Don't Think Minimal Promo Sessions.
___________________________________
~Send us your set here:
<a href="mailto:dontthinkminimal@yahoo.com" rel="nofollow" target="_blank">dontthinkminimal@yahoo.com</a>
with your download link: a mp3 file @ 128kbps minimum.

~Policy:
* Your mix need to be between 50 - 60 minutes.
* Genre: Electronic / Style: Undeground stuff (Techno, Trance, Electro,
Rap, Break, Tech-House, dnb, etc.)
* Maximum 1 style / mix.

~ Your mix need to be strictly exclusive! It doesn't need to be uploaded or shared on various profiles like soundcloud and other podcasts. You need to send only a 'clean' release at our adress.
 
 ~Also you can send us you're feedbacks about our posts here:
<a href="mailto:dontthinkminimal@yahoo.com">dontthinkminimal@yahoo.com</a>

~Here you'll find more infos about DTM Promo Sessions:
<a href="http://www.facebook.com/dtmevents" rel="nofollow" target="_blank">http://www.facebook.com/dtmevents</a>



Bio Spanish Version
Iago nació a principios de los años 80 y, desde muy joven, desarrolló una profunda conexión con la música. Comenzó su carrera como DJ en 2002 y desde entonces se ha convertido en una figura destacada en fiestas y eventos del norte de España y Portugal.

A principios de 2007 debutó en la industria discográfica junto a su gran amigo Raúl Mezcolanza, lanzando un trabajo en Naked Lunch Records, el reconocido sello fundado por A. Paul, uno de los artistas más influyentes del techno en Portugal. Este lanzamiento marcó un punto de inflexión en su carrera, alcanzando posiciones en el Top 10 y obteniendo gran reconocimiento.

A lo largo de los años, Iago ha colaborado con numerosos artistas de renombre como Daniel D, Kobaya, A. Paul, Boriqua Tribez, Gunjack, Tim Baker, Peppelino, Petter Fern, David Moleón, Raúl Mezcolanza y Pedro Delgardo. Sus temas han sido apoyados por DJs internacionales como Ben Sims, Markantonio, Misjah, Wehbba, Cristian Varela, Carl Falk, entre otros.

Su música ha sido editada en sellos discográficos de alto prestigio dentro de la escena techno como Naked Lunch, Patterns, Relatives, Yin Yang Records, Pirate Audio, Pseries, Basics y Moop Up.

A pesar de su juventud, Iago cuenta con más de dos décadas de experiencia a los platos. Ha actuado en algunos de los clubes más destacados de España y Europa. Sobre el escenario, se caracteriza por sus sets enérgicos, ya sea mezclando a dos o tres platos o realizando actuaciones en vivo. Su técnica y conexión con el público lo sitúan dentro de un grupo muy selecto de DJs capaces de transformar cualquier pista en una experiencia inolvidable.

Bio English Version
Iago was born in the early 80s and, from a very young age, developed a deep connection with music. He began his DJ career in 2002 and has since become a prominent figure at parties and events across northern Spain and Portugal.

In early 2007, he made his debut in the recording industry alongside his close friend Raúl Mezcolanza, with a release on Naked Lunch Records, the respected label founded by A. Paul, one of Portugal’s most influential techno artists. This release marked a turning point in his career, reaching Top 10 positions and gaining significant recognition.

Over the years, Iago has collaborated with many renowned artists such as Daniel D, Kobaya, A. Paul, Boriqua Tribez, Gunjack, Tim Baker, Peppelino, Petter Fern, David Moleón, Raúl Mezcolanza, and Pedro Delgardo. His tracks have been supported by internationally acclaimed DJs including Ben Sims, Markantonio, Misjah, Wehbba, Cristian Varela, Carl Falk, and more.

His music has been released on some of the most respected labels in the techno scene, including Naked Lunch, Patterns, Relatives, Yin Yang Records, Pirate Audio, Pseries, Basics, and Moop Up.

Despite his relatively young age, Iago brings over two decades of experience behind the decks. He has performed at some of the top clubs in Spain and across Europe. On stage, he is known for his high-energy sets—whether mixing on two or three turntables or performing live. His technical skill and strong connection with the audience place him among a select group of DJs capable of turning any dancefloor into an unforgettable experience.

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ENG BIO:

Leinad becomes involved in music from very young, starting with the collection of vinyls of his grandfather and approaching the first  attempts of mixing and scratching. Then, as a teen ager, he began travelling in order to find rarities in vinyl. 

From almost 20 years on the Italian Techno scene both as dj and organiser of events, he has held lessons in high school about  History of Electronic Music, also organising musical laboratories and audio-visual installations. 

