RepostExchange9

Ladat’s Support Mar’25 vol.1

Coups de cœur étrangers 8

Re-Ex goodies mars-25 #2

Beautiful Songs

Re-Extase 23

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Summer Breeze

Summer Breeze (chillout)

Written and Performed by Leo Bull and the wonderfully talented Anya. 6.3.22

Girl.
The train slowly pulls away
I find you at the window
Your breath fogs up the pane 
And just like that you fade away
 
Snowflakes and teardrops
At war just like my thoughts
As I'm left waving you goodbye
Your scent still on your scarf
You gave me this morning
As first snow was falling
When I was almost yours...
 
Boy.
I wave, your blackberry kiss I taste
The snow blows wild around you
Your bright red hair ablaze 
I hate it has to end this way
 
Too many mountains
And oceans between us
And time was never on our side
We knew it couldn't last
But still we kept falling
From summer through autumn
When I was almost yours
 
Bridge. (Together)
Nights were bright
In St Petersburg
Found your hand in mine
Lost in the warmth
of your wildfire smile 
In sweet denial.
 
Verse (together)
The train moves along its way
A postcard of a moment
The one that got away
But in my heart I know you'll stay
Far from this weather
I'll always remember
The nights, by your side, in the light
Of that midnight sun
When I was almost.....yours.

Almost Yours (Duet with Anya)

Hey everyone, I'm thrilled to share with you my song "Painkiller." This track is really special to me because it's all about the journey through heartbreak and finding healing in the most unexpected places. When I was writing this song, I wanted to capture the raw emotions of going through a tough breakup and the temptation to numb the pain with temporary fixes.

"Painkiller" is about that moment when you realize that distractions and temporary highs can't fill the void left by a broken heart. It's about facing the pain head-on and finding the strength to heal from within. The music and lyrics are deeply personal to me, and I hope that when you listen to this song, you'll feel a connection to the emotions and experiences that inspired it.

I poured my heart and soul into "Painkiller," and I can't wait for you to hear it. Thank you for joining me on this journey, and I hope this song resonates with you as much as it does with me. Let's turn up the volume and dive into the healing power of music together!

Tasha - Painkiller

Summer Nights

Atom The Hero

Watch the official music video here: https://www.youtube.com/watch?v=S-iZhdSXnkE

Stream KUKUDA on all digital stores: https://aimeebritannia.com/

Never Meant To Be

Guiding Light

https://myckalmarcovic.bandcamp.com/track/la-faute-au-cerveau
Translation above.

https://soundcloud.com/lionel-abbou m'a fait l'honneur de mettre en musique mon texte et de le chanter.

C’est la faute au cerveau

On n’est jamais content
De son physique
On est trop p’tit, on est trop grand
C’est pas pratique
On est trop mince, on est trop gros
Ou trop chétif, ou ramollo
C’est la faute (ter)
aux kilos

On n’est jamais content
De son physique
On est trop noir, on est trop blanc
C’est pathétique
On manque de grâce, de biscotos
On est tordu comme un ragot
C’est la faute (ter)
aux photos

Refrain :
Mais rien n’est un défaut
Qu’on se trouve moche ou beau 
Quel que soit le tableau
C’est la faute (ter)
au cerveau

Il y a toujours bien mieux
Que son physique
On est trop jeune, on est trop vieux
Chronillogique
Les cheveux tombent incognito
La calvitie, ça fait vieillot
Viv’ la boule (ter) 
à zéro
(refrain)

Quand on se sent trop vieille
Monogamique
Que la peau s’emplit de dentelles
Trop archaïques
Pour ne plus voir ces rides en trop
Et fair’ de l’œil aux hidalgos
Bistouri (ter)
À gogo
(refrain)

Myckaël Marcovic, le 24 juillet 2020
Musique de Lionel Abbou, 27 mai 2024

Lionel Abbou did me the honor of setting my text to music and singing it.

