Maine-based sound artist, field recordist, soundscape composer, and Boston ex-patriot.

ecoPULSE.art is a platform for projects exploring the future of regional territories through enquiry, connections and creativity. Kim V. Goldsmith is a storyteller with a background in radio and print journalism, communications and content production spanning 30 years. She lives and works in the heart of regional NSW Australia, where she explores the issues that come with humans in the environment, and through her sound work, aims to give a voice to the more-than-human world around us.

Jamie combines art practice with field recordings and sound composition to enable non- anthropocentric readings of post-industrial sites. His experimental practice research methods include multi-sensory technological methods of observation, employing VHF, radio waves, Geiger counters, handmade synths and devices. Alongside using the latest software applications of granular synthesis and spatial audio Jamie creates immersive sound installations and extended electroacoustic/acousmatic compositions.
Jamie is a multi-award-winning artist researcher, has presented his work at International and National symposia and has exhibited and published widely including:

Jamie's work in sound has been broadcasted on Radio 3 Mixing it London (UK) and Resonance  FM  London (UK).Most recently Migration Sounds Oxford University UK,Sites and Memory Project and working with The Freshwater Sounds Archive in collaboration with Dr Jack Greenhalgh Canada Foundation for Innovation.

-Speaker at 6th International Conference of Photography & Theory (ICPT2022) Cyprus EXPANDED VISUALITIES: PHOTOGRAPHY AND EMERGING TECHNOLOGIES
-CAST Cornubian Arts & Science Trust Helston (UK). Test Space: Expositions of practice-led research Symposium.
-Feature on my field recordings on Resonance FM London UK
-Phytogenesis II Provocations of Plants, Philosophy and Photography. International Symposium University of Plymouth, North East Photography collective, Newcastle University. I delivered an academic paper on my practice through the lens of Deleuze.

I make audio documentaries and things like that

Newbie recording the natural world on my travels with my Zoom Hn1, F3 and F6.

I make music for strange ornaments, feathered animals and secret cults of people with strange minds.

The conjured spells I have adapted have caused a flock of birds, large animals and extinct unknown creatures that sit quietly to unearth realms and open treasured sanctuaries piece by piece.

Followers of Legio Sounds