More on this 123rd Disquiet Junto project — “Help Gizmodo record the soundscape of the home of the future” — at:

http://disquiet.com/2014/05/08/disquiet0123-homeofthefuture/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

More on the Gizmodo Home of the Future at:

http://homeofthefuture.gizmodo.com/

Disquiet Junto Project 0123: All Tomorrow’s Domesticity

Lethatechne

Disquiet

Manipulated recording of drums and bass made at Studio Savant in Kraków, late 2011, that was unused for a Hobo Codes song.

"Lethatechne, or, Forget the Rock & Roll" on Lethatechnique: http://bit.ly/1JZVasB


Fancy Success

"Lethatechne, or, Forget the Rock & Roll" on Lethatechnique: http://bit.ly/1JZVasB

30-036

Manipulated/processed guitar + vox by @alexrainer

Las Wolski - White Plains Hound

Year 2044 in the kitchen of a high rise building...you switch on the RoboWini and attach the little bot onto the windows. Off, it goes cleaning, making minimal hums and trippy noises along the way! 

Step A: I rolled the dice.
Step B: Got myself number 6.
Step C: I was messing around with the sound generator, Skrewell in Reaktor. Found an interesting sound and recorded it. Next, I recorded the beep sounds when I pressed the buttons of my washing machine. Transferred the recordings to my Logic Pro and experimented with reverb and delay to the sounds. 

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More on this 123rd Disquiet Junto project — “Help Gizmodo.com record the soundscape of the home of the future” — at: http://disquiet.com/2014/05/08/disquiet0123-homeofthefuture/

More on the Disquiet Junto at:
disquiet.com/?p=16588

Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/

More on the Gizmodo.com Home of the Future at:
homeofthefuture.gizmodo.com/

RoboWini [ disquiet0123-homeofthefuture ]

Domestic Scenario selected by roll of virtual dice,(created with 3 simple lines of code in Processing)
Domestic Scenario No5."food replicator / 3D printer combo"
I imagined this domestic kitchen of 2044 in a wealthy building full of all the latest gadgets ,that all generate algorithmic ambient music and attempt to sing their messages to you.( virtual synths, metasynth resynthesis of own voice,etc)
I have to add that I imagine a food replicator may as well just print you out a tablet or injection for that matter of vitamins, mineral, fibre etc....BUT I personally favour homegrown seasonal produce and hope that we can find better ways for this to continue!

"a track of what you think that object will sound like, in the context of daily life at home three decades from now, in the year 2044. This means both the sound of the device in question, as well as the location (kitchen, bedroom, living room, etc.) in which the device would be present. This domestic soundscape should be between approximately 90 seconds in length"


More on this 123rd Disquiet Junto project — “Help Gizmodo.com record the soundscape of the home of the future” — at:

http://disquiet.com/2014/05/08/disquiet0123-homeofthefuture/
More on the Disquiet Junto at:

http://disquiet.com/?p=16588
Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
More on the Gizmodo.com Home of the Future at:

http://homeofthefuture.gizmodo.com/

Your Dinner is Ready(2044)_disquiet0123-homeofthefuture

Disquiet Junto Project 0123: All Tomorrow’s Domesticity

The Brundle Factor [disquiet0123-homeofthefuture]


<b>Welcome to the Weyland-Yutani Matterport V1.7  Now you’ve read the manual and signed the all risks waiver, you’re ready to transport yourself to one of our many designated Matterport Receivers. (Note: Attempting to transport to a non-designated receiver, or an off-grid station, will void your warranty and may result in death or worse.) 

Weyland-Yutani apologises for the sonic levels that may be present during transportation. Gravity wave manipulation requires many terawatts of energy and may also produce transient instabilities in dense matter. It is strongly suggested that you place any metal objects in the basket provided. Please use the ear plugs, flash goggles and genital protection provided and have a nice trip!</b>

Somehow I doubt that we’ll be teleporting to work in 2044. Anyway, to obtain the sounds required, I built such a device in my garage. Now I can’t find most of the cat. Turns out you need a small nuclear reactor (the bass hum) to supply the power needed just to activate the device. And opening wormholes turns out to be a noisy process, especially the part where the gravity waves are turned into Mobius strips. NB: This is an edited version – the device actually takes about ten minutes to reach operating power, and can cause time to move backwards. Handy if you’re late for work!