It's the brain's fault

You're never happy
With the way you look
You're too small, you're too big
It's not practical
You're too thin, you're too fat
Or too sickly or too soft
It's the fault (ter)
the kilos

You're never happy
With the way you look
You're too black, you're too white
It's pathetic
We lack grace, biscotos
We're as twisted as gossip
It's the fault (ter)
to the pictures

Refrain :
But nothing is a flaw
Whether you think you're ugly or beautiful 
Whatever the picture
It's the fault (ter)
the brain

There's always something better
Than your looks
You're too young, you're too old
Chronillogic
Hair falls out incognito
Baldness is old-fashioned
Viv' la boule (ter) 
to zero
(refrain)

When you feel too old
Monogamous
When the skin fills with lace
Too archaic
To stop seeing those extra wrinkles
And wink at the hidalgos
Bistouri (ter)
In spades
(refrain)

Myckaël Marcovic, July 24, 2020
Music by Lionel Abbou, May 27, 2024

La faute au cerveau (Myckaël Marcovic / Lionel Abbou) feat. Lionel Abbou

if you come back

Holding Pattern

My new Edit of Jon Casey's Gimme x 
Borgeous x David Solano's Big Bang!!

Jon Casey x Borgeous  x David Solano - Gimme Big Bang (Burweezie Edit)

Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/en-la-otra-orilla

En la otra orilla

En la orilla del dolor
sólo tienen frustración
y el anhelo de un mundo mejor.

En la orilla del placer
todo es poco hasta ser
el más fuerte y el que tenga el poder.

Estribillo

Desde la orilla se ve el fulgor
de la riqueza aupada en neón
que nutre la fe y la ilusión.
Todos se echan a la mar
porque piensan que tendrán
por fin un lugar para soñar.

----------------------

No se entiende que huir
del infierno es seguir
el instinto de sobrevivir.

Estribillo

Y se tienen que aguantar
si los quieren explotar
los mismos que los quieren echar.

On the other shore

On the shore of pain
they only have frustration
and the longing for a better world.

On the shore of pleasure
everything is too little until you are
the strongest and the one who has the power.

Chorus

From the shore you can see the glow
of wealth boosted in neon
that nourishes faith and illusion.
Everyone sets out to sea
because they think they will
finally have a place to dream.

----------------------

It is not understood that fleeing
from hell is following
the instinct to survive.

Chorus

And they have to put up with
if they want to exploit them
the same people who want to throw them out.

En la otra orilla (Feat. Hugo Iglesias Olmos)

I made this for a competition :-) worked with a very broad theme. Freedom. In a world that sometimes forgets to read a history book. A world where war becomes normal again, excluding people an everyday talk. Racism, sexism, overall xenofobia...... We have no control over what is going on. What I find important within a world of hate, is to know the places where your safe. Where you can be who you are and want to be. It's a small thing I do. But if anyone is effected by the $!%# around us, be strong, stay safe and know there are people who leave a light out. We are not alone, when we speak out together.

Cheers! ^^

Light

tempus mirror

still alive_

Lyrics

This isn't where we thought we'd stay 
Broken hearts we can't betray 
Promises that lose their light 
Love that fades into the night 
(oooh)  
(oooh) 
This isn't where we thought we'd stay 
Broken hearts we can't betray 
(oooh) 
Promises that lose their light 
Love that fades into the night 
(oooh) 
Don't say a word 
Just breathe through the pain 
Whispers in the dark, echo through the night 
Shattered trust, we can't ignite 
(oooh) 
Fragments of what we used to know 
Now a battlefield we can't outgrow 
(oooh) 
Hold on tight 
As we drift apart again, 
We start to fall 
Staring at shadows on the wall 
This isn't where we thought we'd stay 
Broken hearts we can't betray 
Promises that lose their light 
Love that fades into the night 
This isn't where we thought we'd stay 
Broken hearts we can't betray 
(oooh) 
Promises that lose their light 
Love that fades into the night 
(oooh) 
Don't say a word 
Just breathe through the pain 
Whispers in the dark, echo through the night 
Shattered trust, we can't ignite 
(oooh) 
Fragments of what we used to know 
Now a battlefield we can't outgrow 
(oooh) 
Hold on tight 
As we drift apart again, 
We start to fall 
Staring at shadows on the wall

Production notes

AI was used for this project

Whispers of Heartache

wanna save my self

Lights come on, the stage is set,
Promises made, but do they forget?
The people wait, the nation sighs,
Hoping truth ain't drowned in lies.

[Verse 1]
The chamber’s full, the lights shine bright,
The leader steps into sight.
He speaks of dreams, of work well done,
But half the room just bites their tongues.

[Pre-Chorus]
One side cheers, the other sneers,
The cycle’s lasted years and years.
A handshake turns to cold, clenched fists,
Tell me, how’d we end up like this?

[Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

[Verse 2]
A soldier stands, a hero true,
But only half rise in the room.
A mother’s son beats all the odds,
Yet silence cuts like cannon shots.

[Pre-Chorus]
A simple truth, a helping hand,
Shouldn’t be a party’s brand.
We’re losing sight of what is real,
Trading vision for the deal.

[Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

[Verse 3]
They talk of change, they shout and swear,
But nothing moves when no one dares.
It ain't about just red or blue,
It’s what this country’s meant to do.

[Bridge]
Compromise ain't giving in,
It’s where new roads begin.
No more echoes, no more spin,
It’s time to build again.

[Final Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

The Pendulum Swings

Y'a des grillons qui crient tout autour de moi
De l'eau coule si fraîche le long de mes bras
Je vois la lune sourire à travers les arbres
Et un feu d'artifice, explosion de couleurs
Explosion de joie avec toi, Oksana

J'entends les lucioles, elles me parlent de toi
Je garde les yeux fermés pour mieux te regarder
L'eau est un peu froide mais tu me souris
Le sable dans ma bouche m’empêche de parler
Mais tu es là avec moi, Oksana

Oh Oksana, viens plus près de moi
Viens on va danser on va chanter pour oublier
Oh Oksana, viens plus près de moi
On va rêver que c'est encore l'été et que tout çà n'est pas vrai

Les grillons se sont tus, je n'entends plus la nuit
Je repense à nous deux dans les champs infinis
J'ai de plus en plus froid et j'ai peur de dormir
Tout mon corps est gelé et j'ai mal quand je respire
Serre moi dans tes bras, Oksana

Oh Oksana, viens plus près de moi
Viens on va danser on va chanter pour oublier
Oh Oksana, viens plus près de moi
On va rêver que c'est encore l'été et que tout çà n'est pas vrai

OKSANA (ft. Tamago☆)

DJ Rapidfire - Techno F - 14.3.2025

To the memory of the wonderful Roos.

Ian Collins @ian-211 helped a lot with the strings, piano, drums and production.
________________________

Rose, the story is being told that you won’t get old
I know it’s hard to see but there’s a light behind the trees, Rose
Your daddy was a friend of mine, though it’s been a long long time
Before the seasons changed and plans were rearranged

Like a seagull in the storm, you’ll take your lonely course
Ahead of the swarm, struggling with proud force
Despite your tattered coat your soul will stay unharmed and reach the sky

Solo

Little Seagull in the storm, with confidence and love
You will live on, down here below and up above
Despite your tattered coat your soul will stay unharmed and reach the sky

You don’t need to believe, but while the others grieve
Their love will guide you through and there’s one who’s waiting for you, Rose

Cellar Aged Wines

Rose (Seagull In The Storm) - with Ian Collins

Strip (Orchestrated)

She´s So High

Echo

Recorded at One on One Recording Studio in North Hollywood, by the Instrumental Casting Orchestra, with Ruslan Biryukov (cello soloist) and Dustin McKinney (trumpet soloist).

Certain musical patterns are shared among all of humanity, transcending geographical and temporal boundaries. This selection of early spiritual songs originating from the North American continent exemplifies this remarkable unity. Whether it be the music of indigenous peoples displaced by European colonists, the religious songs adapted from folk songs of European origins, the poignant spirituals of the enslaved forcibly brought to America’s shores, or the hymns sung by impoverished rural Southerners, humanity expresses hope through their shared language of music.
This orchestral suite opens with a rendition of a Lakota lullaby titled, “Čhaŋté Wašté Hokšíla (My Kind-Hearted Boy)”. This then transitions into a New England colonial rendition of the traditional song “Wayfaring Stranger”. The song’s sentiment of constant journeying, being a stranger in a strange land yet lifting the eyes in hope toward the promise of a better home, links the stories of all who reside on this continent: European immigrants fleeing oppression, indigenous communities forced upon trails of tears, and African people enslaved against their will.
From this wayfaring song that links them all, a lone trumpet introduces the melody, “I Wade the Water to My Knees”, a traditional ring shout song that recalls the historic 1803 rebellion and subsequent mass suicide at Dunbar Creek on St. Simons Island, Georgia. The lyrics of this call-and-response shout song bring this powerful imagery to life:

I wade the water to my knees.
I’m gonna pray, gonna pray.
I wade the water to my knees.
I’m gonna pray til I die.

