I feel you brother. Groove is great, but you have to krank that volume up! Keep on rocking 🤘

Love the phasey  psychedelic feel to this track

Sounds great! Guitar is awesome by the way

Aye yezzzaaa instruments snapped brotha 🔥

Que pancada essa guitarra! 🎸 🔥🔥🔥 Isso tá fudido irmão

This is super hard fam keep working for sure.🥃⏳

Phat Dadddy J's Rock Reposts

Video Oficial: https://youtu.be/23zk-r7H_MI

GRILLOS

Sueño fugaz es hacia mí,
Y va a predecir que pasará.

Alto la luz, salga de aquí,
No hay nada más, no, no lo hay.

Grillos.

Grillo animal,
Vientre de sal,
Grillo animal,
Ojos del mar.

Grillos.

Escapa el agua, el refugio,
Busca atrás sobre sus pasos,
Simplemente recordaba estar ahí.
En un sentido su correr sobre la tierra,
Va dejando y dibujando en el tiempo,
Larga línea y va extraviándose el lugar, aquel hogar.

CREDITOS:
Sojue Stradac - Símbolos, signos y presentimientos.
Paulino Robles: Portada CD, Dirección y producción de vídeo. #FotoBazarTulancingo

¡Gracias amigos, es que su poder impulsa!

Producido en 100 Hertz Home Studio por Sojue Stradac 2021.

SIMBOLOS

Grillos

pop punk/rock

co produced, mixed, mastered and cover art by @a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com



Hot Wired Heart's

Another weekend

Another Weekend

Gallery Of Echoes From Past

Skywalker

Rolling

Little Ol Me Remix (Featuring Ruth Reid)

Unfinished Track [UNMASTERED]

Addicted to the rockstar life makes me immortalized. What you guys think?

Bottles and Pain (MegaBoosted)

Recorded at MARS Studio in the PNW. Produced and engineered by Ken Stringfellow of the Posies. 
Written By  R. Zeedyk, D. Zeedyk and K. Stringfellow
Vocal: Regina Zeedyk
Piano: Ken Stringfellow
Guitar: Dave Zeedyk

Dear Mylah

Depuis la pandémie mondiale, plusieurs pays ont décidé de restreindre les sorties des citoyens pour les protéger du virus. Bonne idée ou mauvaise idée, là n’est pas le propos de la chanson. Le titre parle plutôt de ceux qui avaient déjà, ou qui ont maintenant de la difficulté à sortir de leur maison depuis cet évènement. Cela se nomme  le SYNDROME DE LA CABANE. Dans la chanson, une amie essaie de venir en aide à la personne qui a peur de sortir mais ne sait pas si ça va fonctionner.


Since the global pandemic, several countries have decided to restrict the exit of citizens to protect them from the virus. Good idea or bad idea, that’s not the point of the song. The title talks rather about those who had already, or who are now having difficulty leaving their house since this event. It is called the CABIN SYNDROME. In the song, a friend tries to help the person who is afraid of going out but doesn’t know if it will work.


Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Denis Caouette : paroles, musique & arrangements, guitares, back vocals et programmation.
Michel Otis : synthétiseur
Frank Corneau : Basse
Sébastien Savard : Violons
Jérôme Vandal : Batterie
Martin Larose (Studio Septentrio) : Réalisation



PHONOGRAPHE

Prison de Verre

Prison de verre

A crushing wave of heavy riffs, dark atmospheres, and raw energy. Supersonic takes you straight into the heart of chaos — where skulls crack, amps scream, and shadows burn. Turn it up loud, lose yourself in the storm.

Supersonic

Supersonic -  KRT Production

Lyrics written by Badtripp Inc/Geir Arne Moi,. copyright 1980-2025. Music made in collaboration with Suno., This one took a long time to coach forth from the AI Suno, maybe punkrock has become too quaint?! HERE'S THE LYRICS:

Go get a rope 
Go get a gun 
Go get some dope 
Tell me what to do

To kill my
Deathwish Deathwish 
Deathwish Deathwish 

Sex and drugs
And rock and roll
Just ain't got 
what it takes 

To kill my 
Deathwish  Deathwish  
Deathwish Deathwish

DEATHWISH

Lyrics:
There's so much I should have done
The weight of the world
Holding me down
Cause you can only get so numb
Before you forget what it's like to feel
It's true used to be scared livin' in a shell 
Never got you anywhere
Nothing's meant this much to me
Found a new side of me

This is a call to all the potentials
Is this the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

All that I’ve got is a pocket full of dreams 
But I can't sleep
Time ticking clock 
Reminds me of the time that I don't got
Before you know it you'll be on your way out
As easy as the wind blows

This is a call to all the potentials
And this is the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

This is a call to all the potentials
Is this the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

Circus Freak Sideshow

The Potentials

-X- ZERO RITUAL -X- BEFORE I DIE -X-

Math is a dialogue between control and surrender.
Two tracks recorded as mirrors: Natural A, all precision and pulse — a clear signal pushing forward, like thought trying to define itself. Then Inventado B, the reflection after the impact — slower, wider, dissolving rhythm into breath and reverb.
Both are mastered at the same energy, yet live in opposite spaces: one draws lines, the other erases them.
The result feels like walking through the same room twice — once with the lights on, once guided only by memory.

Inventado

An Eagle on Fire crosses the line between rock and country. Creating a niche all its own. This track has been compared to bands such as, Shinedown and  Soundgarden. With a universal appeal that is quickly becoming more popular everyday. Check out the video on YouTube 

https://youtu.be/Jqkt-ymsiVc

Share track
https://soundcloud.com/bryan-scott-261530594/bryan-scott-im-gonna-party

Share track
https://soundcloud.com/bryan-scott-261530594/bryan-scott-you-stood-in-the


Share track
https://soundcloud.com/bryan-scott-261530594/count-your-blessings-final-mix
https://youtu.be/Jqkt-ymsiVc

Bryanscottmusic.com

Eagle on Fire

Music is my passion! It has always been a wonderful part of my life. Growing up in Brooklyn New York exposed me to street corner crooners, Afro Latin beats, Blues, Jazz and Rock & Roll. Marching down the street playing a tenor drum in my Boy Scout uniform is a cherished memory I have of growing up in the Brooklyn. It was my most urgent desire to dawn that uniform so, I too, could be a drummer in the Brooklyn Day Parade. 

The Apollo theatre was another great influence in my youth, knowing the back stage manager’s son helped too. oh yea, front row seats. 

In high school I discovered the harmonica along with a steady diet of R&B, Jazz, Rock, I never got to stuck of any genre and appreciating the fusion of different styles. I enlisted in the Air Force in Coral Gables Florida after graduating Longwood High Middle Island. 

Stationed in Okinawa Japan I met countless badass funky musicians from all over the US. For seven years I played keyboards in a top forty cover band “Shock Tacy”. Working Steve Howard the owner of the “Power Station” recording studio in Okinawa Japan, I learned a lot of the basics of the craft. 

After retirement I returned to California and I decided to my own start my own business building  my own recording studio Phat Daddy’s Music Studio in 1999. 

In 2000 Atlanta was to be coined the Hip Hop headquarters of the DirtySouth, I too decided to relocated to ATL for work in the music industry. 
Working with Audio Visual companies and Wizard Electronics a music repair facilities. 

2012 I discovered the THI studio in Brooklyn, where I received my audio engineering certificate with my studio mentor Robert Honablue. I am now based in Portland Oregon producing and recording music, my life’s passion!!!

Currently in Bangkok Thailand creating tracks for the love of music!

Rolling

Leroy Cravatt

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