Name: Aliasing Crushed Polaroids - IceGear Laplace Demo by LeSynth in Softsynth and Sample Library Demos
Duration: 2 min 7 s
Description: Another special virtual synthesizer has me in its spell. Laplace is its own beast, with a very particular sound, not beautiful, yet invitingly digital. As much as possible, I tried to take advantage of the unique sound transformations possible with this 'resonator' synth.

Softsynth and Sample Library Demos

A quick and simple little jam on my Buchla Music Easel and Moog Matriarch. Video version can be seen here - https://www.youtube.com/watch?v=cRLkQsSfbmg

Buchla Music Easel + Moog Matriarch

Another special virtual synthesizer has me in its spell. Laplace is its own beast, with a very particular sound, not beautiful, yet invitingly digital. As much as possible, I tried to take advantage of the unique sound transformations possible with this 'resonator' synth.

Aliasing Crushed Polaroids - IceGear Laplace Demo

Voice Of The People

This is my electroacoustic take on the new granular synthesis engine. I can't wait to try all the different sound-sources through it. 

Granular Creatures - Omnisphere 2 Demo

Luftrum Ambient 2, audio demo by the mighty Ned Bouhalassa.

Luftrum Ambient 2 contains 128 patches inspired by classic sci-fi movies as Blade Runner, Interstellar and Gravity, honoring the music and composers behind the visuals. The soundbank is a handcrafted collection of synth patches to compliment film scoring and electronic ambient productions with ethereal warm pads, carefully designed synth emulations, suspenseful arpeggios, beautiful strings, underscoring soundscapes, unique cinematic synth leads and dark intriguing bass sequences - inspired from the creativity in sounds by Vangelis, Hans Zimmer, Steven Price, Royksopp, Pink Floyd and Tangerine Dream. 88 Patches and 40 Multis all with attention to detail and playability - each single Multi can easily function as a powerful standalone instrument on their own.

www.luftrum.com

5 Years After The Singularity - Luftrum Ambient 2 demo by Ned Bouhalassa

I just can't get over how much fun this synth is. So glad it's back, sounding as good as ever. Here's a little dance-ish piece, all REPRO-1, all nouveau retro!

REPROgrammed - U-He Repro-1 Demo

Second official demo from our second Legion release - featuring a true deep-sampled ensemble of 66 Tubas produced by Troels Folmann.

8Dio 66 Tubas "The Longest Night" by Colin E Fisher

Official demo from our second Legion release - featuring a true deep-sampled ensemble of 66 Tubas produced by Troels Folmann.

8Dio 66 Tubas "A Little Bit of A Lot Of Tubas" by Troels Folmann

This is an official demo for the beautiful soundset Luftrum 18, for Omnisphere, by the fabulous Søren Hybel (Luftrum).

Uploaded Dream - Luftrum 18 for Omnisphere Demo

Demo for U-He's Zebra synthesizer. This features the Dark Zebra set, programmed by the masters, Howard Scarr and (iconic composer) Hans Zimmer. The drums are stock Logic Pro.

The Striped Bat - Dark Zebra Demo

EMS synthi improv live acoustic recording 21/3/2013.

EMS# improv 4 april 2011 Middernacht

Romanticissimo

My new Korg ARP 2600FS synthesizer. Delay effect from the Make Noise Mimeophon. Video version can be seen here - https://www.youtube.com/watch?v=AvwySjMi-1s&feature=emb_title

Korg ARP 2600FS // A Simple Sequence

Stream / Pre-order: https://lnk.to/firstwave

"First Wave" by Roland Tings, from his EP of the same name, out August 14, 2020 on Cascine. 

Roland Tings —
https://instagram.com/rolandtings/ 
https://facebook.com/heyrolandtings/
https://twitter.com/rolandtings/
http://www.rolandtingsworld.com/

First Wave

Stream / Pre-order

Roland Tings - First Wave

buy there : https://rolandtings.bandcamp.com/album/first-wave

Since 2012, Melbourne’s Rohan Newman has recorded as Roland Tings, bringing his now trademark organic touch to the dance and electronic community. Following last year's sun-soaked album Salt Water, the producer returns with a new EP, First Wave. Rather than following suit of the highly collaborative album that preceded it, First Wave signals a return to Newman’s instinctive and solitary approach to songwriting, the same ethos that guided him while crafting his earliest Roland Tings material.

Drawing inspiration from his coastal surroundings, First Wave is liquid, malleable and oil-slick. Opener “Lights on the Headland” pulses with acid chirps and inky synths. “Down The Line” and “Orange Circle” take a softer focus, their melodies peeking out from a humid haze like sunbursts through the marine layer. The title track captures the essence of the EP — a feeling of euphoric come-up — before the closing track “Leaving” brings the pace down, gently undulating at a slower tempo as if underwater.

The sonic throughlines on First Wave are clear: drum machines and 80s snare, swirling pads with rolls of bass, and glittering arpeggios that channel shimmering sea creatures under the water’s surface. Like liquid, it all seamlessly flows, but it’s an undercurrent of intuition and melody that unites the music as distinctly Roland Tings.

LISTEN ON YOUTUBE

PREMIERE : Roland Tings - Leaving

Downbeat track for socially-distant dancefloors

Fathoms

LeSynth is a passionate electronic musician who has been composing music for film, TV, concerts, and radio for decades. He learned synthesis on an Aries modular system and sampling on an Akai S900. LeSynth's studio is home to many electronic instruments, and he is currently writing LoFi music.

Aliasing Crushed Polaroids - IceGear Laplace Demo

LeSynth

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