Lord, the water’s so cold…
Til my body but not my soul…
I’m gonna sink and never rise…
Won’t rise now but don’t know when…
With my faith I’ll rise again…

Following a brief harmonic transition, a faithful orchestration of “Wondrous Love” is presented. The harmonies are accurately reproduced from those found in the Sacred Harp tunebook of 1844. This distinctly American tradition of harmony and singing-style originated in New England during the late 18th century and was subsequently codified in the aforementioned tunebook, published in the American South.
After this rugged rendition of “Wondrous Love” comes “Idumea”. The melody was initially composed by Ananias Davisson in 1816. Subsequently, it was paired with Methodist lyrics (authored by Charles Wesley in 1753) and included in the shape-note hymnal Southern Harmony in 1835. The hymn was further incorporated into the Sacred Harp collection in 1844.
At long last, our journey culminates in a seamless fusion of the melodies from “Idumea” and the Lakota Lullaby that began this musical narrative — once more, illustrating the striking commonalities shared in the music of our diverse heritages.

See the music video at https://youtu.be/ULHZyvr3c4c?si=Xr0_W5ZFKoQ2nkg9

Buy/Stream

Spiritual Songs of the New World (Studio Recording)

A timeless rocker cleverly written intertwining the hazards of driving with the ups and downs of love. Hank uses all 4 lanes of the interstate and them some with his steady classic rock n roll rhythm, chiming chorus guitar, and an out of nowhere guitar lead solo using open scales and his stock tremolo bar. Almost two songs in one, the climactic second half finale brings Hank's heartfelt pledge of love sung over a beautiful chord progression filled with lush string arrangement which seems to be echoing that steady clicking, humming sound of the lonesome interstate, Warning, this song stirs up emotions just below the surface of those who know love all too well.

The Long Haul

Well, He's got the highway to your heart
I got to come up the rocky way
He jumped ahead from the start
I'm right in second baby that's OK
Because, I'm in it for the long haul
I'm in it for the long haul now baby

He's layin' rubber in the top end
but it ain't all about RPMs
My eighteen are gonna keep on chuggin'
I'll get to you baby no matter what I'm luggin'
cause, I'm in it for the long haul
I'm in it for the long haul now baby, 

When you're in love you better not speed
You might pass by somethin' that you really need
You need somethin' baby built to last
to carry love's heavy load
Because a lot of things can happen baby
when you're out on that open road

You get your hopes up high but love comes down crashin'
You try it again but the same thing happens
Sooner or later you're gonna' get tired of bein' bumped around
That's when I'm gonna' be ready baby, just pullin' into your town
 
I know you're lookin' for Mr. Right
not those one-night romeos
Someday you'll see me in a different light
and that's the day I'll pull this rig off the road
Because, I'm in it for the long haul
I'm in it for the long haul now baby
Long haul, baby
Ohhh yeah, I'm in it for the long haul now baby

I'm in it for the long haul
I'm in it for the long haul 
I'm in it for the long haul now baby Ow

When the bridge is out, 
ohhh! there ain't no doubt
I'll find a different route
I'll be there by the mornin' yeah

Through the pourin' rain
No matter how steep the grade
I'm gonna' keep makin' my way to you baby

I'm in it for the long haul
I'm in it for the long haul
I'm in it for the long haul now baby
Baby, baby baby baby
Baby, baby baby baby
Long haul
Baby, baby, baby baby
Baby, baby, baby, baby
Hold on, It won't be long
Ohhh! I'm in it for the long long haul

The Long Haul

This work was composed specifically for The Viola Commissioning Circle (VCC) Composer Prize based in London.

***
🎵 Title: Tango in the Rain
🎼 Composer: Michael Herter

🕒 Duration: 03:34
🐢 Tempo: Medium
🎻 Genre: Tango / Classical / Neoclassical
🎧 Mood: Romantic, Emotional, Poetic
🎬 Video: 

📝 Description

"Tango in the Rain" sweeps you into a world where every drop of water becomes a heartbeat and every note a whispered promise. Picture a cobblestone street drenched under a silver glow, footsteps echoing as violin and piano entwine in a passionate embrace. The sultry melody of the violin weeps with longing, while the cello’s warm timbre pulses like a lover’s steady breath. The piano’s chords glisten — each keystroke a raindrop dancing on your skin.

