The auto-played piano part is created using spectral analysis of the audio track (aircraft noise, explosion and baby crying) from the video of a warplane attacking a house. The original sound was slowed down from 3 seconds to 4 minutes to make everything discernible and then transcribed for piano. The score was not composed or performed by human: the pitches and rhythms correspond  to the original sound. The dynamics and range are have been edited to make everything audible and emphasize important details.

From the second minute the music drastically changes: a child begin to cry after the thunderous explosion. 

The live-electronics part comes from the piano part enriching it with real-time effects.
All the effects are based on sound taken from the piano by the microphone during the performance, and the changes in the electronics are controlled (also without any performer) by a pre-written algorithm.

Machines do not think about war. But there is a human being behind the every instruction.


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Спектральный анализ аудиозаписи видео-кадров (приближение, взрыв и детский плач), на которых запечатлен момент ракетной атаки истребителя на жилой дом на территории Украины, был использован для создания партии автоматического пианино: это буквальная фортепианная транскрипция, замедленная с 3-х секунд исходного звука до 4-х с половиной минут, чтобы сделать все структуры различимыми. При этом ни одна нота не была сочинена или исполнена человеком: звуковысотности и ритмы точно соответствуют исходному звуку, а динамика и диапазон некоторых структур были отредактированы с целью сделать их слышимыми. Со второй минуты композиции музыка сильно меняется: после отгремевшего взрыва в тишине заплакал ребёнок. 

Партия лайв-электроники вытекает из партии фортепиано, дополняя её электронными эффектами в реальном времени. Все эффекты исходят из звука, снятного с рояля микрофоном во время исполнения, а изменения в электронике контроллируются (так же без участия какого-либо исполнителя) заранее написанным алгоритмом.

Машины не думают о войне. Но за каждой инструкцией стоит человек.

Operating Instructions (The Machine Doesn't Think Of War)

Solar

Yu Kuwabara | Falling Leaves Moon Steps (2023) for shakuhachi, shamisen, and orchestra
commissioned by Suntory Foundation of the Arts after winning The 31st Competition of Yasushi Akutagawa Suntory Award
recorded live at Suntory Hall (Main Hall), Tokyo, Japan on 26 August 2023
premiered by Reison Kuroda (shakuhachi), Hidejiro Honjoh (shamisen), and New Japan Philharmonic conducted by Seitaro Ishikawa

桑原ゆう｜葉落月の段 (2023) 尺八、三味線とオーケストラのための
第31回芥川也寸志サントリー作曲賞受賞による、サントリー芸術財団委嘱作品
演奏｜黒田鈴尊（尺八）、本條秀慈郎（三味線）、石川征太郎（指揮）、新日本フィルハーモニー交響楽団
2023年8月26日 @サントリーホール大ホール
サントリーホールサマーフェスティバル2023 第33回芥川也寸志サントリー作曲賞選考演奏会

SSF2023_芥川作曲賞選考演奏会

Falling Leaves Moon Steps (2023) for shakuhachi, shamisen, and orchestra

"A choral miniature based on the words of Velimir Khlebnikov,"Времянин Я", composed for the 'Sound Paths' festival. Performed by the 'Festino' ensemble under the direction of Alexandra Makarova."

"Времянин Я"

Traversée II - Kanami Koga - 2024

Latest's Live session record, dont hesitate to see the clip in order to see us playing !

the clip :
https://www.nicovideo.jp/watch/sm44680966
https://youtu.be/6cdVrU_RdKQ?si=z71kVYWtCuYFzT69

Vocaloid : Hatsune Miku (初音ミク),　Meika Mikoto (鳴花ミコト)

VocaloP, Trombone, Mix, Composition : Mateo Issartel (Lila Mellark)
https://www.instagram.com/lilamellark/
https://x.com/lil_misdreavus/
https://linktr.ee/leifickson

Clip, Cover, Saxophone : biscuit
https://www.instagram.com/88experimentum/

Guitar : Antoine Gaudry
https://www.instagram.com/antoine_gdy/

Bass : Victor de Batds
https://www.instagram.com/solide_trublion/

Drum : Mathis Bénard
https://www.instagram.com/mathisbenard_/

recorded at BopCity

Rabbit Funk // Live Session

Performed at the opening of the installation "Sleeping Memory" presented by Leonid Zvolinsky.

Fuel (feat. Leonid Zvolinsky)

Worse than nothing

Game of Metal for piano solo (2017)

for uilleann pipes and string quartet aka the brilliant Pádraic Keane and ConTempo Quartet!

something like light but not (string quartet and uilleann pipes)

Beat Furrer - A Sei Voci

Composer, new media artist and sound engineer, currently living in Japan. He graduated from the Composition (Moscow Conservatory), Music Theory (Gnessins Musical College – Moscow), and Sound Engineering (Audiovisual Arts of the GITR Film and Television School – Moscow). He currently studies at the Department of Musical Creativity and Environment of the Tokyo University of the Arts, where he is gaining more experience and conducting research.
His works are expressed in electro-acoustic compositions and performances, various orchestral pieces, as well as solo and ensembles.

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Explores the use of specific characteristics of hearing (such as sound illusions) to create works of art.