BOOKINGS & INQUIRIES: studio@nickmonaco.com

Nick Monaco only has one secret — and it's that Nick Monaco is his real name. He's never afraid to be exposed. 

He is a fluid, eclectic spirit, a way of being in the world. He's the guy that you swear that you know from somewhere. But it's not him that you recognize. It's the familiar, essential, pulse of his art and aura.

With his first two albums, Mating Call and Half Naked, Nick Monaco established himself as an irresistibly magnetic, relentlessly creative, and genre-defying artist in dance music. 

Now, with the creation of his new label, UNISEX Records, and his latest works Pop Works and Heroin Disco, he announces himself again as one of the most original and insightful artists working in the genre. 

Always creating music toward the values of inclusivity, radical self-expression, the strange and uncanny, Monaco stands as a powerful and positive force against the homogeneity of mainstream dance music, asking everyone to wave their freak flags high along with him. 

Through his music, enthralling performances, collaborations with artists of all media, impeccable musical curation, and worldwide touring, Nick Monaco has created more than just a holistic sensory experience — he's created a community, a network of lovers.

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

I just want to play music that's all I want to do

Beat and Rhythm addict. 
Label owner of HUSH and Mistress Recordings.

A record label + artist duo

home of Soul Clap, No Regular Play, PillowTalk, Slow Hands, Nick Monaco, Navid Izadi, Wolf + Lamb & friends...

Booking:
North & South America
inbal@prismaartists.com

Rest of World
jmac@crewlove.us

Poet & Radio Presenter Mr Gee: 
Presented BBC Radio 4's "Rhyme & Reason", "Bespoken Word" & 'Poetic Justice"
Starred as "the poet" for the West End run of "Into the Hoods"
Was the "poet laureate" for Russell Brand's SONY Award winning Radio Show (yes I was there during "Sachsgate")
Supported Russell Brand on the "Messiah Complex" tour (first performance poet to do a set at the O2, in front of 17,000 people!),
Had a cameo role in the film "Get Him To The Greek"
Writes current affairs poems for BBC regional radio.
.
"A charming and politically articulate street poet” - The Times 



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