As the storm intensifies, the quartet’s rhythm tightens: viola strokes snap like lightning, and the cello’s low-register whispers anchor you in a moment of shared vulnerability. The interplay of solo lines and lush harmonies evokes a stolen midnight rendezvous, drenched in longing and defiance. You can almost feel the dancers’ wet shoes sliding across the pavement, their bodies in perfect tension, surrendering to the music’s electric current.

Here, sorrow and joy swirl together, creating a tapestry of desire that is at once urgent and tender. "Tango in the Rain" isn’t just a piece — it’s an invitation to lose yourself in a torrential romance that refuses to let go.

🎼 Key: d-moll | Time Signature: 4/4 | Tempo: Varies bpm

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

CLASSICAL and NEOCLASSICAL

Tango in the Rain

Original composition….Alejandro Gonzalez M.

Won't

HAPPINESS

Solmyrkvi (2018), short version of my track from 2015, remastered, new guitars

Sólmyrkvi (2018 short version, remastered)

Dear lies the Prophecy Of Walking Onslaughts. As you can see, this glass mural represents the day Walking Onslaughts and the mane six finally made truths. It all started after Offspring remain the winner of their third and final battle at the Crystal Empire. They went back in town and got cheered on for putting their city on the map, and for whooping ass. It was all fine and dandy until it's been 3 weeks since they heard from his gf. They all grew curious what was happening, they also haven't seen the mane six friends in a good minute. Brian suspect something was up. So they all went out their way and went to fluttershy's house cause you know, her and offspring is a thing and all... They got to the house, well.... what's left of a house. The inside of the house looked like a rave mosspit with teens underage and a few people fucking a thousand upstairs, and I think one girl named Brittney might've puke her life out in the bathroom. Offspring feared what happened, so he had all his guys spit up to search the girls houses too. Every single one of them ended up the same. So they been trying to figure out what happened. So they all did a little investigation and found hints of Alteron's doing. So they all rushed to Equestra and saw the girls with him. All of them was tied up left defenseless. Offspring body grew with rage when he saw him. They was trying to calm him down, but his anger got the best of him. He charged full speed at him and punch the living daylights out of him. He punch him so hard it made the castle collapse on its self. All of them escaped accept Twilight who was struck in the head by a falling bolder. So Offspring saved her life. 3 days after the tragedy, Offspring and his friends decided to help Twilight to reunite with her friends cause of what he went through.  5 months of finding all their friends, the only person Offspring had to save now was the princesses. Offspring's inner self keep telling him go into celestia's fallen castle and find the deed for the past 2 months. So Offspring told his friends to keep watch while he go look for clues. He arrives to the castle, find the hidden deed. As he picked it up, he saw a hard drive fell on his foot. He ran right to the nearest library, and saw a long list history of Offspring and his past. He even saw a shocker of how the princess made a deal with him about getting Offspring for Alteron. So of course Offspring was hurt by that. He ran back to the house and  asked them everything about the event. To his knowledge, turns out they wasn't trying to kill him for Alteron, instead, they was trying to ask for his help to take down Alteron. He was too strong to defeat on their own, before Ohis kingdom was ruined, Alteron took half of Equestria's magic and used it to enslave them. Then Alteron realized Offspring was the only person who could beat him. So he made a deal with them to kill offspring and they can have their magic back. While it sound good on paper, it was just anotheer lesson of why to never to make a deal with the devil. Offspring sense they was telling the truth and went back to the place where they first saw him. Offspring and Alteron had an very intense battle, People thought Offspring was near close to death until he unlocked his Walking Onslaught form. Offspring was able to kill Alteron with ease and bodied his summon his creations again. All of them got together and made truths, and Walking Onslaughts was now the savoir for Equestria, and also Twilight's pain in the ass.

Prophecy Of Walking Onslaughts

First EP and first chapter of Textures. The idea behind the concept is to merge classical music with modern electronic textures and ambiences.
credits
released February 26, 2021

Composed and Produced by: Vladimir Jelenkovic (Yelenko)

all rights reserved

Texture II

Hi guys, “Pebble Wreck” is the project name for all of my solo singer/songwriter stuff. :)
 I have no delusions of grandeur, I just really enjoy writing songs and putting them out for anyone who finds them to hopefully enjoy.😊
Thanks for stopping by.
Leo 😄