hey there I ve always loved singing and writing . Lately I ve decided to bite the bullet and put start putting my songs together and record them.
Heres a few of my songs so far and Ill keep adding along the way . Have a listen see if you like them if you do let me know and if not be gentle !!!!

Frontman of Leeds based Punk/R&B band The Attic, in solo mode with acoustic versions of 'Attic classics' and other self-penned tunes with a folky/blues feel.

Saved by the Grace of Jesus Christ

https://www.youtube.com/watch?v=udINAQILM4U

Instagram : @lukeprosserluke

Soul, funk & blues songstress Lizzie Deane has a deeply soulful voice that emulates the sweet melodic and raw belting lines associated with the classic divas. With her warm persona and infectious performance style Lizzie contemporises her musical influences, that include Aretha Franklin, James Brown, The Jacksons, Etta James, Stevie Wonder & Otis Reading.
 
Having performed and toured with many highly-acclaimed artists including Pee Wee Ellis & Fred Wesley (JB Horns), Carleen Anderson, Martha High, Mica Paris, Kim Mazelle and Jocelyn Brown, as well as Boy George, Belinda Carlisle, Howard Jones and Just Jack, Lizzie Deane has a wealth of stage, TV, radio and session experience. She has now stepped out of the shadows with her fabulous band, to rave performance and album reviews. Whilst retaining a strong individual style of her own, Lizzie has drawn comparisons to Aretha Franklin, Dusty Springfield, Amy Winehouse, Janis Joplin, Lisa Stansfield and Joss Stone, 
 
Growing up in the Midlands, Lizzie gained a BA (Hons) Music Degree and Advanced Acting Diploma at the Royal Welsh College of Music & Drama. Following classical training in her school and college years, her musical journey began with choirs and musical theatre, before a spell with various function bands proved to be the catalyst in changing her music career-path. Her voice evolved from a classical soprano into the powerful, soulful instrument she now possesses, enabling her to work with many of the respected artists that have inspired her. Lizzie puts her own stamp on the renowned classics whilst showcasing her own songwriting talent with her original music.


Formed in the summer of 2015, DNCE, which also features guitarist JinJoo Lee, bassist/keyboardist Cole Whittle, and drummer Jack Lawless, was born from Jonas’s long-brewing plan to launch an offbeat pop project inspired by the melodic R&B of Earth, Wind & Fire and Hall & Oates. “I had this vision for about five or six years, but I took some time to hit the reset button and figure out what I wanted to do next,” says Jonas, whose former group the Jonas Brothers started in 2005, went on to sell more than 17 million albums worldwide, and parted ways in 2013. “Once we got going on making this new music,” he continues, “it all just fell together so perfectly.”

In assembling DNCE, Jonas first rounded up some old friends from the road. Born and bred in South Korea, Lee met Jonas while playing lead guitar for Jordin Sparks (the opening act for the Jonas Brothers’ 2009 world tour) and later joined him on a tour supporting his 2011 solo album Fastlife. Also a former touring guitarist for artists like Charli XCX and CeeLo Green, Lee taught herself to play at age 12 in order to join in her older siblings’ band, POS. “I was the youngest and grew up watching them make music and put out albums, which seemed so cool to me,” she says. “At one point they didn’t have a guitarist, so I learned all their songs and they let me in. That was my whole teenage life.”

Another former tourmate of Jonas, Lawless grew up in New Jersey, played in bands in the Asbury Park area throughout high school, and dropped out of college his first semester to replace the drummer who’d quit in the middle of the Jonas Brothers’ fall 2006 tour. “I’d never rehearsed or anything — I just got on the tour bus, and my first time playing with them was at sound check the next day,” he remembers. Lawless then became the band’s full-time drummer, and later toured with indie-pop acts like Night Terrors of 1927 and Soft Swells.

A founding member of Semi Precious Weapons, Whittle started playing piano at six and took up bass at 12. “As soon as I picked up the bass I was addicted,” says Whittle, who hails from Richmond, Virginia. “At school I wouldn’t eat lunch; I’d just sneak into the janitor’s closet and practice bass the whole time.” After graduating from Berklee College of Music, moving to Brooklyn, and playing in the Big Apple Circus band for several years, Whittle joined his freshman-year roommate Tranter in forming Semi Precious Weapons. Initially an underground party band known for their outrageous live show, Semi Precious Weapons had a twist of fate when their longtime fan Lady Gaga invited them out on her worldwide Monster Ball tour. Whittle and his band then spent two years straight on the road with Gaga, later toured with Ke$ha, and broke up in late 2014.

Almost as soon as they started playing together, DNCE had a palpable chemistry and easy camaraderie that they hope to carry over into their audience. “We really want this to feel like a party,” Jonas says. “We want everyone to feel like they’re in on this little world that we’ve created for ourselves.” (Asked to describe DNCE’s live show, he adds: “It’s like going to some club in Europe at 4 a.m. and everybody’s all sweaty and looks like they’re in the Village People. We’re all from different worlds, but we’re all here together.”) And though the band name has its own wacky origin — it’s the next best thing for “when you’re too drunk to spell ‘dance,’” says Jonas — there’s also a deeper meaning that’s got to do with the shedding of self-consciousness. “It’s incomplete, it’s imperfect, but it’s still all right,” says Lee of DNCE’s name and guiding philosophy. “You don’t have to be a great dancer to dance — you can dance however you want to, and still have so much fun. That’s really the beauty of this whole thing.”

IMAGINE... ...if Chet Baker, Sarah Vaughan, Stan Getz and Cannonball Adderley were reincarnated in the body of a rural Shropshire Lass…. Imagine no more, and meet Becki Biggins.

The multi-award-winning singer, songwriter and saxophonist cites Donald Fagen and Michael Brecker as major influences, but her vocal and instrumental sounds, not to mention her smouldering looks, are from waaaaay back. Her first tour as a working musician, aged 13, was to the legendary Mardi Gras in New Orleans, and after such an auspicious and eye-opening start, she unsurprisingly fell in love with jazz music and its history. A couple of National awards and numerous TV and Radio appearances later, and Becki was ready to launch into a career which has already spanned 25 years.

Her forthcoming album, It’s a Man’s World, is a celebration of great songs, written, popularised and inspired by good men performed by a strong, secure woman. Her abilities as a songwriter (she co-wrote three albums with Paul Hardcastle (19, The Wizard) which all went to No.1 in the US jazz charts) are also put to use, as the record is peppered with her own stories and those she’s heard and collected over the years.

It’s a Man’s World ‘highlight[s] various sides of femininity with tenderness and poise’, says London Jazz News, and is a representation of the juxtaposition of Becki’s life - a girl-next-door, homemaker and mother on one hand, and a proud, independent, unashamedly sexy woman on the other.

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