Producer and artist, based in Moscow.

Музыкант и художник, сейчас в Москве.

@camin-mraz-1

collective podcast 17 : Camin'

We have an unexpected guest mix, and it's the best I've heard in months - not just in terms of message and energy. Firstly, it's an accurate accounting of the current state of mind and the "mode of sensibility" into which everything that was vivid and real in the so-called "Russian industrial underground" has evolved. And secondly, no matter how insistent the authors are in their reclusiveness, this mix is exactly about what Russian war deprives us of: freedom, freedom to choose and normal abnormality.

***

У нас неожиданный гостевой микс, и это лучшее, что я слышал за последние месяцы —не только в плане посыла и энергетики. Во-первых, это точная инвентаризация нынешнего состояния и «расширенного режима чувствительности», в которые эволюционировало все, что было живого и настоящего в т.н. «русском индустриальном подполье». А во-вторых, как бы не упорствовали авторы в затворничестве, этот микс ровно о том, чего нас эта война лишает: свободы, свободы выбора и нормальной ненормальности.

Слово автор(ам): «Гостевой микс от рязанско-казанского дж-b2b-проекта Чёрный Петух Гэнг (@rawvshiii). Они грозятся устроить в самом обозримом будущем «серию элеккктро-панк вечеринок, дабы взломать остоебавшую сцену Москвы». Но парни движутся по заветам Лёни К. и Олега Злыдоты, поэтому скорее всего их планы уйдут в песок, и именно в связи с этим нам кажется важным засвидетельствовать этот отчаянный жест радикального рессантиманта. Как утверждают авторы, внутри вы найдете непростой синтез по мотивам творений таких великих, как Пациэнд, Тзусинг, Лана Дель Рей, Морван, Бэд Лсд Трипс, Дес Ин Джун, Му-Га, Кимшиз ремиксед бай Муфти, Александр Ганд, Тесте, Сауерстоффф, Лоуэр Тар, Беллатрикс, Асимметрикал и прочие моджахеды Роу Калче, Анна Фанк Дэмедж, месье Декабрь и т.п. Принимать микстуру строго по рецепту великого архитектора «Дома на говне»: «Спилите перетяжки смысла, и упадут платья и откроется перед вами великолепие, которое вы так тщетно ищите».

tg / inst / soundcloud : @rawvshiii

Чёрный Петух Гэнг — NEN Records Transmission May 2022

Noneside selector: @Jewishmason
Welcome to the new mix series from the best music selectors of Ukraine! Here we are listening and donate to https://www.comebackalive.in.ua/ fund till the Ukrainian victory in war! Join us and enjoy the music <3

Kyiv's dj & promoter Jewishmason on the decks! You may know him from awesome bass/garage parties with UK artists - @anklav-is and OJI - that was wicked! Waiting for Ukraine's victory in the war to continue the coolest parties! In the mix you can find the pure detailed sound and eclectic selection, latest sound design, as well as a bunch of crazy variegated rhythms that change very harmoniously one after another.

Tracklist:
Piezo - OX
BFTT - XCUSEME
Henry Greenleaf - Formula  
Happa - Clip
Happa - One Three Five
Jabes - Roley Poley
georg-i - Body Static
Blawan - Justa
Objekt - Ratchet
Kincaid - Ghost Dog
SPLT - G6X6
HomeSick - Inna Dis VIP 
YCO Cru - Long Island
Wordcolour - Breathless
Air Max '97 ft. LOFT - Xhrinicibles
Minor Science - For Want of Gelt

Donate!

Selector: Jewishmason

TESTFM )) Bandcamp

TESTFM x вир мир w/ Nikita Zabelin — 23/07/22

Resonance Moscow 354 w/ Состояние Сияния (22.10.2022)

[Please scroll down for English version & tracklist]

Автор о подкасте:

«Я составил этот микс из своих самых любимых треков, которые сопровождали меня в последнее время — те аудионаркотики, которые я употреблял весь последний год. Я хочу ими поделиться for free, for fun! Музыки набралось аж на два часа — зато какой! 

