soundcloud.com/elektro-uwe
🙏 Max Zünkler for the lovely artwort (1 until Nr.182) 

..and to all the others like mattmosphere, gina sabatini, bonnie ford, o/y, Tony Casanova, Alma Linda, Florian El Diábolo,…



𝗕𝗜𝗢

Imagine you're at a great techno party and have just heard the last track when the DJ switches on the lights and a murmur spreads through the crowd: It's time for the afterhour!

Welcome to a world where the sun is not the enemy, but a silent witness to sleepless nights and unlimited dance floor adventures

The afterhour is more than just an extension of the night - it is a universe of its own full of quirky, heartfelt and often hilarious moments. It is the place where the music lives on, time stands still and the party community forges its strongest bonds - even if it is sometimes only perceived with half an open eye and a wry smile. 

Over 10 years we host our famous podcast series. Which started as an small idea of some Afterhour nerds developed over the years to something special for us ♥️

In the beginning, we focused on finding and supporting (un)known artists through blog posts, reposts and podcast contributions. Gradually, we expanded our sections to include live recordings and premieres. In-house releases and events were not long in coming. 

Join us and dive into the world of Afterhour Sounds. https://t.me/afterhour_sounds  🌈 🎵 🪩

The Invisible Firm builds, though you can only see its shadows.
(said in Bain voice)

Nach ein 7 Jahren Pause wieder online.

booking@weird-vision.com

Junge Junge is the DJ-production project of Michael Noack and Rochus Grolle. Both enjoyed their own respective successes as solo artists before the collaboration began: Grolle has been DJing and producing music since the early 2000s, while Noack has been DJing ever since he debuted on George Morell’s Groove On Records in 2012. Having crossed paths on various occasions the road—“We were always bumping into each other at random events,” they say—the duo decided to spend some time in the studio together in late 2012, only to discover a shared language and intention: “to excite people” with their music. Soon they began touring as Grolle & Noack before releasing 2013’s “Why” as part of the Schneeweiss II compilation on Oliver Koletzki’s Stil vor Talent imprint—albeit as Grolle & Noack rather than Junge Junge. 
The first official Junge Junge release landed in April 2015. Titled “Beautiful Girl,” and stemming from a spontaneous jam session at 2014’s Helene Beach Festival, the single landed on Get Physical Music. Pairing a feel-good bassline with the smooth vocals of Australian Kyle Pearce, the track served as a perfect example of the deeply melodic, pop- orientated sound. “Our songs automatically become melancholic, harmonic, and somehow ‘poppy,’” they say, describing their style as “pop with other influences.” 
Having heard “Beautiful Girl” played in a local beach bar on holiday in Ibiza, the Managing Director of Universal Music Sweden offered the duo a record deal on the spot. The first product of this arrangement was 2016’s “Run Run Run” single, followed soon thereafter with the Beautiful Girl EP which featured three original productions alongside the licensed title track. “Run Run Run” went double platinum in Sweden and has over 35 million streams on Spotify; while “Beautiful” went gold in the same territory. Earlier this year, the duo returned to the label with the “Postcard” single. Away from original productions, Rochus and Michael are also regular remixers—and can count Glashaus, Charlie Puth, James Arthur, Kyle Pierce, and Avicii as artists they’ve reworked. 
As DJs, the duo also continue to impress—although their tech-house sound is distanced somewhat from much of their studio output. “If we’re DJing we’ll play only tech-house or techno,” they say. “This is what has inspired both of us to play out music as DJs.” Following a busy few years of touring—during which they played Pacha Ibiza, Germany’s Magnetic Festival, HYTE on New Years Eve in Berlin, WET Open Air, to name just a few—the duo’s tour schedule continues only to grow. 2017 will see them combine bookings at large-scale festivals with smaller, more intimate club performances. 
Up next is the duo’s highly anticipated debut LP, scheduled for Spring 2018 release on Universal.

Releasing Sound System Musik since 2006.

Thank you for supporting independent labels and artists

(Please understand that we cannot respond individually to every demo received, but we listen!)

leex is following