searching for long time already.. Could you share this deeper groove maybe? @crackenmagma

Broadcast on WNYU 89.1FM in New York City on March 9th, 2021.
https://beatsinspace.net/playlists/1085/ 
Support BIS: https://www.patreon.com/beatsinspace 
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BIS Playlist

BIS Radio Show #1085 with Tim Sweeney

In this episode of the Perfect Blue radio show for Refuge Worldwide, I explored ideas around "Spaces and Places" in music (including contributions be Moe, Julian and Julien). I enjoyed this episode a lot, thanks for tuning in! (Originally streamed live on March 11, 2021)

You can find the playlist on my Patreon (public post): https://www.patreon.com/posts/48654798

Refuge Worldwide is currently running a crowd funding campaign to support their physical community radio studio in Neukölln, and they have all kinds of great plans for the space. So if you can, please consider supporting via
https://www.gofundme.com/f/help-build-refuge-worldwide-community-radio

HUNEE - Perfect Blue #2  - Spaces & Places

We are celebrating the launch of our new Lifetones website - https://lifetones.world - with a personal and heartfelt musical journey from our friend Ilan (Night City Life).

Please read more about the mix, and have a peek at the tracklist here:
https://lifetones.world/posts/lifetones-mix-001-by-ilanlifetones-mix-001-by-ilan

And get to know Ilan a little bit more in our 3x3 feature with him:
https://lifetones.world/posts/three-x-three-with-ilan

Ilan also wrote the first feature for Lifetones "Tears on a dancefloor. On the happy/sadness of Italo Disco":
https://lifetones.world/posts/tears-on-a-dancefloor-the-happysadness-of-italo-disco

x

LifetonesMix001

Lifetones

Lifetones Mix 001 by Ilan

Relevo espacial é a alcunha da dupla carioca Júlio Santa Cecília e Antônio dal Bó. Recentemente, o duo lançou, pela Bongosynth, o EP Continental, obra construída com synths analógicos e digitais, colorindo as 5 faixas que se erguem na interseção de variadas referências: chillwave dos anos 2010, balearic beat, Azymuth, Ron Trent, e retro-futuristic house foram algumas das que nos ocorrem ao ouvir a incrível sequência de faixas que compõem o EP.

E é exatamente nesta mesma frequência que opera o mix do nosso próximo episódio. Vocal house de Chicago a la "Prescription", dubs baleáricos e synths elegantes constroem as imagens de praia, bruma, entardecer e late night drives que vem a mente ao longo deste set fino. Chic demais, meninos.

Relevo Espacial - Alter Disco Podcast 149

We've been big fans of Coco's presence in dancefloor music for a while now. Relative to what we've had in stock so far, this is a very refreshing take on presenting music to the human/dancer ear. Much respect to what she's doing! Huge honor to be able to share a mix she did for the H.A.N.D. mix series! Thank you Coco!

H.A.N.D. MIX 031 - Coco Maria

It's a real pleasure to welcome highly respected and experienced musical selector, DJ, radio host and curator Colleen 'Cosmo' Murphy (@colleen-cosmo-murphy) with a special 'audio yoga mix' to our series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Colleen, thanks for sharing your thoughts and music with us. Hosting your weekly online radio shows, making plenty mixes for several outlets, DJing clubs and festivals... How do you keep motivated and inspired?

CM: Sharing music has been focal to my life since I was a teenager hosting shows on our 10-watt high school radio station and working in a record shop after school. Turning people onto new tunes and artists gives me immense joy and courses throughout every aspect of my vocation. I’m a communicator at heart. That’s balanced with the more internalized creativity of music productions and remixes. Being in the studio and playing with ideas and sounds is very focusing and the rest of the world seems to fall away. It’s therapeutic. And playing records as a DJ or musical host is like a lively musical conversation in which I draw energy from the dancers and give it back in turn. A great party is a collective creation. Throughout all of my endeavours I try to impart the life energy of music, a healing and motivational force that inspires me every day.

MFM: In a time and place where the context of a DJ seems to have changed over decades, do you feel your “classic” approach of DJing gives you an advantage in keeping relevant and reaching a crowd?

CM: It's important to have your own point of difference. I have never been a ‘cookie-cutter’ type DJ and used to struggle with the idea that I didn’t fit in. But then I recognized that all the different aspects of my vocation had one thing in common – myself. Once I integrated everything and became more holistic in my approach, I felt happier and more confident. Being authentic to oneself is first and foremost and then it is up to others to decide whether or not they like your creative output. You can’t please everybody, but you have to try to please yourself otherwise there is no point. I get immense pleasure in what I do and hope that it brings joy to others. I do have a classic approach to DJ-ing but I’m also always looking for new sounds that resonate. I also admire other DJs styles even if it’s quite different to my own. There’s room for everyone.

MFM: You're a DJ who encourages the listener to open up and really listen to music, its definitions, context and aesthetics. Probably one of the foremost reasons why you tend to let a song run from beginning till end. With such strong values, what's your view on the modern way of “consuming” music?