Эти треки я включал и мечтаю включить всем своим друзьям, и вот благодаря подкастам Fields у меня это получилось. За последнее время я понял, что очень люблю российскую музыку, несмотря ни на что! За её самобытность, невероятное чувство юмора, сердечность, сложность и простоту одновременно. 

В микс попали композиции самых разных жанров. Первый час изобилует угаром — тут вам аутсайдерская репчина, девиантный поп, кислотный рок, индустриальное громыхание и наэлектризованный фри-джаз. Второй час наполнен красотой и нежностью — вы услышите дип-фьюжн от Слава Трио, гениальный лоуфайный хаус от Максима Елизарова, перегруженный басами этнойз от ташкентского музыканта Psy-Factor, пландерфонику от Богом забытого проекта Gapon и гимн любви от Новых Композиторов. 

Большинство треков не ещё не выпускались публично — что-то выйдет в ближайшее время на ТОПОТе, что-то так и останется ждать своего времени на рабочем столе самих исполнителей. Желаю вам глубоко погружения и весёлого музыкального путешествия!»

🇬🇧
Author about the podcast:

«I compiled this mix of my favorite tracks that have been accompanying me lately – the audio drugs that I’ve been using for the whole year. And now I want to share them with you for free, for fun! Ultimately I scooped up 2 hours worth of music. Some incredible stuff here!

I have played these tracks to many friends of mine and I want the rest of them to hear these sounds in their turn, so I'm thankful to the Fields podcast for this opportunity. Recently I realized that I love Russian music very much, despite all the circumstances. I love it for its originality, incredible sense of humor, heartiness, its balance of complexity and simplicity.

This mix covers many different genres. The first hour is full of wild and crazy stuff: outsider rap, deviant pop, acid rock, industrial rumble and electrified free jazz. The second one is more about beauty and delicacy: you can hear deep fusion from Слава Трио, genial lo-fi house by Maxim Elizarov, overdrived with basses enthno-noise from Tashkent-based musician Psy-Factor, plunderphonics from the Godforsaken artist Gapon and a love theme from New Composers.

Most of the tracks haven’t been released publicly yet – some of them will be released on ТОПОТ in the near future, while others will have to marinade, biding their time on the computers of their respective authors. I wish you a deep dive and a fun musical journey!»

 Tracklist:
1. Finno-Ugric Shaman Orchestra UMPU — The Another Udmurt
2. Calabi-Yau — Horovod
3. Igor Maximilian — Greeting
4. ZGA — Downcast Miserable
5. ZGA — Icefloating
6. ZGA — Time To Change The Climate
7. Ривущие Струны — АС Пушкин
8. ВЕЧНЫЙ ОГОНЬ — mysoncannotbekira
9. ВЕЧНЫЙ ОГОНЬ — emo
10. sweetteenkilla — мультика (prod. by sahaa)
11. Рафаэль Кусто & DrTikov & 15`Sutok — Планчик-тёлочки
12. Ансамбль Бати — ???
13. Spoiling Of Property — Raag-S
14. レø-テi  ムIシ — Hihanki
15. レø-テi  ムIシ — Karate
16. Новые Композиторы — Вижу
17. Igor Maximilian — How Are You There
18. Spoiling Of Property — Let's Go To Bed
19. Matu Zaur — Жэпуэгъуэ
20. Spoiling Of Property — Granovskogo 35
21. Coalman — "?"
22. Coalman — Князь Хихикало
23. Slava Trio — 47to7
24. Air Krew — Нам Пора
25. cop_porn — friday 13
26. Psy-Factor — Ethnoise
27. DJ Pneumophonik feat. Vered Yeriho - Seascape
28. Gapon — Радиолето
29. Новые Композиторы — Люблю

Fields Podcast 022: Евгений Галочкин «Аудионаркотики»

[Please scroll down for English version & tracklist]

Автор о подкасте:

«Я обычно составляю миксы из треков, которые мне нравились в последнее время. Выбрав условную тематику (т.к. мне нравится разное), из своих плейлистов я собираю часа на два полотно и свожу иногда в реал тайме, иногда в Reaper. В этот раз тоже все так. 

