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No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

ALL REQUESTS to:
Annie Zaremba
annie@supdub.eu

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

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