Glimpse

Glimpse 🫧

NG-Xp is experimental music created by naldo & guillaume
https://soundcloud.com/naldeau/tracks
https://soundcloud.com/guillaumelecompositeur/tracks

Tokyo's innovative diva-Khan
https://x.com/khan_musician/status/1652305204975661056?s=12
🔽
https://youtu.be/olFhz3XwyA4?si=RaHnntFj9dXpoQv7
🔽
with DJ OddFellow  Oblongsquarerecords
https://open.spotify.com/intl-ja/album/7xLOdtaRZVagznoBjLcglu?si=7ngPSbyoT1aYFWrc4QShmA&nd=1&dlsi=c02ca36db20c4e69


I like subtle vocal and emotional sounds.
Let's collaborate together if you like my vocal.
I love to work with others
I feel much respect  to all musicians.

chill R&B soul dance pop ambient rock  traditional ..no genre
2025/10/01 released the album "Faraway"/rakia,Khan
https://ultravybe.lnk.to/faraway
2024/10/8 released the album "Hananaraii"/Khan
https://linkco.re/ATghzUV4

1st EP"Night" was released on music -streaming services 19June 2023.
Apple
https://music.apple.com/jp/album/night-ep/1693167072
YouTube 
https://music.youtube.com/playlist?list=OLAK5uy_l_lJQ8MJepRFVs4FovuL3HiAnhHws7PBQ&feature=share
Spotify
https://open.spotify.com/intl-ja/album/5a82W1feZ4QZv5REWIBB2l?si=yFkBrR7aTDCFfjg1H1ksdQ

All words&vocals/Khan
Singer songwriter /poet/artist

My current musical project consists of composing music and tagging other artists, regardless of their genre. In recent years, I've discovered great talents, both professional and amateur, self-taught like myself. I also want to highlight musicians who stand out for their beautiful songs. Thank you to all my followers for believing in me, and I also appreciate the excellent music they create. Greetings to all! One more clarification about the musicians I follow: each author's music fills me with joy and is a source of energy for life!

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
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I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

This is my solo project. 
F.P.
All songs are home recorded by myself.
Check also on soundcloud : 
-De Parrot 
-BOAF


artwork by A.Pastori

Glimpse 🫧

lessns