Louie Vega Boiler Room London DJ Set

hard debut from Lex Machina. Pulsing synths

Fall of Man

This is a brief test of various high end large diaphragm microphones with a female vocalist. It was recorded in Moscow at Vintage Studios through an SSL 6056G. The singer is Vera Musaelyan of the band Aloe Vera and the microphones are:
Soyuz SU-017
Soyuz SU-019
Telefunken Ela M 251 E
Telefunken C12
Telefunken U47
Neumann U47 (vintage)
Neumann U87 (vintage)
AKG 414 B-ULS

1 - Vox - SU - 017

YVES TUMOR — Serpent Music
Format: LP / Digital
Cat.No: PAN 73
Release Date: 23 September 2016

http://p-a-n.org/

The enigmatic Tennessee-raised, Turin-based Yves Tumor presents a poignant new album, recorded between Miami, Leipzig, Los Angeles and Berlin over the past three years. 

Evolved from a diverse and prolific creative history under an expansive plethora of covert aliases via various forward-thinking labels, 'Yves Tumor' emerges as his most personal and matured incarnation to date.

With involvement across various artistic outlets expanding to fashion such as a visceral live performance for LA's Hood By Air earlier this year, the global artist has built a distinctly bold personal aesthetic both musically and visually as a performer.

Painstakingly written from pieces developed upon since 2013, the new record, titled 'Serpent Music', was initially composed as a soul record - based around delicate and emotive songwriting in various forms. It was a highly difficult project to undertake on both a creative and personal level, weaving thematic links through paranoia, social anxiety, and missing loved ones. "The songs come from a much more emotional and very vulnerable place... They're very close to me and I've been cautious of how I would eventually present them to the world." he explains. 

The album spans sonically diverse and richly-textured pieces, formed from live, organic instruments, samples and various field recordings. Dreamlike lo-fi psychedelia sits alongside broken electronic experimentations, ambient compositions between abrasive noise offer insight into a haunting otherworld. From melodic choral vocals and soaring synths, to screeching guitar riffs, dramatic spoken word samples and live drumming, 'Serpent Music' evidently moves through a strange and intriguing personal journey.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Daniel Sannwald.

Serpent Music

Yves Tumor - Perdition (PAN 73)

HAPPY VALENTINES DAY FROM ZORENLO LOVERBOI <3

YES OF COURSE IT'S ME SINGING :')

Free Download

'O SOLE MIO - ZORENLO LOVERBOI

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

‘Recompiled I/II’ is the first of two vinyl-only archive releases by Function on A-TON, which include previously unreleased tracks as well as music that has long been out-of-print. ‘Recompiled II/II’ is scheduled for release in October 2017.

A-TON is a new edition and platform of Ostgut Ton, focussing on ambient, archive and alternative music, differing from the club-focussed records on the main label.

“I remember in the early ‘90s when the music was changing so rapidly and it felt so revolutionary, separating my records into piles and thinking ‘I need more of this – there needs to be more of this kind of record.’”

Buy Album

Function | Reykjavik

Drumcode favourite Harvey McKay returns to the label with a darker new sound.

The Glaswegian has been a regular contributor over the years, highlighted by the memorable ‘The Illusion of Control’ EP in 2014 and his newer work with brother Ryan under the Alias moniker. Earlier this year Drumcode released the duo’s ‘Pentatonic’ EP and featured a mix on Adam Beyer’s radio, which included ‘Black Dolphin’, kickstarting the hype on the track.

Named after the infamous Russian prison, the title track is dark, tough, deeply textured brooding affair, with a menacing touch than runs through its core. McKay then brings in a huge synth line and changes up the dynamic of the track, giving it a powerful and driving feel. ‘Retox’ is a dark and twisted heavy-hitting cut, driven by aggressive drums and bassline, while a hypnotic synth line sustains a sense of tension throughout the six-minute track. Concluding the package is ‘Cover Up’, a fantastic stripped back exploration into dark atmospheric techno territory that’s tailor made for the winter warehouse raving season.

Harvey McKay - Black Dolphin - Drumcode - DC182

Original computer music composition, March 2018.