Pieza interactiva para Flauta y electroacústica // Interactive piece for Flute and electroacoustic sounds -- Saúl Martín, flute - Daniel Schachter, electronics

FlaX

A singing escalator, and a short tune baked of thyme in Italy sing a melancholy song of between worlds across the veil of death's thin melody. Composed while a Fellow at the American Academy in Rome. 

Composed for WE! Kansas City (Jane Gotch and Mark Southerland)

Death's Thin Melody (Up/Down)

«Loads of Loops» , «Oodles of Jingles»

Repetitive and minimalist electroacoustic music

Rafael Munoz Gomez « Ribambelle De Ritournelles »  (2014)

From the little-known "Missa da Pacem," often attributed to Josquin Desprez but likely composed by his Flemish contemporary Noel Bauldeweyn (ca. 1480 - after 1515).  Based on the eponymous plainchant, "Da pacem."  Recorded by Michael Demeyer, live in concert at Old First Concerts, August 21, 2016, San Francisco, CA.

Kyrie from Missa da Pacem

Golden Aspen for flute and electronics.

Flautist: Rodrigo Frade

Golden Aspen (for flute and electronics)

paw-marks in wet cement (2015–17), for piano, two percussionists, and amplified ensemble.
Performed by Wilhem Latchoumia, and the EOC conducted by Daniel Kawka.

Clara Iannotta : paw-marks in wet cement (2015–17), for piano, 2 perc, and ensemble

Ulysses Ensemble + Orchestre Philharmonique de Radio France
for FKA twigs, kite splash and devotional footwork
2018

SLOW.BURN.FOOTWORK

For voice and amplified chamber ensemble

Performed by Madeline Healey and the Refugee Orchestra Project, conducted by Lidiya Yankovskaya

Premiered at National Sawdust, 06.12.18

Constellations

Premier épisode d'une série consacrée aux techniques d'écritures sur support expliquées par Annette Vande Gorne.

Aujourd'hui la percussion-résonance!

Avec les extraits de :
"Métal" extrait de "Tao" - Annette Vande Gorne
"Dynamique de la résonance" extrait de "De Natura Sonorum" - Bernard Parmegiani 


Si vous voulez approfondir le sujet, on vous conseille "Le traité d'écriture sur support" d'Annette Vande Gorne : 
http://www.musiques-recherches.be/fr/edition/la-revue-lien

If you want to deepen the subject, we advise you "The treatise on writing acousmatic music on fixed media" by Annette Vande Gorne :
http://www.musiques-recherches.be/fr/edition/la-revue-lien

Les Energies Episode 1 - Percussion - Résonance

I have often thought of myself as a collector, or perhaps more accurately a hoarder, of sounds. These sounds come from a number of sources including household items, children’s toys, musical instruments, and environmental recordings. The act of manipulating these sounds and placing them in a musical context is a process that relies both on compositional strategies and software tools that I have developed. This work represents one possible result when left to my own devices.

When Left To His Own Devices

Levy Oliveira (1993), born in Congonhas (Brazil), dedicates himself to musical composition since 2010. His music is being played frequently in Brazilian and international festivals and it has also been awarded in competitions in Brazil and abroad. In his creative work, Levy Oliveira aims to understand how the listeners reacts to music and how their expectations are built to posteriorly confirm or deny it. Therefore, the study of psychological terms such as habituation and processing fluency has been a rich source of information to be explored in his music. Electronics is often applied as a way of breaking expectations, increasing the spatial and timbral possibilities available to surprise the listeners. Nonetheless, he has composed for different instrumentations that goes from acousmatic pieces to solo instrument, chamber and orchestral music.

Golden Aspen (for flute and electronics)

Levy Oliveira

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