Albums direct @ http://phylumsinter.bandcamp.com
KEEP LOVE ALIVE. KEEP MUSIC GROWING.  
If you dig anything here, please share and repost! 

I appreciate your support. <3!

Latest release 'all media types', available direct from bandcamp. Previous engagements on Point Source Electronic Arts, Detroit Underground, Hopskotch Records, Tympanik Audio, Hymen Records, Enpeg Digital, MMR,  among others.

Dictionary:
Ad·ver·sar·y (ad-v&(r)-"ser-E)

1. An opponent; an enemy.
2. The Devil; Satan. Often used with the.

[Middle English adversarie, from Latin adversrius, enemy, from adversus, against.]

Thesaurus:
One that opposes another in a battle, contest, controversy, or debate: antagonist, opponent, opposer, opposition, oppositionist, resister.

Wikipedia:
In cryptography, an adversary is a malicious entity whose aim is to prevent the users of the cryptosystem from achieving their goal (primarily privacy, integrity and availability of data). An adversary's efforts might take the form of attempting to discover secret data, corrupting some of the data in the system, spoofing the identity of a message sender or receiver, or forcing system downtime.

https://www.residentadvisor.net/dj/mimetic
Musically involved in techno and atmospheric sounds, Mimetic is the reflection of Jérome Soudan’s mind, complex and fascinating. This is a hyperactive musician, often described as an essential piece of the european underground music scene. He first studied piano at conservatory level, leading him to explore and become interested in clarinet, orchestral percussion, drumming and later electronic drumming. Once he finished his musical diploma, Jérôme moved from Lyon to Paris in 1994 and joined Les Tétines Noires. He soon became involved in another project: Von Magnet, where he quickly established himself within the band, due to his drumming talent, as well as his natural skills as a composer. During four years, he lived in Berlin, from 1996 to 2000 while playing and writing in Art Zoyd, he created his own musical project: Mimetic. He is now living in Geneva, working as artistic director of Electron Festival, Présences Electroniques Genève and Headfun.
His first album as Mimetic named ‘Overrated’, received good reviews from the electronic music movement. Far from being stuck on one idea or genre, Mimetic writes for contemporary dance artists (Carol Brown, Jan Linkens, Lionel Hoche), creates the soundtracks of underground movies by director Lech Kowalsky (D.O.A, East in Paradise…). Specific work that he is still involved in currently, he is also collaborating with Sigmasix on a audiovisual installation experiencing the sound in octophony: Vertical Surround.
So far, Mimetic has released 9 albums, many various digipacks, DVDs and also a book. His last album “Where We Will Never Go”, includes collaborations with Mika Vainio, Mira Calix, Niveau Zero and Samael and was remixed by Kangding Ray and Paul Kendall ( NIN, Depeche Mode ).
Not only a successful producer and live artist, Mimetic is a brillant DJ, mixing with ease different styles such as bass music, techno and electronica. He aleady shared the stage with : Surgeon, Ellen Allien, Jeff Mills, Charlotte De Witte, Paula Temple, Nina Kraviz, Robert Hood, Leftfield, Jon Hopkins, Daniel Avery, Rodhad, Max Cooper, Chris Liebing, Slam, Optimo, Agoria, Pantha du Prince, Miss Kittin, Speedy J, The Hacker, Oxia, Sam Paganini, Marcel Fengler, Alan Fitzpatrick, Extrawelt, Roman Flügel, Paco Osuna, Modeselektor, Helena Hauff,….
Behind his machines, he knows how to handle the crowds and to make them move. After 25 years of touring, expressing and improving his art, Mimetic is still following his path, fed by multicultural influences.

Booking : http://mimetic.ch/contact.html

My art practice involves sounds, images and things in-between.  Temporality is an ongoing theme.  Sounds, images and other media evoke different space-times; treating time materially, reflecting on phenomenological, psychic, technological, social and political realities.  My work often involves grids (regular and irregular), pulsed and free time, noise, drones, melodic material that ranges between static, meandering and narrative and directional, the use of voice (including so called “extended techniques”), sounds of indefinite origin with ambiguous properties, the interplay between meticulous and process-based working methods and more intuitive approaches to composing or arranging materials, and the use of relatively “free” improvisation.

I love listening to the radio, great stories, and fantastic creativity. 

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