Wow! Played on Global Odyssey radio show Spokane WA USA KYRS.org

Very good groove! Thank you for making this music.

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Beynelmilân Orkestrasi
Release date: september 16, 2021.
45rp pressing limited to 300 copies.
Vinyl available on Bandcamp (1 free digital bonus track for each order)

A - Tatli Dile Güler Yüze
B - Kirpiklerini Ok Eyle

Beynelmilân Orkestrasi
› https://beynelmilan.bandcamp.com
› https://soundcloud.com/beynelmilan
› https://www.instagram.com/beynelmilan
› https://www.facebook.com/beynelmilan
› https://www.youtube.com/channel/UCU3d0OriuMIYYIs8gNYzR9w

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Diffusé le 13 septembre 2021.
Broadcasted on september 13rd, 2021.

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Le Mellotron - Global music radio from Paris
6 rue Beaurepaire 75010 Paris

#Beynelmilân #Turkish #Funk #Psychedelic #LeMellotron #Premiere

[PREMIERE] Beynelmilân Orkestrasi - Tatli Dile Güler Yüze

This release contains 4 tracks edited by romanian maestro Rocky Siffredo, two mediterranean dubs that glorify life under the clear sky and two slow paced belgian tracks that tell the darker story of the industrial man that crushed everything for his love of money.

Released January 06, 2014.
All tracks edited by Rocky Siffredo: soundcloud.com/rocky-siffredo
Cover Art by Raphaël Garnier: raphaelgarnier.com
Available on Diavol Bandcamp: https://diavol.bandcamp.com

Rocky Siffredo - Loredub

"Vessel" is the latest release from the genre-hopping creator, William Florelle in collaboration with Groovence, the esteemed French label that houses Cody Currie, Moonee, Kassian, Tour Maubourg, Kevin Over, and more on its repertoire.  

The release explores a new flavour of deep house/broken beat-infused dance music. Both tracks are led by the voice of William Florelle and *Vessel (Side to Side)*, features the entrancing spoken word of Shama Joseph.

In form with the theme of William Florelle’s lyricism, *Vessel* is a call to express and be oneself, especially on the dance floor - ’(you’ve) got all the answers, don’t hide yourself, don’t hide your bubble’. *Sometimes*, on the other hand, is pensive, flowing in unison with its wound-down but very vibey beat.

On remix duties, friend and collaborator, [Beringei](https://www.instagram.com/beringei/), joins to provide an interpretation of *Vessel*. Rethinking the chords and flipping the beat, [Roy Vision](https://www.instagram.com/roy_vision/) joins to remix *Sometimes.*

Artwork by [Melissa Santamaria](https://www.instagram.com/melissazrttt/)

Additional vocals by Shama Joseph

Available 30/09/2022
Listen/buy: https://williamflorelle.bandcamp.com/album/vessel-ep-grvnc07

William Florelle
› https://williamflorelle.bandcamp.com/
› https://soundcloud.com/williamflorelle
› https://instagram.com/williamflorelle
› https://www.facebook.com/williamflorelle

Groovence
› https://groovencerecords.bandcamp.com/
› https://soundcloud.com/groovencediscs
› https://instagram.com/groovence_discs
› https://twitter.com/FranoisLefevre2
› https://www.facebook.com/GroovenceDiscs

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[PREMIERE] William Florelle - Vessel (Side to Side) Ft. Shama Joseph (Groovence)

ALWAYS KIDS

After the success of their previous albums Owiny Sigoma Band’s forthcoming long player “Nyanza" continues to bring eclectic and intriguing musical ideas to the table.

Following from the release of "Changaa Attack", Owiny Sigoma Band bring fresh perspectives to cross-cultural collaborations. To make this record, master Luo musicians Joseph Nyamungu and Charles Owoko, invited the London contingent of the band to the Nyanza province of Kenya in the heart of a region called Luoland, to discover the roots of Luo Music. Travelling with a suitcase full of recording equipment the band set up studios on the fly. Louis Hackett the bands bass player produced this hypnotic response after a 12 hour changaa fueled session of hard Nyatiti soundclash. Utilising Owoko’s fierce Nyiduongue drumming and a one take vocal workout from Nyamungu, “Luo Land" is another wayward dancefloor workout for the late night freaks. 

Luo Land and Changaa Attack are available now as instant downloads with pre-orders on “Nyanza” which gets a full release on the 28th August. 

pre-order link
smarturl.it/owinynyanza

Owiny Sigoma Band - Luo Land

For their next release, @sofrito take us to the Côte D'Ivoire with a deep hybrid of soukous and highlife, recorded in Abidjan in 1975 by the mysterious Bazaré D. Pablo. Thumping percussion, generous shakers, intricate guitar, ethereal vocals and a solid bassline add up to a frenetic and energetic hip-shaker. 

