man, this is a great track !...real nice real jazz...love it : )

Great sound. Awesome to hear real music on soudcloud

i cant stop listening to this track leron. beautiful

From Upcoming Album: Whatever
https://itunes.apple.com/us/album/whatever/id690259313

Leron Thomas - Trumpet
Taylor Eigsti - Piano
Eric Harland - Drums
Harish Raghavan - Bass
Matthew Stevens - Guitar


Silly Ass

7" and Digital out May 13, 2014. 

Order the 7" and get instant download of this song : https://bastardjazz.bandcamp.com/album/montreux-sunrise-trans-alpine-express

After the dynamo sophomore release that was 2013's "Curiosities", New Zealand's Lord Echo returns to Brooklyn's Bastard Jazz label, this time producing Kiwi trio The Elder Statesman comprised of twin brothers and Wellington fixtures Christopher (piano) and Daniel (double bass) Yeabsley with Lord Echo himself on percussion and drums. 

On the "A" side, Montreux Sunrise is mellow meander through a laidback early 70s souljazz vibes, while "Trans Alpine Express" picks things up on the B side with a deep, spiritual piano groove, upfront doublebass, and Echo's percussion perfectly in the pocket. 

A timeless gem of a 7" from Bastard Jazz, releasing their own namesake for once!

Buy 7" or Digital

The Elder Statesman - Trans-Alpine Express

Its Better For You

JAZZ RE:FRESHED LIVE VOLUME ONE is FREE and is attached to the front cover of the first edition of our publication - the jazz re:freshed scrapbook 2003-2014.

All tracks were recorded live at the jazz re:freshed weekly residency at Mau Mau Bar. 
Featuring:
Cory Henry // www.coryhenry.com
Emmanuel Franklyn Adelabu // soundcloud.com/emmafranade
Myriad forest // @myriadforest
Zara McFarlane // www.zaramcfarlane.com
TURTL // @turtlmusic
Dominic J Marshall // www.dominicjmarshall.com
Femi Temowo // www.femiguitar.com
Peter Edwards Trio // www.peteredwardsmusic.co.uk
Astral travel // www.facebook.com/astraltravelmusic
JD73's Electrio // www.jd73.co.uk
Resolution 88 // www.resolution88.com
Abdul Shyllon // @abdulshyllon 
Thousand Kings // 
Moses Boyd Exodus // www.mosesboyd.bandcamp.com

To buy a copy of the jazz re:freshed scrapbook and get this album free please head to https://jazzrefreshed.bandcamp.com/merch/jazz-re-freshed-scrapbook-2003-2014

JAZZRE:FRESHED LIVE VOL ONE - SAMPLER

Our appreciation for 22a and their extended family has steadily spiralled over the last year or so. We've already featured various members of the clan in their own rights:  Jeen Bassa and Al Dobson Jr weaving wax as far back as 2012,  Mo Kolours multiple times and  Henry Wu serving  "Just Negotiate" on a plate for Debuts. It's about time all of those names came together on one setlist, mind - a wish we're churning into reality with  this Friday's 22a label showcase in London.

22a #6 sees Tenderlonious lift the label into album territory for the first time. Led by the label chief on sax, flute and percussion, Ruby Rushton is the result of four friends uniting to ooze out off-the-cuff jazz. Their debut album “Two For Joy” was recorded in 2011, a deeply personal set of compositions fuelled by an admiration for Coltrane, Yusef Lateef and Fela Kuti through to more contemporary demi-gods like Slum Village and  Sa-Ra. The title track - which you can stream uptop - is luxuriously smooth, handmade for Sunday mid-morning couch sessions with the spring sun reaching inwards. 

As with all 22a releases, catch it on vinyl (180g) when it lands on June 29th.

Ruby Rushton "Two For Joy" - Boiler Room Debuts

Download: mokolours.bandcamp.com/album/texture-like-sun

facebook.com/mokolours
onehandedmusic.com

Taken from 'Texture Like Sun', the follow up to the much-loved self-titled debut by Anglo-Mauritian producer, singer and percussionist Joseph Deenmamode aka Mo Kolours. The Guardian described ‘Mo Kolours’ as “the best album Curtis Mayfield never made with A Tribe Called Quest and Lee Perry”.

Mo Kolours - Pass It Round

Beautiful instrumental song by Howard Maple. Compilation out 17th of March!

