The Upload

Tercera emision de Problemas en la selva tuvimos la suerte de contar con la paulista Dj Gabriela Ubaldo, residente de las fiestas Macumbia, charlando un poco con Sonido Martines y mezclando en los tornas

GABRIELA UBALDO (SP) Entrevista y Mixtape

. Last track, B side, volume 2 of the MUSIC FROM AFRICA series reissue.
. Vinyl and digital release early july on Nyami Nyami records, under exclusive licence from original producer Tom Mkhize
. Never heard library music productions from the early 80's recorded in Jo'Burg and showcasing 'dance-floor friendly' music from different regions of South Africa. 
Volume 1, side A : Swazi Message
Volume 1, side B : Big Band Bash
Volume 2, side A : Shanghaan traditional
Volume 2, side B : Sotho chant

TEAM LEADER TSOTSI



Track from EARTH DOESN'T LIE ep, a mystic, spiritual instrumental project which brings Hip Hop far from consumerism, fashion,tendency and materialism... just some music to connect with the Pachamama... The first seed of the SPIRITUAL BEAT MOVEMENT.
Vinyl available on hhv.de:
www.hhv.de/shop/en/item/al-que…-doesn-t-lie-430148

Intro from EARTH DOESN'T LIE ep, a mystic, spiritual instrumental project which brings Hip Hop far from consumerism, fashion,tendency and materialism... just some music to connect with deep Earth energies... The first seed of the SPIRITUAL BEAT MOVEMENT.
Vinyl available on hhv.de:
www.hhv.de/shop/en/item/al-que…-doesn-t-lie-430148


Zamal Chant

Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. 

Love & Hoppiness

From Bob To Stevie (feat. Dave Aju)

Feindrehstar - From Bob To Stevie (feat. Dave Aju)

"desert dream" is a synthetic track taken from débruit's new album "Outside The Line" out on "ICI". 
you can listen and buy here: https://debruit.bandcamp.com/album/outside-the-line

https://www.facebook.com/ICIyouare
#ICIyouare


Desert Dream

El sonido Graveton tiene su origen a finales de 2010 en los estudios caseros de djs y productores de países de todo el mundo. Producciones analógicas o digitales de baja calidad pero con mucho ingenio a la hora de usar los ritmos de la cumbia y el reggaeton para procesarlos con samples del folclore andino, colombiano y mexicano. Con los años y los avances tecnológicos las producciones iban adquiriendo mayor calidad en cuanto a sonido y a contenido artístico. Aunque siempre hay excepciones, los más radicales y ortodoxos que aún conservan la manera primigenia de producir y ejecutar piezas de graveton. Es lo que se conoce como graveton lofi o graveton casero.

En la actualidad decenas de artistas siguen produciendo graveton en sus estudios, centenares de djs lanzan tracks de graveton en cientos de clubs de todo el mundo y miles de personas bailan graveton cada semana en las pistas de baile de diferentes clubs, fiestas locales o cualquier tipo de evento con carácter festivo o cultural.
Etimológicamente graveton proviene del sonido de frecuencia baja o grave, en inglés bass, y el sufijo ton del mismo sufijo que en reggaeton. Al ser producto de una mala producción el prefijo grave señala ese carácter desafortunado de la obra.
Desambiguación. Graveton (Creative Commons - 2011) También es el nombre de la primera referencia de la disquera online Caballito Netlabel y está dio lugar a posteriores entregas, Graveton II (Creative Commons - 2012), Graveton 3 (Creative Commons - 2012) y Graveton IV (Creative Commons - 2015)

Dicho esto sólo queda presentar el GRAVETON IV, y con motivo de que Caballito cumple cinco años, este es nuestro regalo.
El Graveton IV contiene 38 tracks llegados de todas partes del mundo. Nombres ya conocidos, otros no tanto y nuevos descubrimientos gracias a internet que siempre provee.