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This week we’re helping Gizmodo.com explore what the future sounds like. Specifically we’ll be creating the sounds of the future of domestic life. From May 17 to May 21, Gizmodo is staging “an immersive, real-life” depiction of “the urban home of tomorrow” in New York’s SoHo neighborhood, at 268 Mulberry Street (that’s near the Broadway-Lafayette stop, for locals and visitors). It’ll be free to visit the site. Sounds produced for this week’s Disquiet Junto will be considered for playback in the Gizmodo installation.
So, here’s how the project works. In order to get a variety of potential tomorrows, you will be randomly assigned an aspect of the home of the future. Here are the steps:

Step A. Roll a single, six-sided die.
Step B. The result of that roll determines which of the following household devices is assigned to you:
1: refrigerator
2: washer/dryer
3: home security system
4: solar energy generator
5: food replicator / 3D printer combo
6: [make up something that doesn't yet exist]

Step C. Compose a track of what you think that object will sound like, in the context of daily life at home three decades from now, in the year 2044. This means both the sound of the device in question, as well as the location (kitchen, bedroom, living room, etc.) in which the device would be present. This domestic soundscape should be between approximately 90 seconds in length. Er, and because this is an event for the general public, please keep option 6 family-friendly. Thanks.

More on this 123rd Disquiet Junto project — “Help Gizmodo.com record the soundscape of the home of the future” — at:
http://disquiet.com/2014/05/08/disquiet0123-homeofthefuture/ 

More on the Disquiet Junto at:

http://disquiet.com/?p=16588


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/    




The Brundle Factor [disquiet0123-homeofthefuture]

Creating how household devices in 2044 will sound like.
die resulted  5: food replicator / 3D printer combo

just wrote a SF short:
7AM, A businessman is busy preparing at morning. 
This is a secondhand food replicator and not maintained well. 
so, The printer gets glitched again. 
He ends up with eating weird shape of breads and eggs…
hurry up to office.

More on this 123rd Disquiet Junto project — “Help Gizmodo.com record the soundscape of the home of the future” — at:
http://disquiet.com/2014/05/08/disquiet0123-homeofthefuture/
More on the Disquiet Junto at:
http://disquiet.com/?p=16588
Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/
More on the Gizmodo.com Home of the Future at:
http://homeofthefuture.gizmodo.com/

image* rendered with blender

Printing out my breakfast, 2044 [disquiet0123-homeofthefuture]

Buttoned-Up

You roll a 4 on random.org: the sound of a solar energy generator in the year 2044.

You walk into the kitchen to the window that gets the most sunlight: she is making lunch and remarks that there is a lot of sun today. Open the door to the pantry: in the corner is the generator’s heliosonic space. It is a small machine but through its tubes and flux capacitors flow all of your necessary stellar bursts. Kneel down to read the current levels: the generator’s tones are vigorous today. The clouds roll in and out, the thick street trees waver: the generator flutters. The hallway light is switched on: the generator beeps again. You grab a jar of pickles off the shelf: stand listening and frozen with the desire for light. You leave the pantry and close the door: back into a vision of the only sun.

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More on this 123rd Disquiet Junto project — “Help Gizmodo record the soundscape of the home of the future” — at:

http://disquiet.com/2014/05/08/disquiet0123-homeofthefuture/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

More on the Gizmodo Home of the Future at:

http://homeofthefuture.gizmodo.com/


Memory of the Future: Solar Energy Generator (disquiet0123-homeofthefuture)

For recording a short sound to be set on repeat with the new Soundcloud "repeat playing track" feature, start with a slightly altered melody from another song you are working on, a song you almost completely dismantled and squashed Thursday night before receiving notice of this Disquiet Junto project.

That night, you fed the melody through a certain favored synth which you ultimately decided not to use, as the tone was too different, darker. But for a "groove lock," looping the melody on this synth was the first thing that came to mind.

Add some effects to bring out the hazier edges, set up Ableton’s Granulator for the bass tone. Finally, add the sample from a video in the Tate Modern recorded on your phone in Autumn 2013, something about a manuscript (or is he saying “that worries me”?), seemingly lost, and an inability to talk about it.

With the sample and the earlier dismissal of the synth, forgetting recurs as a theme. Forgetting: locked and repeated. And as the piece loops, do you go deeper into its layers (as long as you remember to pay attention), or do you forget it to the background of your room? Is the manuscript forever lost?

