Delivering consistently fresh sounds from all over the world. 

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All releases available on Beatport:
https://pro.beatport.com/label/hope-recordings/235
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http://www.hoperecordings.com

M B is a c.p.d in music, food and art. As a night life pioneer in Istanbul, he is chef koch of s.o.a.p, the tribe behind the cornerstone clubs such as Magma music club [‘96], (((godet))) [‘97], The Red Room[‘02], godet👑disko / penthouse [‘04-05], Edgar G. Diskotek[‘07], Mini Muzikhol [‘09-16] and a number of other successful festivals and events like Teremin bulusmasi [‘08], a.d.a. project [‘01], AnaPop [‘10], Swisstanbul [‘11-‘12-‘13]

Production, organizing and curating concepts are his most acclaimed skills yet it’s also possible to hear his irregular groove ballades in diverse s.o.a.p events, in Switzerland, and various events in France and in Germany. His repertoire includes everything from downbeat deep minimal techno to acid house, cosmic psychedelic sarcastic left-field disco funk from all over the world crazy afro styles to post punk and exotic tropicalia to dub, progressive folk rock to pilgrimage of peace and re-edit/bootleg/mashups to rare turkish and asiatique music aand never cared enough the skills that would make him a pro DJ, instead focused on playing heartfelt tunes.

he co-founded/worked on Mini Muzikhol, curated, promoted and toured with Baris K’s Eurasia and the group INSANLAR, co-founded/worked at the historical wood oven restaurant Datlı Maya, once in a while played music with friends at his own infamous terrace, and spinned sometimes who knows where..

Nowadays around supporting friends at the Holzmarkt 25 in Berlin, starting up the DaDo's süperfood European base, and getting back to the nature @ Doğalı eco-farm in Ida mount..

<a href="http://dadosfood.com" rel="nofollow" target="_blank">dadosfood.com</a>


<a href="http://dogali.org" rel="nofollow" target="_blank">dogali.org</a>

<a href="https://www.facebook.com/insanlar123456" rel="nofollow" target="_blank">INSANLAR</a>
<a href="https://soundcloud.com/insanlar" rel="nofollow" target="_blank">INSANLAR</a>

John Ov3rblast stands as a singular voice in modern electronic music — an artist whose work doesn’t simply fill a room, but **creates worlds**. Rooted in the early influences of classical harmony, jazz nuance, and rock energy, his path eventually found its true ignition in electronic sound: a space where rhythm, texture, and imagination can merge without limits.

His music moves fluidly through **ambient, dub techno, progressive house, and deep electronica**, shaped by a signature sense of space and emotional weight. Rather than chasing trends, Ov3rblast composes like a storyteller. Pads breathe like landscapes, delays stretch time, and grooves evolve patiently — producing tracks that are simultaneously **hypnotic and human**, minimal yet detailed, club-ready yet introspective. Many listeners describe his releases as *cinematic soundtracks for imaginary worlds* — an accurate phrase for an artist who treats sound as architecture.

At the centre of his output is a philosophy: **music as a gateway to inner exploration**. Ov3rblast builds sonic environments that work in two realities at once — the private realm of headphones, where a track becomes personal reflection, and the communal energy of the dancefloor, where rhythm becomes collective motion. This duality defines his artistry: his music can be meditative without losing momentum, and powerful without losing tenderness.

Over the years, his discography has expanded across numerous labels and collaborations, resulting in a deep catalogue of EPs, LPs, and remixes. His work has been featured on respected platforms such as **Proton Radio, Frisky Radio, and DI.FM**, strengthening a global audience that values depth over hype and innovation over repetition.

Beyond releases, Ov3rblast founded **Spaceal Orbeats Records**, not only as a home for his own catalog, but as a platform for emerging artists who share a commitment to exploration and authenticity. Through this label work, he extends his impact beyond personal output — helping shape a community of creators who believe electronic music is still a frontier.

Relentlessly forward, yet unmistakably himself, John Ov3rblast continues to evolve — pushing sound design, atmosphere, and emotional narrative into territories that feel timeless. In a genre often defined by speed and saturation, his work remains **a slow-burn universe: deliberate, visionary, and deeply alive**.