Howard Maple - Soul Music

In between producing Feist’s groundbreaking album Pleasure, co-writing songs for Kelela’s upcoming debut album and working on his sixth full-length album, due out next year, Mocky is set to release the fourth installation of his “Moxtape” series. An unfiltered peek into his unreleased studio experiments and collaborations, “How to Hit What and How Hard" is a collection of handcrafted “off the grid bangers and some songs”, the multi-instrumentalist producer says. 
At the start of 2017, Mocky built a studio at his secretive Los Angeles headquarters. As he put up the studio walls, he began doing test recordings and switching between hammer and nails and drumsticks and drums. The first six test recordings became the basis of “How to Hit What and How Hard’. They range from 1970s Sesame Street funk to Steve Reich-style arrangements with a backbeat to songs like “Problematic” (which casts Mocky's crooning in a glitched-out new light). Though the music covers a lot of ground in his search for goosebumps per minute (GPM), it’s held together by Mocky’s unmistakable percussive touch. 
The L.A.-by-way-of-Berlin transplant plays almost everything on H2HWHH (drums, bass, piano, Rhodes, nylon string guitar, flute), with a few notable exceptions: Gonzales and Miguel Atwood-Ferguson guest on the exquisite “Desiree”, Nia Andrews lends some honey-dripped vocals to “Stop Time”, and Pegasus Warning, Joey Dosik and Aponte Poro round out this family affair on a variety of instruments. 
On  “You Can’t Rush the Funk”, Mocky’s iPhone-recorded voice is as laid back as anything because, as he puts it: “Nothing began with the computer or a click track. Everything began with me hitting something, and during the process, I realized that in the modern musical environment, “how”, “what” and “how hard” you hit something make all the difference." And for those who wonder about the method to his madness, for the first time Mocky is opening the hood on this “how-to kit" of a record: He’s releasing all of the isolated, separated instruments as samples in an “Unpacked Edition”, allowing others to make their own works recreated from Mocky’s handmade blueprint.

How To Hit What And How Hard (The Moxtape Vol. IV)

Mocky: Put It In A Song

As a label guided by the mission of sharing the lesser heard sounds of Brazil with the world, Far Out Recordings are delighted to present the first official vinyl reissue of Edu Passeto & Gui Tavares’ Noite Que Brincou De Lua: a super rare and largely unheard masterwork of MPB, originally released in 1981. Disciples of the Clube Da Esquina movement, pioneered by Milton Nascimento and Lô Borges, Edu & Gui mixed psychedelic folk, jazz, bossa, and rock for an album of soulful, dreamy Brazilian pop, with stunning arrangements and lush vocal harmonies.

Having first met performing on the music festival circuits of São Paulo and Minas Gerais, it wasn’t long before Edu and Gui struck up a thriving song writing partnership and close friendship, united not only by the love of music, but by shared ideals of liberation and greater equality for humankind. The duo’s motivation stemmed from a desire for social and political change, during what turned out to be the final years of the Brazilian military dictatorship.

Prior to recording, Edu and Gui had to tread carefully with their lyrics, which had to be submitted to the federal censorship authorities before release. Their first application was rejected after the lyrics were deemed to contain too much direct social criticism. ‘Profome’ (translated “Pro-hunger”), a song characteristically bittersweet in tone, was initially a matter of fact portrayal of the desperately poor social conditions many people in Brazil faced at the time. Back to the drawing board, Edu and Gui, like many persecuted artists from this era had to refine their lyrics to convey their message more subtly.

It took the best part of a year to complete the album, with Edu and Gui saving every scent they could spare from gigging and hitchhiking the 100km to each session from their home in Campinas, so that they’d have enough money to pay for studio time in Abertura Studios, São Paulo.

Although the album gained a respectable amount of radio play in the years that followed, it’s remained in relative obscurity, despite its spellbinding qualities, evident on tracks like ‘Sabiá na Palmeira’, a sweet Brazilian rare-groove with shades of Leroy Hutson, and the psych-folk tinged ‘Seguir’, which harks to the dreamiest moments of Milton Nascimento and Marcos Valle.

Edu and Gui called time on their musical partnership in 1986 when Gui moved to Rio De Janeiro, but they remained close friends until Edu sadly passed away in 2008 after a series of health complications. There is a street named after him in his home city of Campinas, São Paulo. Today, Gui Tavares lives in London, still making music and working within a plethora of Brazilian music projects which include the direction of his own choirs Cantar Vocal Ensemble and Nossa Voz, as well as working with Creative Brazil, who conduct Brazilian music workshops in schools

This limited-edition official reissue has been remastered from the original ½ inch tapes and pressed to heavyweight 180g vinyl.

Noite Que Brincou De Lua

Buy Vinyl

Sabia Na Palmeira

Art Farmer:Soul Sides

Jho's Beat

For general info and bookings contact: info@leronthomas.com


Silly Ass

leronthomas

Recent comments

Jamie Breiwick

ikd-sj

Martin Kristensen | Composer

kiranthesinger

Related tracks