A quick and simple little jam on my Buchla Music Easel and Moog Matriarch. Video version can be seen here - https://www.youtube.com/watch?v=cRLkQsSfbmg

Buchla Music Easel + Moog Matriarch

Second official demo from our second Legion release - featuring a true deep-sampled ensemble of 66 Tubas produced by Troels Folmann.

8Dio 66 Tubas "The Longest Night" by Colin E Fisher

Official demo from our second Legion release - featuring a true deep-sampled ensemble of 66 Tubas produced by Troels Folmann.

8Dio 66 Tubas "A Little Bit of A Lot Of Tubas" by Troels Folmann

8Dio 66 Tubas "Beast" by Robin Hall

EMS synthi improv live acoustic recording 21/3/2013.

EMS# improv 4 april 2011 Middernacht

Romanticissimo

This is the third in a series of pieces that make up Unaccompanied, a long electronic work that is a reflection of my feelings on the issue of detention centres for children. Instruments include: Moog Grandmother, Memorymoog, 0-Coast, Eurorack modules, Spitfire Audio's solo cello, Lindsay 1920 upright piano. © SOCAN, 2019.
The accompanying video can be found here: https://youtu.be/s6n6kngW30U

Unaccompanied Part 3 - Detention Center

My new Korg ARP 2600FS synthesizer. Delay effect from the Make Noise Mimeophon. Video version can be seen here - https://www.youtube.com/watch?v=AvwySjMi-1s&feature=emb_title

Korg ARP 2600FS // A Simple Sequence

Stream / Pre-order: https://lnk.to/firstwave

"First Wave" by Roland Tings, from his EP of the same name, out August 14, 2020 on Cascine. 

Roland Tings —
https://instagram.com/rolandtings/ 
https://facebook.com/heyrolandtings/
https://twitter.com/rolandtings/
http://www.rolandtingsworld.com/

First Wave

Stream / Pre-order

Roland Tings - First Wave

buy there : https://rolandtings.bandcamp.com/album/first-wave

Since 2012, Melbourne’s Rohan Newman has recorded as Roland Tings, bringing his now trademark organic touch to the dance and electronic community. Following last year's sun-soaked album Salt Water, the producer returns with a new EP, First Wave. Rather than following suit of the highly collaborative album that preceded it, First Wave signals a return to Newman’s instinctive and solitary approach to songwriting, the same ethos that guided him while crafting his earliest Roland Tings material.

Drawing inspiration from his coastal surroundings, First Wave is liquid, malleable and oil-slick. Opener “Lights on the Headland” pulses with acid chirps and inky synths. “Down The Line” and “Orange Circle” take a softer focus, their melodies peeking out from a humid haze like sunbursts through the marine layer. The title track captures the essence of the EP — a feeling of euphoric come-up — before the closing track “Leaving” brings the pace down, gently undulating at a slower tempo as if underwater.

The sonic throughlines on First Wave are clear: drum machines and 80s snare, swirling pads with rolls of bass, and glittering arpeggios that channel shimmering sea creatures under the water’s surface. Like liquid, it all seamlessly flows, but it’s an undercurrent of intuition and melody that unites the music as distinctly Roland Tings.

LISTEN ON YOUTUBE

PREMIERE : Roland Tings - Leaving

Downbeat track for socially-distant dancefloors

Fathoms

LeSynth is a passionate electronic musician who has been composing music for film, TV, concerts, and radio for decades. He learned synthesis on an Aries modular system and sampling on an Akai S900. LeSynth's studio is home to many electronic instruments, and he is currently writing LoFi music.

Unaccompanied Part 3 - Detention Center

LeSynth

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