Incluye BONUS TRACK Bigote feat Funko - Kumbia Borroka (2011), en un edit 2015 de Bigote. Kumbia Borroka fue la primera canción de graveton de la historia, de la cual se extrae la frase “Caballito is too much porn”

Amigas y amigos bailadores, músicos, productores, djs, blogs, webs y publicaciones, gracias a todos. 
A bailar!

download

Dj Nirso - Atocha En La Rocha

OSTLP/CD002

OUT NOW!  www.ostinatorecords.bandcamp.com

"Easily one of the most intriguing and ear-opening records I've heard in a long time" - Errol Nazareth, CBC Radio (Canada)

"An expertly curated experience of one of the late-20th Century’s most thrilling musical encounters" - The Playground UK

"A compilation to revel in" - The Arts Desk

"An energetic, enlightening listen... Two records in and Ostinato’s track record is downright sterling." - The Vinyl District 

"Those of the caliber of Synthesize the Soul are rare." - RFI Musique

"An homage to the music of migrants of Cabo Verde." - VICE

Watch the trailer here: vimeo.com/195576843

CD/2XLP/Digital 
36-page CD Booklet
20-page LP Booklet

Through 18 diverse tracks, this compilation offers a timely revelation of how immigration to Europe and the United States from the Cape Verde Islands in the 1980s gave us an alternate history of electronic music, almost a decade ahead of its time, as traditional Funana rhythms met the synthesizer.

Synthesize the Soul: Astro-Atlantic Hypnotica from the Cape Verde Islands 1973 - 1988

OUT NOW!

Chump Lopes - Elisio Gomes & Joachim Varela

A few years later of “Vamos A Comer” EP (2010 © Lovemonk) and the “Unexpected Tapas” (2011 © Lovemonk) album releases, the Basque-German DJ & music maker, Mikel Makala, and the producer and director of the Gasteiz Big Band, Jimmy Bidaurreta, join forces again to create a new album called “Descarga Libre” (2019 © Orrua Diskak). Now the Basque duo strikes with the same purpose to rescue those Latin, Jazz, Funk and Descarga to Nuyorican Salsa sounds of labels like Fania, in combination with club & dancefloor rhythms. In the beginning of 2019 they’re back with a new album containing 7 originals songs, giving continuity to that brilliant sound they have signed together & have already obtained remarkable admiration from some international reputed DJs, producers and radio hosts, such as Craig Charles (BBC-6 Music, UK), Raphael Sebbag (United Future Organization, Japan), Mad Mats (Raw Fusion, Sweeden), Paul Murphy (Afro Art, UK), Diego Manrique “Ambigú” (Radio 3, Spain), ... to name a few. The album contains different collaborations such as London based half German/Chilean female singer Fedzilla (vocalist on Wara), Cuban singer & bass player Omar González Mesa (Daniel Amat Quartet), Cuban trombonist Yarian Yaque (Mayito Rivera & Orquesta Los Hijos de Cuba) and Cuban percussionist Denis Barzaga (Soneros de Changüí) and Iñigo Ortiz de Zárate, guitar & keyboard of Basque rhythm&blues & soul group, The Allnighters. 


El DJ y agitador musical vasco-germano Mikel Makala y el músico y productor de Donostia-San Sebastián, Jimmy Bidaurreta director de la Gasteiz Big Band, son unos de esos artistas que llevan mucho tiempo creando sus propios universos sonoros. En su nuevo proyecto conjunto en forma de álbum, “Descarga Libre” ponen de manifiesto que con un amplio abanico de ingredientes: Latin, Jazz, Soul, Funk, Descarga, Salsa Nuyorican o elementos Afro-Cubanos, se puede cocinar un buen plato. En estos experimentos creativos y vitalistas, estos alquimistas enamorados de los ritmos latinos, hacen música de ayer con la visión de hoy o música de hoy con la visión de ayer y con la que recorren territorios donde se funden estilos, timbres, sabores y climax. El resultado es estimulante y donde su sección rítmica hace que movamos los pies y todo el cuerpo. Pero no haríamos justicia si no habláramos de los músicos que les acompañan en esta aventura sonora, como los cubanos Omar González Mesa (Pancho Amat Cuarteto), cantante, bajista y guitarrista residente en Donostia; Yarian Yaque Gutiérrez (Mayito Rivera & Orquesta Hijos de Cuba), en el trombón y Denis Barzaga percusionista originario de Guantánamo. También participan Iñigo Ortiz de Zárate, guitarrista y teclista vasco del grupo The Allnighters y Fedzilla la vocalista chilena germana del grupo londinense WARA. Mención aparte hay que hablar de la gran portada del álbum confeccionada por Txarly Brown.

