voyage continu

C'est une édition débordante de nouvelle musique fraîchement parue cette semaine qui fait écho à la chronique hebdomadaire publiée ici.
www.boulimiquedemusique.net

Parutions du 8 juillet 2016

Cette édition de la liste de lecture hebdomadaire vous prendra moins que la journée à passer au travers, promis ! Moins est le nouveau plus, c'est le mot d'ordre d'aujourd'hui, mais les trouvailles sont au rendez-vous !

Parutions du 31 juillet 2016

news letter #752

schiev is a Brussels’ based music festival which offers a broad vision of avant-garde pop music while trying to make it accessible to the widest possible audience. The festival aims to showcase an eclectic line-up of innovative belgian and international projects and to present them in an easygoing and relaxed atmosphere. 

During three days, schiev invites the public to discover, discuss and debate a wide and wild range of musical projects. The festival will present what it considers as the most ‘schiev’ artists of the moment: those who seek, innovate and freely experiment.

schiev is a proud member of the Europe Creative funded @shape-platform

schiev Festival 2017

S5 0014+813

I Lie - David Lang

07 THROUGH THE DUST

01 BECOMES APPARENT

ARVO PART - Tabula Rasa - 2nd Mov

Introducing Chúpame El Dedo, a new group formed by Eblis Álvarez (Meridian Brothers) and Pedro Ojeda (Romperayo).
Hailing from Bogotá, Colombia, Chúpame El Dedo (Suck my Finger) deconstruct and manipulate the aesthetics of grindcore and black metal by mixing it with a strong tropical flava made of salsa, cumbia & reggaeton.

For more info go here: http://www.discrepant.net/products/536483-chupame-el-dedo-st


Chúpame El Dedo - La Maté (LP preview)

https://stellaromsource.bandcamp.com/album/nite-glo

Sudden

Wicked Game (Chris Isaak cover) | PIPILOTTI RIST

Cross over and turn
feel the spot don't let it burn
we all want we all yearn
be soft don't be stern

lullaby
was not supposed to make you cry
i sang the words i meant
i sang

Low - Lullaby

@toxe413 - MUSCLE MEMORY EP [CORE003] out now!

ITUNES: itunes.apple.com/se/album/muscle-memory-ep/id1041427594
BEATPORT: pro.beatport.com/release/muscle-memory/1612027
JUNO: junodownload.com/products/toxe-muscle-memory/2894442-02/
SPOTIFY: open.spotify.com/album/2txzfmn21h5hmqiRWemULZ

Toxe - Determina

Special edit for the Blue Lagoon Soundtrack #2

Hjálmar - Hafið (Gluteus Maximus re-work)

From the upcoming double album "Bes" out on Nawa Recordings 29 April 2016.  

Pre-order on iTunes now and download this track immediately: http://smarturl.it/NAWA005IT

Bandcamp: http://smarturl.it/NAWA005BC
Spotify: http://smarturl.it/NAWA005Spotify
CD & LP pre-orders: http://smarturl.it/NAWA005preorders

****************

The Dwarfs of East Agouza is a trio from Cairo, Egypt, featuring Maurice Louca (Alif, Bikya), Sam Shalabi (Land of Kush, Shalabi Effect) and Alan Bishop (Sun City Girls, The Invisible Hands, Alvarius B.).

Born during 2012 when the three were living in the same apartment building in Cairo’s Agouza district, the trio’s instrumental improvisation-based explorations are propelled by Louca’s North African percussion loops and shimmering keys, Shalabi’s West African tinged free jazz guitar and grounded by Bishop’s driving Krautrock-style acoustic bass.

Following many a late night jam session, the band recorded hours of material during a three-day studio run in April 2014. After compiling and mixing the album in Montreal’s Break Glass studio in July 2015, the refined result will be released as a double-album titled Bes via Nawa Recordings (NAWA005) on 2xLP, 2xCD and DL on 29 April 2016.