Тематику, вайб старался выдержать эмоциональный, но отстраненный, не напористый, скорее чувственный. Я не старался над отсутствием ритмов, т.е. по задумке это не эмбиент-микс, но, кажется, просто само так получилось, что весь час более-менее абстрактный. Ну, и плюс что-то ностальгическое, наверное. В общем, посыл довольно не заморочен, местами кинематографичен — на такое осенью меня тянет обычно. Музон разных лет. Есть один нерелиз с нашего будущего альбома с Ens Dormir, треки с недавней компиляции Fuselab «PIECE OF IT», есть Дэвид Боуи и Gigi Masin, немного Японии, немецкого эмбиента и наш любимый X.Y.R.».

🇬🇧
Author about the podcast:

«I regularly make mixes from of tunes I've lately appreciated. After deciding on a topic (since I like to experiment), I assemble two hours of music from my playlists and mix them in real time or in Reaper. This time is no different.

I tried to keep things emotional yet distanced, not forceful, and quite seductive. I didn't intend to create it beatless, so this isn't an ambient mix on purpose, but it just so happens that the entire hour is more or less abstract. Plus, I think, it was something nostalgic. In general, the message is not ambiguous; it is a little theatrical, which is what interests me in the fall. Music from many eras. One unpublished track from our upcoming album with Ens Dormir, tracks from the current Fuselab collection "PIECE OF IT," David Bowie and Gigi Masin, Japanese, German ambient, and our favorite X.Y.R. may be found here».

Tracklist:
1. Boris — Interlude
2. LXV — things that may not be connected II
3. Satoshi & Makoto — Closer
4. Blank Gloss — Anticlimbers
5. Tal — Tal-90
6. NWIII — Кот Взял и Нашаманил
7. Shoom Berez — His Last Search
8. David Bowie — Subterraneans
9. Ens Dormir & FMSAO — Ultra Went on a Hard TV Trip
10. Elori Saxl — The Blue of Distance
11. Isorinne — Tårlös Sorg
12. Gigi Masin — Khalifa Golf Club
13. X.Y.R — Coral Reef Exploration
14. Morgen Wurde — Weiht (feat. Maria Estrella)
15. Kuniyuki Takahashi — Ai Iro

FMSAO: @fmsao

Fields Podcast 023: FMSAO «Something Blue»

The fourth issue of Festina Lente is hybrid: different styles are intertwined in it, creating a darker and more clubby story this time.  

The episode begins with a hyperpop track by Europa&500 producers, which collides with an experimental UK track by Czech producer Sam Link, several new DNGDNGDNG remixes that took me to the quick, especially "Dime". 

As usual, I will voice a few names, then dive in to enjoy the unusual sound of the experimental club scene: An Avrin, Ido Plumes, Bicep, Bjork, Neana, Kellen303, Ikava Pii.

Festina Lente is a radio show where Lyudmila Severtseva will share the changes in experimental club music that she is tracking.

@lyudmilasevertseva

TESTFM on Bandcamp

Festina Lente w/ Lyudmila Severtseva — 28/05/2023

A careful cartography of time and memory, where horizons gather dust and light slips between worlds; every moment here feels like a secret uncovered: a whisper that outlives its breath, a radiance that refuses to fade. Melodies slumber and then stir, folding dormant dreams into fragile patterns while shadows learn to speak in softer tongues. Names become small lanterns on distant shores, and strange places hold the weight of stories that never amounted to a bite. Listen as fragments of lost time recombine into a slow, patient architecture of echo and pulse: intimate, unhurried, and quietly insistently luminous.

The Glow of Lost Time

Experimental music, exploring acoustic instruments with pedal effects and tape machines. Maybe a future album? 

Cosmos DATA

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Fields Podcast 023: FMSAO «Something Blue»

Fields

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