Texto por DJ Floro “Sonideros” (Radio 3)

Descarga Libre

Tinta Negra

Buy / Comprar

Makala & Jimmy Bidaurreta  feat. Omar González Mesa "Tinta Negra"

Pre-order "Vamos a Hacer Edits" (limited edition 10" vinyl & digital)
› https://galletascalientesrecords.bandcamp.com/album/vamos-a-hacer-edits

Barranquilla born multi-instrumentalist Pernett is undoubtedly a true pioneer in fusing Colombian folklore with electronic elements. Back in 2003, when he released his first album “Música Para Pick Up”, Humberto was immediately seen as genius by some, crazy and outrageous by others. How dare he incorporate synthesizers into traditional music? What would be called this avant-garde genre where gaitas, traditional drums and keyboards come together? To this date, Pernett has released 6 albums, worked with an impressive number of prestigious artists such as Phil Manzanera, Calle 13, Novalima, or Quantic, and is still influencing whole generations of forward-thinking musicians.

Originally released from is latest album, “Vamos A Hacer” and El Pajarito have been edited for the occasion, by talented recording engineer Benjamin Calais AKA Ben Matik,
We have the pleasure to premiered the A-side “Vamos A Hacer - Ben Matik Instrumental Edit”,  a joint collaboration between Pernett and renown British producer Will Holland aka Quantic. A heavy blend of funky breaks and cumbia. This is the short version edited by Ben Matik:  it takes a unexpected turn to a completely freaked-out “Puya” rhythm, where gaitas and synths perfectly merge together.
FYI a 7-minutes version, exclusive to the 10′′ vinyl, has been especially taken out from the masters vault, and edited by Ben Matik.

Audio on Youtube
› https://youtu.be/QUqSQ7zei3c

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Diffusé le 2 mai 2019.
Broadcasted on may 2, 2019.

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Pernett
› http://hpernett.com/
› https://www.facebook.com/Thepernett/
› https://www.instagram.com/pernett/
› https://twitter.com/thepernett
› https://soundcloud.com/pernett
› https://www.youtube.com/user/Pernettrecords

Quantic
› https://atlanticoscillations.com/
› https://www.facebook.com/quanticmusic/
› https://www.instagram.com/quanticmusic/
› https://twitter.com/quanticmusic

Benjamin Calais AKA Ben Matik

Galletas Calientes Records
› https://www.galletascalientes.com/
› https://www.facebook.com/GalletasCalientesRecords
› https://www.instagram.com/galletas.calientes/
› https://twitter.com/GalletasRecords
› https://soundcloud.com/galletascalientesrecords
› https://www.youtube.com/user/GalletasCalientesRec/

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Le Mellotron - Global music radio from Paris
6 rue Beaurepaire 75010 Paris

Vamos A Hacer Edits

[PREMIERE] Pernett feat. Quantic - Vamos a Hacer (Ben Matik Edit - Short Version)

My Tuesday night set at Lupis ❤️AfrikaBurn 2019.

Thanks everyone involved for making this one so special!

Special shoutouts to: Hendrick, Team Lupis and of course all MitteKidz and Zebracorns!