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## Statement 

**#boycottSPOTIFY — no to AI music.**
John Ov3rblast supports independent platforms and real human creation. Music is not content — it’s lived experience, craft, and spirit. Support artists directly.

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Highlights 

* Greece-born electronic artist blending **ambient / dub techno / progressive / deep electronica**
* Founder of **Spaceal Orbeats Records** (label + platform for emerging artists)
* Featured on **Proton Radio, Frisky Radio, and DI.FM**
* Winner: **Kia Creators Worldwide Movement** (SoundCloud / Kia Motors / Creators) — 2023
* Music for BBC 4, Vice US, Salomon Running
* Extensive output: **LPs, EPs, sound libraries**, plus **hundreds of remixes** across labels worldwide
* Sound libraries **exclusive on Bandcamp**

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Discography

### 2010

* Mac Trax Netlabel — *Lissandros EP*

### 2011

* Moonchild Records — *Magma EP*
* Tactical Nuke — *Space Travellers EP*
* Deep in Dub Netlabel — *Stargazer LP*

### 2012

* Spaceal Orbeats Records — *9 Lives LP*
* Lovezone Records — *Subterranean EP*
* Monokrak Netlabel — *New Earth LP*
* Progeletech — *The Sound of Your Soul EP*
* Blacklight Sessions — *Post Human EP*
* Spaceal Orbeats Records — *Tetraktys LP*

### 2013

* Monokrak Netlabel — *Yours Faithfully EP*
* Petroglyph Netlabel — *Rafflesia EP*
* Spaceal Orbeats Records — *The Frequency of Love EP*
* Spaceal Orbeats Records — *The Prophecy EP*
* Kopoc Label — *Stories from the Fog EP*
* Spaceal Orbeats Records — *The Secret Language of Angels LP*

### 2014

* Spaceal Orbeats Records — *Elements EP*
* Spaceal Orbeats Records — *Divine Echoes EP*

### 2015

* Suck House Lovers — *Ionosphere EP*
* Spaceal Orbeats Records — *Beings of Thought EP*
* Ultraphonic (UK) — *Cosmosis LP*

### 2016

* Cerebral Audio — *The Unfoldment EP*
* Null-A — *Event Horizon EP*
* Sub Label Recordings (White Edition) — *The Spacing of Spheres EP*
* Spaceal Orbeats Records — *Microcosmos EP*
* Ultraphonic (UK) — *Oscillations LP*
* Spaceal Orbeats Records — *Sounds of the Universe LP*
* Spaceal Orbeats Records — *Dentro EP*

### 2017

* Mistique Music — *Aesthetics EP*
* Spaceal Orbeats Records — *Mein Garten EP*

### 2018

* Spaceal Orbeats Records — *The Fantasia of the Unconscious LP*
* DTL Records — *Polarities EP*
* Spaceal Orbeats Records — *Metamorphosis EP*
* Spaceal Orbeats Records — *Quantum EP*
* Spaceal Orbeats Records — *Lost Heavens LP*

### 2019

* Spaceal Orbeats Records — *Abstract Realities EP*
* Spaceal Orbeats Records — *Kaleidoscope LP*
* Spaceal Orbeats Records — *Non Places LP*

### 2020

* Spaceal Orbeats Records — *Sacred Spaces LP*
* Journey Deep Records — *Coaxial EP*
* Spaceal Orbeats Records — *Rituals LP*
* Spaceal Orbeats Records — *Rewind 1990 LP*

### 2021

* Spaceal Orbeats Records — *Unearthed LP*
* Spaceal Orbeats Records — *New Life EP*
* Spaceal Orbeats Records — *Genres EP*
* Spaceal Orbeats Records — *Astral Planes EP*
* Spaceal Orbeats Records — *Clusters EP*
* Spaceal Orbeats Records — *Lifeforms EP*

### 2022

* Spaceal Orbeats Records — *Infinite Souls into Finite Shapes LP*
* Spaceal Orbeats Records — *White Glaux LP*
* Spaceal Orbeats Records — *Evolution LP*
* Spaceal Orbeats Records — *The Temple of Love LP*

