https://move-d.bandcamp.com
http://www.discogs.com/artist/Move+D

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Koris is an artist of trajectory. Trajectory of sets, which the DJ and producer of Swiss origin knows how to put together like sensitive trips, on the outer borders of contemporary electronic trends. An artist’s trajectory too, as Koris is coming back front stage after exploring other creative fields – contemporary dance, urban happening and event layouts.

Coming back to music as well as returning to being himself. A major figure of the international scene since the early 2000s, he is now letting personal inclinations blossom more than ever in terms of deep house, techno and IDM. The eclecticism of his selections envelops the body as much as the mind: in the connections which link one track to another, emerges an organic space, an invitation to poetry and escape.

Starting point: an adolescence of synthesizers, turntables and samplers, tucked away in the basement of the family home, Koris tried out his ear and technique. He was soon invited to the biggest festivals: Mayday, Energy, Street Parade. A set in San Francisco in front of thousands of people in a disused warehouse, launched a career spanning Europe, the United States, Russia and Japan.

With a commitment to making the pulse serve emotion, Koris favors human dimensions of music, powered at the heart of machines as much as in terms of the imagination.

At a time when a new generation of labels and listeners is allowing a culture, which has long been confined to the night, be brought into the light, Koris wants to defend a techno which is one of sharing. "Today, styles and audiences are combining in new ways. I want to go towards this spontaneity."

An innovative, flexible techno is the trajectory which is already shining its first golden light of tomorrow. 

Ghostly International and Spectral Sound. Of Art & Artifice since 1999.

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Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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