SvP - Lupis - AfrikaBurn 2019 🔥

Tracklist :

01 Himno Solar - Bial Hclap
02 La Coqueta - Poncho Zamudio
03 Cumbia Ovejera - Toño Blanco y Su Conjunto
04 Unknown
05 Grito de Cumbia - Los Wawancos ft. Hernan Rojas
06 Negro Sabroso - Los Corraleros de Majagual
07 La Cumbia Prohibida - Niña Dioz Ft. Li Saumet
08 Las Brujas - Los Guerreros
09 Las Oladas - Ranil y su Conjunto Tropical
10 En El Campo - Grupo Celeste Del Peru
11 La Pastita - Juaneco y su Combo
12 Tenemos Voz - La Yegros feat. Soom T
13 Chana y Juana - Los Master Plus
14 Tal Para Cual - Calle 13
15 El Meneaito - El General
16 La Vaca - Grupo Super Bailongo
17 La Vaca - Jorge Meza
18 La Gata Perdida - Very Be Careful
19 La Resaka - Supermerk2
20 La Negra Soledad - Pablo Lescano y Damas Gratis

Captain Cumbia Radio Show #54

a Journey between orient to ethinc  , and afro beats.
Recorded on 20th of May

All the Vibes

In memory of an unforgettable weekend in Ibiza...
Thank you Toni & Birger, this set is dedicated to you!

The last Track (aka. this wedding never stops)

Abtunes At Nomada -March 31st 2019

Datant de 2001, Amélie Poulain montre Paris sous son meilleur jour. Audrey Toutou incarne à la perfection cette jeune fille solitaire à l'imagination débordante.
Amélie Poulain aime faire des ricochets sur le canal Saint-Martin. Malheureusement, Audrey Tautou, elle, en est incapable. Les images des cailloux du film sont donc des images de synthèse.
Le café dans lequel travaille Amélie Poulain existe bel et bien. Jean-Pierre Jeunet le fréquentait avant de le sélectionner comme lieu de tournage. Depuis, le Café des 2 Moulins est devenu un lieu mythique et incontournable, pour tous les fans du film qui visitent Paris.

Si la mixtape vous a plu, n'hésitez pas à la liker ♥ et à la repost ↻

FACEBOOK: www.facebook.com/ItSynopsis
Website & Booking: www.synopsis-music.com

Synopsis - Amélie Poulain

At the start of 2020 a fellow DJ/vinyl collector, Tom B, invited me to come and spin at the March edition of legendary Avenida Brasil, one of the longest running BR-themed parties in Paris. He also challenged me to perform a live set on my MPC, specifically made for that night. Unfortunately a few weeks later everything was cancelled. But I kept on making beats, while sampling my Brazilian records. Weeks later this
album was born… It is the most personal album yet, it is an homage to my family’s Brazilian heritage and a dedication to my mother.

When I was still a small child, some of my very first music memories were the many faces of MPB artists “smiling” at me from the covers of my mother’s vinyl collection. I was born in Zagreb to a Portuguese mother (who was raised in Rio de Janeiro) and a Croatian father and grew up listening to Chico Buarque, Elis Regina, Caetano Veloso, Milton Nascimento but also to other, less worldly known but very important artists whose brilliant music my mother collected in the early 70s. This collection of 10” records called “História da Música Popular Brasileira - MPB” was at the time released by Edições Abril and was distributed and sold at many newspaper stands all over Brazil. My mom, being a true music lover, bought the whole collection. Not long after, when her family was moving back from Brazil to Portugal, all the records travelled by ship with her. The same year after marrying my dad, she moved to Zagreb taking again the collection with her. Another journey the records made
was when our family moved to Lisbon in 1992, with a one year stop in Rome.

Now, I am very happy to have the collection with me here in Amsterdam. They are part of my family's multi- cultural heritage and a living proof that great music can stand the test of time.

Captain Cumbia Radio Show #54

Le Mellotron

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