Named after the Ancient Egyptian dwarf deity who was worshiped as the defender of all things good and enemy of all that is bad, Bes captures the trio on a hypnotic yet unpredictable journey. From the the lilt of four-minute ethiopian tinged Resinance to the 30-minute free-form epic Museum of Stranglers, the album skirts the outer limits of a psychedelic soundtrack to a North African road trip.

Bes by The Dwarfs of East Agouza will be available on CD, black & limited edition coloured 12” vinyl LP and download, including Mastered for iTunes and lossless high-definition 24-bit/96kHz audio files.

The album artwork features a reproduction of an ancient Egyptian carving of the dwarf god Bes, painted by Egyptian artist Raafat Al-Kordy, designed by Iraqi-Palestinian graphic designer and illustrator Sara Sukhun.


Pre-order on iTunes

The Dwarfs of East Agouza - Baka of the Future أقزام شرق العجوزة - باقة المستقبل

02 - Little One

Clarinet Step - Alpha Steppa

The European Idea in the 21. Century

I like e d g. 
These Tones lead you to a change. 
It can be a nice surprise or a Drama. You never know before.

 That‘s Europe 2016.

So lets hope that Europe is strong enough to beat all the brown Zombies popping up everywhere in Euroland and manage the different difficult problems. 

History does not repeat itself, 
and then only as a farce.

I don‘t want to life in a Farce.  
That‘s why I like e d g. 
Sounds like Revolution...

This is a prereleased Track from G. Gras Compilation Album "Europa"

The European Idea in the 21. Century   [ext. Version]

A Sagittariun - Oxidize (Original Mix)

Adriatique - Soul Valley (Original Mix)

from the album 'precious systems' available 7/15

mj guider 'lit negative'

Answer Code Request picks up where he left off with his album (Code, Ostgut Ton, 2014) and 12“ (Calm Down, MDR, 2015): With the Neume EP the Berghain resident offers three new tracks, meandering between restrained club contexts and brittle break beats, machinery and futurist soulfulness.

Answer Code Request | Neume

mule musiq 201
release on 24/6/2016
distributed by kompakt

a let's get away

Mauve Zone, (feat. Catherine Hershey)
Released by Nashazphone (EG) in 2016
Artwork by Antoine Gérard.

Mauve Zone  - LP  - Nashazphone - 2016

Pigeonheart will be released Friday 29th July 2016
Available digitally and on heavyweight 12" vinyl

Pre-Order on iTunes: http://geni.us/3YrO
Pre-Order Vinyl / Exclusive CD Edition(UK):  http://bit.ly/PH_RT
Pre-Order Vinyl (USA): http://bit.ly/PH12USA

www.dmstith.com
www.facebook.com/stithbook
www.twitter.com/dmstith

Sawtooth

Coupler's Blue Room Sessions is available here: 

Back in January 2015, we had the pleasure of hosting Coupler in our Blue Room. The event came to life when these local acousticians and purveyors of deliberate ambience took the stage. It was twenty minutes of captivating and unhurried techno that sounded bucolic at first, then violent, then crumbling, but always with a deft momentum. You could feel it in your gut and in your skull. Coupler’s set was a twenty-minutes mega-moment of song, and we decided the live album needed an accompanying piece. We invited them back to record Side B in October with a full orchestra of nine friends and musicians, and it turned out to be a very special piece exploring the nether-regions where the organic collides with the electronic. However, this wasn’t our typical TMR show. We kept it a relatively intimate affair, with the stage in the center of the room, and only sold a handful of tickets to those interested in seeing a recording process become a performance, making this our first installment in The Blue Room Sessions series. 

If you’re new to the magic of Coupler, you can think of them as an “organization” rather than a band. Ryan Norris’ objectives go beyond leading a band — he aims to use Coupler as a vehicle for writing, photography, installation art, film-scoring, etc, and above all this, he aims to collaborate with the creative people around him that inspire him. In the case of this particular performance, the organization core live members, Rodrigo Avendaño, Rollum Haas and Norris, plus a group of auxiliary players: Adam Bednarik, Mark Bond, Matt Glassmeyer, Mia Krout and Ben Marcantel.  The icing on the cake was Kelli Shay Hix and her light installation.  The performance was tackled from an oblique angle, using group improvisation to reinvent the trajectory as they played. The end result? The birth of a new series, and one of our favorite musical creations to which the Blue Room has ever played host.

