Intro (Once Upon A Broken Heart)

AUDIO & DESIGN 
Musical Healing. 
Child´s music production Workshops
Studio Design.
https://www.youtube.com/@IXIMRecAudio/videos

Amateur pianist and composer, studying and practicing for 7 years.
All these compositions are made in my free time, mainly inspired by my favorite books, films and TV shows (My inspiration also comes from my favorite composers). I prefer to compose solo piano tracks, but cinematic orchestra is my second favorite genre of music and I have practiced a lot in that genre. 
I'll probably post small, unreleased tracks here on SoundCloud
Thank you to everyone who takes the time to listen to my tracks!

"Soft Whispers Touch" is a captivating YouTube channel that specializes in ASMR content featuring iconic personalities. The channel offers a soothing blend of interesting biography facts, engaging stories, and life chapters presented with a soft and calming speech. Each video serves as a sanctuary for relaxation, providing viewers with a gentle escape to unwind, control stress, and delve into intriguing narratives about notable figures. Whether you're a fan of historical figures, cultural icons, or simply enjoy a tranquil atmosphere, "Soft Whispers Touch" creates an immersive experience for a serene journey through captivating stories.

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My name is Andrea Moschetti born in 1979 I am a composer pianist born and raised in Rome, taking inspiration from the best composers such as Ennio Morricone, Hans Zimmer, Yanni and Vangelis, after having sweated music and computer science at the age of 20 I recorded my first album INSIDE OF ME publisher "Insani Logoritmi", in 2009 I recorded my second album IMAGINATION publisher "Soundiva" including the songs VICTORY, SPIRITUAL , THE MARCH, THE PIANO, DEEP SPACE, ENDLESS HORIZON, IN THE OCEAN, THE MEETING.

Roger is a musician, producer & composer living in West Michigan.

He self-produces original acoustic & electronic compositions which range from ambient and IDM to classical.  His influences span far and wide through traditional blues and jazz to more modern house and techno beats.  More often than not, his music has just a touch of beautiful sadness.

His music is perfect for soundtracks, video games & other sync projects.  Contact him for more details.

CONTACT EMAIL :

THOMASKAA@GMAIL.COM

--- ELECTRONIC & CLASSICAL MUSIC ---

Minnesota based Singer-Songwriter. Collaborates with musicians all over the world and specializes in singer-songwriter, indie-folk, pop, soundtrack, and Broadway.
Collaborations: LemonHeadJams@gmail.com

Edoardo Gastaldi, born in 1998, is an award-nominated film-music composer based in Venice, Italy. 
His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope.
After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021, Edoardo started publishing his compositions and productions.
The influence of 17th-19th century pianists and the fascination for experimental edges make his music an ever-evolving equilibrium among Modern Classical, Ambient, and Post-Rock subgenres.

Gastaldi's philosophical approach is inspired by the sounds of foundational artists including Johan Söderqvist, Hammock, Tony Anderson, Leonard Petersen, Atli Örvarsson, Stephen Porter, Ronit Kirchman, Sigur Rós, John Cage and Nils Frahm.

Edoardo’s work deeply reflects his desire to explore human fragility, paradoxes, and the complexities of existence. Over time, his soundtracks were described as capable of delving into the big consequences and underlying roots we can’t avoid.

In 2024 Gastaldi scored the soundtrack for the multi-award-winning short film “Etilismo”, a story that delves into the sensitive issue of chronic alcoholism in youth.

Contact: edoardogastaldimusic@gmail.com

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Intro (Once Upon A Broken Heart)

Lemonhead