From 2005 to 2007 he has been one of the founders and managers of the club Fabbrika. Partner of the label KRD, with which he has realized 1 cd Resource ep and 7 vinyls, he belongs to the collective Shadow Sync.

In love with vinyls and all the good music in general, from the classical one to the most experimental, in his productions he’ s particularly influenced by the Detroit techno, although preserving a sperimental, original and personal style.

In Italy and abroad he has shared the console with artists as of Juan Atkins, Robert Hood, Lerry Heard, Oscar Mulero, Chris Liebing, Los Hermanos, Marcel Dettman, The Advent, Morphosis , Ben Klock, Alan Oldham, James Ruskin, Donato Dozzy, Marco Passarani, Giorgio Gigli, The Gods Planet, Lory D , Max_M, Fabrizio Lapiana and many more.

The approach to the analogical instrumentation, particularly as it regards the drums,  he’ll soon use them in his productions to confer more intense musicality and humanity to his creations, has brought him to enrich his artistic personality.

Involved since 2010 into the artistic and musical project TheFRAG, he is preparing a new and exciting musical project…

ITA BIO:

Leinad inizia ad interessarsi alla musica da giovanissimo,  attingendo alla collezione di vinili del nonno e approcciando i primi tentativi di mixaggio e di scratch. Poi iniziano le trasferte per trovare chicche in vinile. 

Da quasi 20 anni sulla scena Techno italiana, sia come dj che come organizzatore di eventi, ha tenuto lezioni in licei sulla storia della musica elettronica, organizzando anche laboratori musicali e installazioni audio video. 

Dal 2005 al 2007 è stato uno dei fondatori e gestori del club Fabbrika.

Al momento  socio dell’etichetta KRD, con cui ha fatto uscire 1 cd Resource ep e 7 vinili, è membro del collettivo Shadow Sync.

Appassionato di vinili e di tutta la buona musica, dalla classica alla più sperimentale, nelle sue produzioni è particolarmente influenzato dalla Techno di Detroit , pur conservando uno stile personale originale e incline alla 
sperimentazione.

In Italia e all’estero ha condiviso la consolle con artisti del calibro di Juan Atkins , Robert Hood, Lerry Heard, Oscar Mulero, Chris Liebing, Los Hermanos, Marcel Dettman, The Advent, Morphosis , Ben Klock, Alan Oldham, James Ruskin, Donato Dozzy, Marco Passarani, Giorgio Gigli, The Gods Planet, Lory D , Max_M, Fabrizio Lapiana e molti altri.

L’approccio alla strumentazione analogica, in particolare per quanto riguarda la batteria, che utilizzerà presto nelle sue produzioni per conferire maggiore musicalità e umanità alle sue creazioni, lo ha portato  ad arricchire la  sua personalità artistica.

Impegnato dal 2010 nel progetto musicale-artistico TheFRAG, sta covando un nuovo ed emozionante progetto musicale…

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Official Bio by Divna Ivic - TheFRAG LAB -



Techno and thereabouts.

Producing electronic music since 1991, I started in the demo scene as DolbyProLogicDuncan, later shortened to Dublogic due to bulletin board character limits (pre-internet days!). My roots are in Mod/Tracker methods, a format I’ve stuck with as hardware like the EMU8000 elevated my sound over time.

My first official release dropped in 2000 with Uncivilized World Entertainment (UWE), a label home to icons like Jeff Mills, Birdy Nam Nam, Laurent Garnier, Underground Resistance, Aux88, Dj Kraft, The Hacker, Beastie Boys, The Horrorist, and Justin Berkovi. After a break, I returned in 2009 with a fresh setup and a new alias, Unevenratio, releasing on labels: BCR, Aenaria, Elektrax, Contrast-r, Afrotek, UTCH, Transmissions, and Android Muziq.

My tracks have earned support (via originals or remixes) from heavyweights like Dave Clarke, Kirk Degiorgio, DJ Surgeles, Coefficient, Mark EG, Damon Wild, Speedy J, Dubfire, TommyFourSeven, DJ Hi-Shock (Advanced Human), George Lanham, Luca Ricci, A-Brothers.

Some of my releases can be found @ Beatport, Junodownload, iTunes & Spotify. If you Dj and are interested in a track to use in a set, feel free to inquire about a WAV or MP3, via Soundcloud messaging.

|Spaghetti & Dark Disco|
IN DARK WE TRUST series is by invitation only! 
Contact/Booking > berny.bunkerstudio@gmail.com

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

* Leinad is following