Liverpool born John Murphy began scoring movies at the age of 25. In 2001, following the success of Lock Stock and Two Smoking Barrels and Snatch, he moved to Los Angeles.

Since then he has worked with some of the industry's most respected and luminary filmmakers, including Michael Mann, Danny Boyle, Guy Ritchie, Stephen Frears, and James Gunn, producing film scores as prominent and diverse as Sunshine, Kick-Ass, The Suicide Squad, and the seminal 28 Days Later.

After Kick-Ass Murphy set up the record label Taped Noise and began work on several non-movie projects. His latest film ‘The Suicide Squad’, with James Gunn for Warner Bros, will be released on August 6.

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The Unfinished is me, Matt Bowdler. I am a composer and sound designer, producing synth soundsets and sample libraries - both commercial and bespoke.

My sounds can be heard in Hollywood feature films, hit US and UK television shows and also AAA game scores. If you are interested in using my sound design services, please get in touch.

Here you can listen to demo tracks for my products, little sound design experiments and a whole bunch of other stuff. If you are interested in my composing, please check out my other account at soundcloud.com/matt-bowdler-music

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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