Watch on YouTube: http://bit.ly/gpww-sofrito
More info: http://www.gillespetersonworldwide.com/gpww-premiere-bazare-d-pablo-et-orchestre-nassima/
Buy Ivoire Promotion EP: http://shop.sofrito.co.uk/product/super-single-ivoire-promotion-ep



Listen on Youtube

Bazaré D. Pablo et Orchestre - Nassima (Worldwide Premiere)

Space Echo - The mystery behind the Cosmic Sound of Cabo Verde finally revealed!

In the spring of 1968 a cargo ship was getting ready to leave the port of Baltimore with an important shipment of musical instruments. Its final destination was Rio De Janeiro, where the EMSE Exhibition (Exposição Mundial Do Son Eletrônico) was going to be held. 

It was the first expo of its kind to take place in the southern hemisphere and many of the leading companies in the field of electronic music were involved. Rhodes, Moog, Farfisa, Hammond and Korg, just to name a few, were all eager to present their newest synthesisers and other gadgets to a growing and promising South American market, spearheaded by Brazil and Colombia.

The ship with the goods set sail on the 20th of March on a very calm morning and disappeared from the radar on the very same day.

One can only imagine the surprise of the villagers of Cachaço, on the Sao Nicolau island of Cabo Verde, when a few months later they woke up and found a ship stranded in their fields, in the middle of nowhere, 8 km from the sea. 
After consulting with the village elders, the locals had decided to open the containers to see what was inside but the news had travelled fast and before they knew it, colonial police had already arrived and secured the area. 

Portuguese scientists and physicians were ordered to the scene; and after weeks of thorough studies and research, it was concluded that the ship had fallen from the sky. One of the less plausible theories was that it might have fallen from a Russian military air carrier. The locals joked that the government had wasted their tax money again on a useless exercise, as a simple look at the crater generated by the impact could explain the phenomena. “No need for Portuguese rocket science to explain this!” they laughed. 

What the villagers didn’t know, was that traces of cosmic particles were discovered on the boat. The bow of the ship showed traces of extreme heat, very similar to traces found on meteors, suggesting that the ship had penetrated the hemisphere at high speed. That theory also didn't make sense as such an impact would have reduced the ship to dust. Mystery penetrated the event.  

Finally, a team of welders arrived to open the containers and the whole village waited impatiently. The atmosphere, which had been filled with joy and excitement, quickly gave way to astonishment. Hundreds of boxes conjured, all containing keyboards and other instruments which they had never seen before: and all useless in an area devoid of electricity. Disappointment was palpable. The goods were temporarily stored in the local church and the women of the village had insisted a solution be found before Sunday mass. 

It is said that charismatic anti-colonial leader Amílcar Cabral had ordered for the instruments to be distributed equally in places that had access to electricity, which placed them mainly in schools.
This distribution was best thing that could have happened - keyboards found fertile grounds in the hands of curious children, born with an innate sense of rhythm and these children picked up instruments that were easy to use and would become instrumental for modernising local rhythms such as Mornas, Coladeras and the highly danceable music style called Funaná, banned by the Portuguese colonial rulers until 1975 probably due to the fact that it was too sexy!

Observation was made that the children who came into contact with the instruments found on the ship had prodigious capabilities to understand music and learn instruments. One of them was the musical genius Paulino Vieira who by the end of the 70s would become the country´s most important music arranger. 

8 out of the 15 songs presented in this compilation had been recorded with the backing of the band Voz de Cabo Verde lead by Paulino Vieira, the mastermind behind the creation and the promulgation of what is known today as “The Cosmic Sound of Cabo Verde”. 




GET THE RECORD

Dia Ja Manche  - Dionisio Maio (Leave a comment for Dionisio, tell him how much you love his song !)

To bookend the Collocutor -'Instead' project Contours offered up this On the Corner Banger. The next chapter for Collocutor begins here and one for the next Vs 12". 

Contours Vs Collocutor - Agama

Taken from release FLEE 001 "Benga Music - A signature genre from Kenya" out now.

Order on www.fleeproject.com

Rapar Wuon Osimbo (Jaakko Eino Kalevi edit) - C.K. Jazz Band

B1 James Stewart - La Danse D Achille

A minor drums add fix of this swinging early fantastic soukous tune:-). Bokelo is one of the very best. i hope you like it.

[PREMIERE] Beynelmilân Orkestrasi - Tatli Dile Güler Yüze

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