The Shoes have been locked in dark rooms applying the finishing touches to their debut album due early 2011.
The French dynamic duo have been calling on all the friends they've met on their
travels over the last few years to help them realise their musical dreams. Its some guest list..and is testament to the contagious enthusiasm and er....'joie de vivre' that Guillaume and Ben always bring to their dj sets, remixes, live shows and late nights that this stella crew jumped at the chance to feature on the debut album.

Esser (Transgressive/Chocolate Industries) features on two tracks lending his distinctive vocal stylings and also banging the drums. Rumour has it that the next single in France will be the addictive 'Stay The Same' and a killer remix package is being assembled. Primary 1's on there but you know that already from the release on uber-cool 50 bones label a while back. The beats have been refreshed and the songs gone a little darker. Just how we like it. Tim from Liverpool mavericks 'Wave Machines' reassembled one of the tracks and got all sleazy on the lyrics - its going to make you blush. The Cock and Bull Kid did her thing on the dramatic groove of 'Cliche' which is drenched in middle eastern flavours. Looking for a pianist on the track 'Wolf Under The Moon' it could only be Gonzalez who's added his skills to this psychedelic pop track featuring our friends from Reims 'The Bewitched Hands On The Top Of Our Heads'. There's more but lets save some surprises.

To mix all these ingredients together into a musical delicacy The Shoes called on their friend Lexxx (Crystal Castles, Golden Silvers, Esser, Everthing Everything). A month holed up in darkest Hackney in a bizarre art deco apartment - Miami Vice via E8 - meant that the album could finally be completed. There's dancefloor moments that will be familiar to those that have kept abreast of the remixes (Primary 1, Marina and the Diamonds, Golden Silvers, Esser, Ladyhawke etc) over the last couple of years but there's also dark electronic pop songs that you're going to fall in love with.

The Shoes managed to squeeze a quick trip to Japan in where they ate sushi, shoppped relentlessly and even found the time to dj at the Womb in Tokyo and Osaka. Japanese friends The 80 Kidz were in Tokyo and begged The Shoes for a remix of their new single - Ben also added vocals to a track on their last album.

Oh yeah i forgot - we've got photos by the legendary 'GAVIN WATSON' taken earlier in the year down in Brighton. Look for classic Gavin photos adorning the French release of 'People Movin' and destined for future artwork...To be continued

SYNAPSON un nom, une musique, une philosophie, et un style marqué par l’éclectisme.

Management : romain@unitygroup.fr
Booking : julien.corre@allofloride.eu

Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

European tour on sale now! http://shakeshookshaken.com/tour

BOOKING - CONTACT
dj13nrv@gmail.com

LABEL - CREW
@southfrapalliance

43°16'11.5"N 5°23'45.2"E

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

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