### 2023

* Spaceal Orbeats Records — *33 LP*
* Spaceal Orbeats Records — *Oceans of Hope EP*
* Spaceal Orbeats Records — *The Lost Language LP*
* Spaceal Orbeats Records — *Space Travellers LP (Special Edition)*
* Bandcamp Exclusive — *Orbeats Compilation: Remixes 2010–2023 LP*

### 2024

* Spaceal Orbeats Records — *New Rave LP*
* Spaceal Orbeats Records — *Dharma LP*
* Spaceal Orbeats Records — *Rafflesia EP (Re-mastered)*
* Spaceal Orbeats Records — *Surrender EP*
* Spaceal Orbeats Records — *Polaris LP*
* Spaceal Orbeats Records — *15 Years Lifeforms Compilation LP*

### 2025

* Spaceal Orbeats Records — *Nemesis LP*
* Spaceal Orbeats Records — *Resistance (Vinyl & Digital)*
* Spaceal Orbeats Records — *Rituals: Mantras EP*
* Spaceal Orbeats Records — *The Ascension LP*

### 2026

*Spaceal Orbeats Records - * Signals for Unity EP  *01 April 

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## Sound Libraries (Bandcamp Exclusive)

* *Life Is A Loop Vol. 01*
* *Life Is A Loop Vol. 02*
* *Antarctica Passages*
* *Ambiences*
* *Soundscapes Sound Library*

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booking: mersenne@deluks.org

Cem Yıldız, Baris K, Alican Tezer, Hogir, Dr.Sinan Tansal, Mini Bashekim ve bazen, sık sık, genellikle Ayyuka biraderlerden Özgür ile Altan. Bahar Sarah ile Kabus Kerim de unutulmamalı.

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Onur Gul 
NY-22’

I was born in Izmir, Turkey and I’m a Live Sound & Mixing Engineer, Production Manager, Lighting Operator based in New York City.

I began my music education at Hacettepe University’s State Conservatory in Ankara in 1992 where I studied Double Bass with Tahir Sumer and Bassoon with Orhan Nuri Göktürk. I went on to receive a high school degree and train Bassoon with Tolga Alpay at Dokuz Elylül University State Conservatory in Izmir. I continued my education at Dokuz Eylul University Fine Arts, majoring in Sound Engineering and Technologies.

While studying, I played electric bass for various Turkish pop, rock, and jazz bands and continued to play professionally when I moved to New York City in 2010, in bands such as Paint the Cave, Glitch Cake, Cecilie Beck, and Emanuel Gibson.

From 2011 to 2013, I was a Live Sound Engineer for the eminent live music venues Café Wha?, Groove, and Drom.

Since 2013 I have worked at Nublu, the determinedly multinational East Village music venue as the Live Sound and Recording Engineer. I have recorded, mixed, and collected live performances at Nublu, since 2014, working with a wide variety of international artists. In 2013, I began sharing my recordings in a podcast called “I was born in Izmir, Turkey and I’m a Live Sound & Mixing Engineer, Production Manager, Lighting Operator based in New York City.
I began my music education at Hacettepe University’s State Conservatory in Ankara in 1992 where I studied Double Bass with Tahir Sumer and Bassoon with Orhan Nuri Göktürk. I went on to receive a high school degree and train Bassoon with Tolga Alpay at Dokuz Elylül University State Conservatory in Izmir. I continued my education at Dokuz Eylul University Fine Arts, majoring in Sound Engineering and Technologies.
While studying, I played electric bass for various Turkish pop, rock, and jazz bands and continued to play professionally when I moved to New York City in 2010, in bands such as Paint the Cave, Glitch Cake, Cecilie Beck, and Emanuel Gibson.
From 2011 to 2013, I was a Live Sound Engineer for the eminent live music venues Café Wha?, Groove, and Drom.
Since 2013 I have worked at Nublu, the determinedly multinational East Village music venue as the Live Sound and Recording Engineer. I have recorded, mixed, and collected live performances at Nublu, since 2014, working with a wide variety of international artists. In 2013, I began sharing my recordings in a podcast called “Live Music Recordings of Nublu Classic”.

booking and all requests: zaimkoray @ gmail.com
more mixes at www.mixcloud.com/barisk/
contact me at https://www.instagram.com/barishnikov/
*messages are not checked here

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