WOOMOON is a party of a journey. 

It´s LOVE. An EXPERIENCE that goes deeper. 
A STORY that intends to stay with you forever.

Live by the Sun 🌞 Love by the Moon 🌙

Hello Im Pav Modern, founder of Modular Recordings home of The Avalanches, Cut Copy, The Canyons, The Presets, Wolfmother and Tame Impala amongst many others many others.

Before my life as a record company I was a concert promoter and had the good fortune of promoting artist such as Nirvana, Beastie Boys, Fugazi, Pavement, Sonic Youth Pearl Jam, My Bloody Valentine, Hole, Bikini Kill, The Yeah Yeah Yeahs , LCD Soundsystem, Daft Punk and hundreds of others across Australia and New Zealand.

I created The Summersault festival in Australia and an island festival in Croatia called For Festival and curated/creative directed events in Australia like Vivid Live 2011 and most recently the UNPOPULAR  exhibition at the Powerhouse Museum.

I've started a new record label called UNPOPULAR and will start uploading some really exciting new artists here:

Very limited edition BLACK-BOX 60-track anniversary box-set released on Sept 25th 2015. Contact blackbox@blank.media to order. The 40-track 2CD/DVD version is available via Universal.


Re-editing forgotten polish gems since 2010...
Contact: polishcutouts@gmail.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Bookings >> Ishsha@echolocationtalent.com
Management>> Laurence@maximum-boost.co.uk

A lot happened in 1980. Diana Ross wanted the world to know: “I’m coming out”, John Fox released his electronic “Metamatic” and AC/DC their bestseller “Back IN Black”. It was that year when the storm sent the ship with the famous pirate Radio Caroline to the bottom of the ocean, and Andrew Korzyński first saw Roland TR-808. When Kombi’s fame was about to shoot up, John Lennon got shot down by a madman. For many reasons we consider 1980 a special year. 

At a young age, we inherited 90210 vinyl records, and among them, one of the fifteen copies of the first edition of “Music For The Masses”, Depeche Mode.  We were only 8 years old and we owned a chest full of rare vinyl! The world stood open before us, but we chose a career behind the counter and at the age of 10 we started working in the capital, in a record store popular among krautrock fans. At the age of 12, we were discovered by a headhunter from Norway. And so via Oslo, we landed behind the counters of the best music shops in Europe. The wind of change, however, brought us back to Warsaw where we began our work in the Polish Recordings and Polish Radio Archives. During all that time we have assembled chests full of rare vinyl and soon we’ll show you what we have found. 
So….now we are coming out!

W roku 80 działo się niemało. Diana Ross zrobiła swój... coming out, John Foxx wydał swój elektroniczny "Metamatic", a AC/DC bestseller "Back In Black". W tym roku sztorm posłał na dno statek wraz ze słynnym pirackim Radio Caroline na pokładzie, a Andrzej Korzyński po raz pierwszy zobaczył Rolanda TR-808. Gdy Kombi oczekiwało na swój odlot, wariat zastrzelił Johna Lennona. Z wielu powodów to dla nas rok szczególny.

W młodym wieku odziedziczyliśmy kolekcję płytową wujka marynarza-melomana.
W nasze ręce trafiło 90210 czarnych krążków, wśród jedna z piętnastu sztuk pierwszej wersji "Music For The Masses" Depeche Mode. Były też acetaty Chochołów, z pierwszego tłoczenia.

Mieliśmy ledwie 8 lat i kufry pełne rzadkich winyli. Świat stał przed nami otworem, ale my wybraliśmy karierę za kontuarem.
W wieku 10 lat pracowaliśmy w popularnym wśród diggerów krautrocka stołecznym sklepie płytowym.
W wieku 12 lat odkrył nas headhunter z Norwegii.
I tak via Oslo trafiliśmy za ladę najlepszych sklepów Europy. Wiatr zmian przygnał nas jednak z powrotem do Warszawy - zaczęliśmy pracę w Polskich Nagraniach i archiwum Polskiego Radia.
Przez ten czas zebraliśmy kufry pełne rzadkich winyli i już niebawem pokażemy co znaleźliśmy.
Tak więc pora na …coming out.

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