Coupler Blue Room Sessions

COUPLER Coupler Blue Room Sessions

Coupler -  Clip From "Invention 4  Silenzio" off Blue Room Sessions

"Without Love" by Descendents from the album 'Hypercaffium Spazzinate,' available July 29th
Pre-order here: https://lnk.to/descendents

Official Site: http://descendentsonline.com/
Facebook: https://www.facebook.com/thedescendents/
Twitter: https://twitter.com/descendents
Instagram: https://www.instagram.com/descendents/

Descendents - Without Love

The legendary Caspa & Rusko are back with their new 'EP 1', out on 29th July. 

Caspa & Rusko - Brixton Blow Out (Rubber Dub)

Download the remix for FREE: https://atlanti.cr/atafreeremix

Get After The Afterparty: https://lnk.to/AfterTheAfterparty

►Subscribe to channel: http://goo.gl/D8kLMn
►Twitter - https://twitter.com/charli_xcx
►Facebook - https://www.facebook.com/charlixcxmusic
►Instagram - https://www.instagram.com/charli_xcx/
►Website: https://xcx.world

►Snapchat: xcxworld

Download

After The Afterparty ft. Lil Yachty (Danny L Harle Remix)

2ème morceau de la face A du premier album de Why The Eye, sorti officiellement le 4 Septembre 2017 sur les labels Angstrom et Plynt.

Why the eye

Plastique - album version

Max Richter - Infra 5

02 Sunlight Zone

1. Figueroa Terrace

Thomas Ankersmit is a musician and installation artist based in Berlin. Since 2006 his main instrument, both live and in the studio, has been the Serge analogue modular synthesizer.

Acoustic phenomena such as sound reflections, infrasonic vibration, otoacoustic emissions, and highly directional projections of sound have been an important part of his work since the early 2000’s.

In the winter of 2011-2012 Ankersmit was invited by the CalArts electronic music studios, Los Angeles, where the Serge was originally developed in the early 1970s, to record new music with their heavily customized and recently restored "Black Serge" system.

Ankersmit used various kinds of waveshaping, distortion and feedback (both internally as well as via a microphone and speaker setup in the studio); oscillator-generated frequencies at the upper and lower limits of auditory perception; a patch matrix to control quick transitions; a homemade circuit-bending type interface to create momentary interruptions to the signal flow, and the scraping of a contact microphone. Aside from recording, editing, and a few instances of reverb no digital technology was used.

The music is finely tuned and highly detailed, yet also visceral and raw. Marked by sharp perceptual contrasts, the piece shifts between dense formations of electric noise, to fields of micro-events moving with an intuitive logic, and feedback-drones of overwhelming intensity. The sounds have a real-world physicality, bringing to mind swarms of locusts, distant storms and creaking machinery rather than "synthesizer music".

The piece was premiered in North America at REDCAT in downtown Los Angeles and in Europe at Berghain, Berlin, for the MaerzMusik Festival.

The music is originally quadraphonic and mixed to stereo for this release. Figueroa Terrace is Ankersmit's first full-length solo studio release.

Thomas Ankersmit: Serge analogue modular synthesizers, contact mic. Recorded at CalArts, Valencia and in Los Angeles, December 2011-February 2012. Thanks to Kye Potter, Kevin Drumm, Valerio Tricoli, Darrel Johansen, Kevin Fortune, and everyone at CalArts.

Buy Thomas Ankersmit "Figueroa Terrace" [CD] in the TouchShop
www.thomasankersmit.com

Figueroa Terrace (excerpt 2)

Èlg et La Chimie - New Album Out NOW!!
https://lachimie.bandcamp.com/album/immense-e-boulis-rouge
booking  - melanie.muraillesmusic@gmail.com