This is a recording of an improvisation using some drums, cymbals and my system for live electronics. I developed a live electronics instrument that allows me to improvise with percussions. There's no post production on this strack.

Impro for drums and live electronics

;; this sound was generated with the following code. see profile.

\[
	\[
		.15 coin \[0] \[
			\[(1 100 xrand 0 urand lfpulse) (1 40 xrand 0 urand lfpulse 0 8k rand * 20 2k xrand +) *] 3X +/ = freq
			freq 0 .5 lfpulse 4m 8c xrand * .5 hpf2 0 3 rand lfnoise0 .8 * 4m lag pan2  .1 .35 rand aa 3 combl
		] if
	] 6 1 4 2 oltx
] = data-space
data-space 56 4 fadeout conormalize "data space" >sfo

Data Space 2

A microphone moves inside/outside a pair of ear-defenders while capturing the sound impulses coming from a construction site. A voice accompanies the action commenting on the microphone's positions and the resultant sonic qualities.

Rotterdam (2012)

A 89 years old woman sing along with the musical motif of a well know football stadium chant. Her fragile voice clashes with the physicality of the music.

Non molleremo mai (2017)

Agostino Di Scipio, "chpn 3.2 variazioni di sensibilità al sè" for 3 performers, feedback network with piano, self-sensing actuators and other devices. cantierezero / Stefania Amisano, Claudio Cristani - piano, devices - Giorgio Klauer - sound projection, technology.
More info on www.cantierezero.org
Non-commercial promotion video All copyrights belong to their respective owners. No copyright infringement intended.

Concrezioni sonore

Agostino Di Scipio chpn 3.2

stereo mixdown, extract from a 4 channel piece

for performative objects

performed by Pheobe riley Law

ravenspurn - extract

sax hooked up to an AI classifier and sounds from an ATP match in Rotterdam feat. Robin Soderling

tenis

exouda II (2020)
For snare drum, coils system and live electronics.

Incó_ntemporanea Festival October 10th, 2020 // Duo Dubois
Federico Tramontana - Snare drum
Alberto Cavallaro - Coils system

exouda II (for snare drum, coils system and live-electronics)

/////   Ecosystemic electroacoustic music   /////


I'm a drummer, composer, programmer living in Milan, Italy. 
My recent work revolves around real-time ecosystemic composition practices: creating situated sonic ecosystems that are in deep dialogue with their host space. Adaptive systems that can auto-regulate (or semi-autoregulate) and shape a dynamic sound form emerging from interactions between the space and a digital system (pure electronic or electroacoustic). 
Usually involved are:

	if indoor
- acoustic drums and percussions + digital signal processing (improvisation or with score)
- digital signal processing of the results of excitation carried out on the surfaces/structures/furniture/inhabiting objects of the host space, via actuators and other means 

	if outdoor
-the sounds autochtonous to a particular soundscape I’m in at the moment (currently running the newborn project "The Ecosystemic Camper")


/////   I ask space how to generate sound   /////

Impro for drums and live electronics

Leonardo Bonetti