Kaine Johnson aka Over Ride, originally From the Amazingly beautiful town of Golden Bay, now resides in sunny Nelson were he was a Resident Dj at Nelsons NZ's infamous Phatclub for over 5 years, An original member of Nelsons Late Roastkru, he is no stranger to the heavyweight side of the New Zealand drum&bass-Dubstep movement.
He has shared the stage with Huge acts such as: 
Andy C, Noisia, Dieselboy, Black Sun Empire, Sigma, Danny Byrd, DjSS, Brookes Brothers, Shockone, Klute, Gridlok, A-sides, Psidream, Outrage, Digital, The Upbeats, Concord Dawn, Bulletproof,... State of Mind, Tiki Taane, Agent Alvin, Trei, Organikismness, Truth, Optimus Gryme, and many more.
In his sets you can expect tight mixing, some of the latest's tunes out in the scene and a whole bunch of fresh NZ Dubplates.
He has a release coming up on New Zealands own Organikismness's label 'Organik_Audio' set for release later this year, Keep an eye out!

ISM (The artist formally known as Organikismness) 

A new direction, A sound refined, ISM, rising from the ashes of New Zealand's drum and bass duo "Organikismness" 

The ISM sound has not fallen to far from the tree from which it started, The production is still stripped back and organic sounding, the vibe is still deep and dark, but the boundary's have been pushed far from that which are normally excepted as bass music.

house music
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jessieandrewsofficial@gmail.com

DUBXL, a.k.a Kyne Beattie is an Electronic Music Producer/Artist from Christchurch(NZ), originally hailing from Palmerston North(NZ). 
An instrumentalist from an early age, this self taught musician is now slave to the studio, with an obsession for beats and bass. 
With inspirations drawing from a very diverse musical background, DUBXL produces with passion, experimenting in all things electronica, all fused together with elements of Dub, Funk, Soul, Jazz &amp; Rock. 
Over a decade's experience as a Dj, when he's not in the studio he's out playing clubs radiating his unique sound, influenced by a love of Soul & Funk, and a lust for Deep & Dark..
DUBXL has played support for Kiwi artists such as Tiki Taane, State of mind, The Upbeats, Truth, Trei and the Nomad.. Also supporting international artists such as Andy C, London Elektricity, Danny Byrd, Cyantific, Logistics, DC Breaks, Jakes & Borgore.

Sit down. Kick back. And relax. #ChillVibesOnly

Submissions: aia.ag/Music-Submissions
Spotify: aia.ag/AIA-Spotify

Tastemaker Brands:
@XXX
@The-Bay
@FirstEdition
@IvoryOasis
@Your_Secret
@Lavish
@DeepSounds
@Wonderlust

Discovery Channels:
@Dubstep
@TrapMusic
@HouseMusic
@Future
@Chill
@Drumstep
@Hip-hop
@Hardstyle

Artist Collectives:
@Hegemon
@WeArePantheon
@ThisIsEchelon

EDM.com :
@EDM
www.Facebook.com/EDM
www.YouTube.com/EDM
www.Instagram.com/EDM

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Levi Olive is following