Omarya Wellspring

FREEDOM COME

Improvisation

« Incantation» for Solo Flute (Live recording)
Composed on Monday, July 15, 2019 (Opus 244)
(Playing my score on iPad Pro with Air Turn)
MD Live Recording in my Home - Studio, on Monday, July 13, 2020 
Flute : Franck Douvin
Thanks for listening. Hope you'll enjoy!
Video on YouTube : https://youtu.be/7NGc5e381uM

« Incantation» for Solo Flute (Live recording)

Performed & Recorded by Matteo Mariano in 2004. http://macrogramma.com
Original cover art by Pietro Puccio (2019). http://www.pietropuccio.it

All that I did not understand, Story of an afternoon and Under Antonio Ceriani / Tutto quello che non ho capito, Storia di un pomeriggio e Sotto Antonio Ceriani

These three songs are constructed in a very similar way, practically recording short guitar patterns and creating loops by re-editing them and processing them with the same outboard. They were also the easiest tracks of the selection to restore as they were kept on multi-track format. All three tracks are directly inspired by Pietro Puccio's paintings. Between the distressing expectation of Under Antonio Ceriani and the lazy and lukewarm pace of the Story of an afternoon, my favorite has always been All that I did not understand, with that mass of unknown emerging from the depths of the canvas and swallowing all the forms and colors.
***

Questi tre brani sono costruiti in modo molto simile, in pratica registrando dei brevi pattern di chitarra e creando loop rimaneggiandoli e passandoli dagli stessi macchinari. Sono stati anche i più facili della raccolta da restaurare in quanto tenuti in multi-traccia. Tutti e tre i brani sono ispirati direttamente da dei quadri di Pietro Puccio. Tra l'attesa desolante di Sotto Antonio Ceriani e il pigro e tiepido incedere di Storia di un pomeriggio, il mio preferito è sempre stato Tutto quello che non ho capito, con quella massa di ignoto che emergeva dal fondo della tela e ingoiava le forme e i colori.

from macrogramma volume 2, released September 5, 2019
Performed & Recorded by Matteo Mariano in 2004

macrogramma volume 2

Storia Di Un Pomeriggio

« Tanguistic Study N°3 » of Astor piazzolla (Arrangement for Flute)
My interpretation and MD Recording in my Home - Studio on Friday, August 28, 2020
Franck Douvin © 2020 Flute Recordings
Thanks for listening. Hope you'll enjoy!
Video on YouTube : https://youtu.be/oqlP3Oz4MRE

« Tanguistic Study N°3 » of Astor piazzolla (Arrangement for Flute)

I've been looking at a bunch of videos of rainy nights in Tokyo, feeling inspired by the relative calm of otherwise busy streets. 
I have only had the Hydrasynth for a short time, but I've managed to squeeze it in as much of my schedule as possible. I've fallen quite hard for this marvellous instrument; it really is a rich, expressive, modern, digital ax for whatever the future has in store.

Tokyo Rain - Hydrasynth Demo by Ned Bouhalassa

The River Of Inspirations ( Naviarhaiku 349 )

https://soundcloud.com/agnosturaelwar/sets/octobre-collaborative-works-on

Ingvar's challenge accepted - thanks so much for the opportunity

2020-10-03

AE Octobre - Invitation 04

This track was edited from Lockdown Collaboration 1, recorded live at home on the 18th April 2020, exclusively using the wonderful music of @idin-samimi-mofakham and his partner @martyna-kosecka as source material. 

This was quite early on in Lockdown, when angst and worry seemed at its peak, so perhaps unsurprisingly, the piece has come out quite dark and ominous (though not as dark and scary as Hell Hath No Fury, which immediately precedes it!).

Existential Angst

Even if you don't agree with all his ideas, his observations are thought-provoking, challenging, and to many of us, liberating. 

photo by Bob Cato

more Cage: https://www.youtube.com/watch?v=pcHnL7aS64Y(noted The source is the French documentary "Écoute (Listen)" (1992).)

Sounds Don't Talk (w John Cage)

LeSynth is a passionate electronic musician who has been composing music for film, TV, concerts, and radio for decades. He learned synthesis on an Aries modular system and sampling on an Akai S900. LeSynth's studio is home to many electronic instruments, and he is currently writing LoFi music.