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More on this 153rd Disquiet Junto project — “Record a short sound intended to be set on repeat” — at:

disquiet.com/2014/12/04/disquiet0153-groovelock/

More on the Disquiet Junto at:

disquiet.com/junto

Join the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

disquiet.com/forums/

Image associated with this project by Stuart R Brown:

flic.kr/p/mFQC3

That Manuscript (disquiet0153-groovelock)

Tear out of school and take the solid orange Chuo line to Kichijōji. Shin, Emi, Chris, Shungo, Andrew, Brett, they nickname you “New Kid” and say you look like the bassist from Green Day. Skate down to the studio, just a few minutes from the station exit. Before heading up to hang out and take a turn behind the kit for 20 minutes, stop by a record store to browse the newest Fat Wreck Chords and Caustic Resin CDs in between Japanese grindcore 7”s. Was this the record store called Warszawa? Or was Warszawa in Shimokitazawa? Wherever it was, of one thing your memory is sure: you all pronounce the name “Wor-ti-zow-wa.” Then on to the teenage pop-punk jam with Dan and Adam moshing in the corner. The studio practice rooms all have huge racked drums with tons of cymbals and toms, you are just learning to play and don't even know how to keep the kick in time. When you tell Shungo maybe you’ll just not use the kick at all, he says calmly, “you should try to learn, cause it’d sound better.” Amps crunch and squeal, covers of Propagandhi, NOFX, and Lagwagon for a couple hours. The drumming continues round your head well after you sit down to a quick pork tonkatsu and then go skating in Shinjuku.

One recording of recent drums + resonators + delay = extension of drum memory to recent Ohio past.

One drum rack constructed out of snippets from recording above + random MIDI pattern generator = memory of learning to play the basic teenage punk beat.

One additional drum kit + random MIDI pattern generator = half-memories of all those years learning to play drums.

Another additional drum kit + random MIDI pattern generator + resonator = half-memories of Tokyo.

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More on this 185th Disquiet Junto project (“Summon up a memory, and then summarize it in sound”) at:

http://disquiet.com/2015/07/16/disquiet0185-memorymusic/

More on the Disquiet Junto at:

http://disquiet.com/junto/

This project was proposed by Robert Thomas, more from whom at:

http://dizzybanjo.com/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Kichijōji Warszawa (Drum Half-Memories)(disquiet0185-memorymusic)

The complexification for this project was based in the collaborative process between @alexrainer and @lethatechnique (aka Las Wolski): sitting down together late Saturday afternoon in the middle of a Central European heat wave, deciding on samples to use, wielding Ableton Live and a Korg nanoKontrol with four hands, meshing processed samples of the distant "Complexification" tracks with local field recordings, deciding on pitch shifting and resonator notes and beat repeats, digressions into discussing the tritone (“the Devil’s interval”) and initial impressions of "Making Music" by Dennis DeSantis, figuring out how to finalize while keeping the track short and varied, and trying to stay hydrated. Break for a walk to Corner Burger in Kazimierz and for Żywiec Białe throughout the evening. The result is a short slice of sinister heat wave dub.

Manipulated beats from the beginning, bell-like synth sounds from the middle, and scattershot percussive sounds from the end of “Complexification0010GB." Added field recordings of a drunk singing down ulica Chodkiewicza, a random streetside whip-slapshot sound, and some revelers toasting at Forum Przestrzenie. Counter-balanced the whip-slapshots with a recording of a big ole China cymbal from the previous week’s drum session at Studio Savant. Threw “Complexification0010SH” into Ableton’s Granulator for another instrument to generate complex textures.

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More on this 188th Disquiet Junto project (“Take a provided track and make it more complex”) at:

http://disquiet.com/2015/08/06/disquiet0188-complexcomplex/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

More on Complexification:

http://entracte.co.uk/projects/guy-birkin–sun-hammer-e187/

Ul. Chodkiewicza Summer Rips (disquiet0188-complexcomplex)

Isolated one or two segments of each "Marilli" sample: slowed down, pitch-shifted, and EQ'ed. Added filters, delay, and erosion.

Threw on @legowelt-official's Smackos Tape Station effects rack for Ableton that he just shared for free, available here: http://awolfe.home.xs4all.nl/.

"THE FINAL FRONTIER OF TAPE SMUDGE HAS BEEN BROKEN."

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More on this 207th weekly Disquiet Junto project (“Rework source audio from Michel Banabila’s 1983 album, Marilli”) at:

http://disquiet.com/2015/12/17/disquiet0207-remixingmarilli/

The audio was sourced from the 1983 album Marilli by the album’s composer, Michel Banabila. This project marks the release of the 2015 album Marilli Remixed:

https://banabila.bandcamp.com/album/marilli-remixed-free-download

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Signet (Tape Frontier) (disquiet0207-remixingmarilli)

“One can only arrive at the experience of the transcendental – if it is reached at all – when one is oneself in a position of un-knowing, that is, of humility; namely, while remaining in the world of technê he or she begins to venerate a certain kind of experience, acquires it, makes it one’s own, realizes it, sustains it, repeats it – without burdening its sense, its essence with its own great questions.” - László Krasznahorkai, “The Acropolis in Sunglasses”