Retrofuturistic global old-time, roots pop & electric folk, with a particular joy in our frequent collaborations with other Soundcloud friends.
"The Split Rail Fence of Sound." Hank Tilbury
"Captivating folk vibes in psychedelic sauce." E-Ruizzo
"Packed to the gills, and still works." Jonathan Beckenstein
"Bonhomie encapsulated in a song." Gary Reeves
"Totally transporting music." Mark J. Bennett
"Like the old stuff... but improved." Chris O(2)


We are:
Greenwood: https://soundcloud.com/lonesomedstringband
Burns: https://soundcloud.com/jeff-burns-4

 Album art by Kenny Keil: http://talestosuffice.com/

My name is Jeff Burns, I live in Brooklyn, originally from Buxton, Maine, and I started playing 5 string banjo in early 2011. 

Lately I have done a lot of colaborations with Dan Greenwood AKA Lonesome D String Band.
We set up a new page so please check it out.
https://soundcloud.com/greenwood-burns

I also wrote a novella about lighting as my Mother has danced with such on more than one occasion.
http://www.amazon.com/Rain-Too-Heavy-For-Kites/dp/1477509283
That's a shameless plug, and I hope to offer some good shameless music, as music should have no shame (except when it's used as enhanced interrogation.)

Thanks for the listen folks,
Jeff Burns

Hans Tammen creates music that has been described as an alien world of bizarre textures and a journey through the land of unending sonic operations. He produces rapid-fire juxtapositions of radically contrastive and fascinating sounds, with micropolyphonic timbres and textures, aggressive sonic eruptions, but also quiet pulses and barely audible noises - through means of his ENDANGERED GUITAR and interactive software programming, by working with the room itself, and, as a critic observed, with his "...fingers stuck in a high voltage outlet". Signal To Noise called his works "...a killer tour de force of post-everything guitar damage", All Music Guide recommended him: "...clearly one of the best experimental guitarists to come forward during the 1990s."

His numerous projects include site-specific performances and collaborative efforts with dance, light, video, and theatre, utilizing technology from planetarium projectors to guitar robots and disklavier pianos. He received a Fellowship from the New York Foundation of the Arts (NYFA) in the category Digital/Electronic Arts in 2009 for the ENDANGERED GUITAR - a hybrid guitar/software instrument used to control interactive live sound processing. His THIRD EYE ORCHESTRA open form compositions for large ensembles and live sound processing are inspired by Earle Brown's Available Forms, and based on numerous scored "building blocks" that are constantly rearranged when performed.

(waving his arm slowly back and forth) 
...these are not the tunes you are looking for...

Fully Altered Media is dedicated to securing placements for creative musicians and arts organizations in print, online, syndicated radio, and television. We monitor the latest in new media with regard to music marketing, digital and traditional distribution, and grassroots efforts to engage fans. We also maintain strong relationships with management, booking, marketing and radio promotion professionals with an ear towards jazz and world music.

Experimental/progressive four-piece rock band from Denver, Colorado, USA.

Bugs Black Blood is following