CM: There are many different ways to enjoy music and none are the wrong way. Any experience of music is good. When I started Classic Album Sundays in 2010, it was a response to music only being ‘consumed’ rather than experienced and I wanted to share the way the I often listen to music with others to provide an alternative. At that time, we were in the midst of shuffle culture and the almighty MP3 and whilst both have their place, it shouldn’t be the end-all experience. When people come to a Classic Album Sundays event and hear the subtleties and nuances of an entire album played without interruption, on one of the world’s best sound systems and in a communal setting, they experience music in a different way and most find it transformative. But listening to music in a car or dancing to a DJ who scratches and cuts up songs can also be inspirational. I can only try to offer what is authentic from me.

MFM Mix 045: Colleen 'Cosmo' Murphy

Japanese mix recorded in 2016 for Stamp The Wax's Diggers Directory.

Link to interview here:

http://www.stampthewax.com/2016/04/05/diggers-directory-john-gomez/

Stamp The Wax - Diggers Directory (Japan Special)

Nuttin' too rare just some classic jams for sunset on the white isle - ask for id's but come on, y'all should know these..:}

TASCAM DR-05

MoonlightingMix - BHS IBIZA

Cracken
› https://www.facebook.com/crackenmagma 
› https://soundcloud.com/crackenmagma 
› https://www.youtube.com/channel/UC7i0Naqme8D9tNjhf2U0RWw 
› https://www.facebook.com/lawildevents/

Mark Grusane
› https://www.youtube.com/channel/UC2SZrsqABHIOaYWQJ-LOTIA 
› https://soundcloud.com/mark-grusane
› https://www.facebook.com/markgrusaneofficial/

Cracken #8 w/ Mark Grusane

Recorded live at Giant Steps in London on Easter Sunday, 2019. 

@johngomezldn
@nicktherecord

John Gómez & Nick the Record at Giant Steps

In this quarantine period Rebirth wants to make you feel better sharing another beautiful mixtape of the master Larry Heard.

Larry Heard, born 1960, is a musician widely known for the Chicago house music he produced in the mid-1980s and continues to produce today. 
He was a member of the influential group Fingers, Inc. and has recorded solo under various names, most notably Mr. Fingers. His smooth production style with soulful vocals and long instrumental passages that de-emphasized percussion spearheaded the subgenre known as deep house. One of his first releases was a collaboration with singer Robert Owens, released under the group name ‘Fingers Inc.’. The song ‘Mystery of Love’ instantly became a classic hit, rising to #10 on the Billboard Dance charts. Larry Heard's musical influence can be heard in the songs of countless artists. For those who appreciate warm and passionate compositions, Larry's music is pure magic. He has been blessed with a unique gift that sends listeners into a blissful euphoric state. 

Larry Heard mixed our 10th year anniversary collection in 2016, including some of the best releases of the Rebirth’s catalogue.
You can still grab your copy here

SPOTIFY
https://open.spotify.com/album/3VkhvjfljdEcdv9Xthk4Wd?si=3v3Hmn-HQ762W4da6z8JFg 
YOUTUBE
https://www.youtube.com/watch?v=hh815Xjn_q8
CD COPY ON DISCOGS 
https://www.discogs.com/sell/release/9177255?ev=rb 
BEATPORT
https://www.beatport.com/release/rebirth-10-by-larry-heard-aka-mr-fingers/1805007
TRAXSOURCE
https://www.traxsource.com/title/646634/rebirth-10-by-larry-heard-aka-mr-fingers
JUNODOWNLOAD
https://www.junodownload.com/products/rebirth-10-by-larry-heard-aka/3169582-02/

Meanwhile enjoy the mixtape !

Tracklisting

1 I Robot – The Alan Parsons Project 1976
2 We’ve Gotta Find a Way Back to Love – Freda Payne 1973
3 Old San Juan – Mfsb 1980
4 I’ve Done It Again – Grace Jones 1981
5 It’s Here – San Proper 2016
6 I tried – Anthony Hamilton 2003
7 Out Of My hands – Etienne De Crecy 2000
8 Tom’s Song – The Trammps 1975
9 O ya ye ye – Snoboy & The Latin Section 2000
10 Cruisin - Jill Scott 2015
11 Sioux’s Reign – Part 2 Nobody 2000
12 The Look Of Love – Dusty Springfield 1967
13 Davy – Sergio Mendes 1975
14 Ohh Baby – Bo Diddley 1966
15 Somebody Else Feat Emeli Sande – Robert Glasper Experiment 2013
16 Song for my Father – Bobby Valentin 1966
17 Killer Joe – The Jazztet 1960
18 Exodus – Eddie Harris 1961
19 Uncloudy Day – The Staples Singers 1956
20 Old Ship Of Zion – The Sallie Martin Singers 1961

Cracken #8 w/ Mark Grusane

Le Mellotron

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